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After examining what Scripture teaches about the goal and motive of the Christian life, the author addresses moral dilemmas, human-life issues, sexuality, economic justice, and truthfulness.
Dr. Clyde Kilby was known to many as an early, long and effective champion of C. S. Lewis, and the founder of the Marion E. Wade Center at Wheaton College, IL, for the study of the works of Lewis, J.R.R. Tolkien and other members of the Inklings. Less known is that Dr. Kilby was also an apologist in his time for arts, aesthetics and beauty, particularly among Evangelicals. This collection offers a sampler of the work of Dr. Clyde Kilby on these themes. He writes reflections under four headings: "Christianity, Art, and Aesthetics"; "The Vocation of the Artist"; "Faith and the Role of the Imagination"; and "Poetry, Literature and the Imagination." With a unique voice, Kilby writes from a specific literary and philosophical context that relates art and aesthetics with beauty, and all that is embodied in the classics. His work is particularly relevant today as these topics are being embraced by Protestants, Evangelicals, and indeed people of faith from many different traditions. A deeply engaging book for readers who want to look more closely at themes of art, aesthetics, beauty and literature in the context of faith. "What a great gift to read the collected writings of this gentle, brilliant visionary, teacher and friend! I can say, like so many others, it was Clyde Kilby who set my course in life. Like the dandelions he tended all winter, we flourished under his wisdom and care. Now his remarkable words on the page act as a kind of resurrection. We can hear his voice again and bless his memory." —Luci Shaw, Poet, Writer in Residence, Regent College Author of Thumbprint in the Clay "The Arts and the Christian Imagination is a landmark book. Its scope is breathtaking, bringing together in one place well-known "signature" essays by Clyde Kilby and unknown but equally excellent ones. The essays in this book, masterfully edited, sum up what a whole era wanted to say about literature and art in themselves and in relation to the Christian Faith." —Leland Ryken, Professor Emeritus English, Wheaton College, Author of The Christian Imagination "It was my great privilege to take several classes with Clyde Kilby when I was a student at Wheaton. Now a new generation, and readers far from the Chicago suburbs, have the chance to experience the sparkle, wit, aesthetic insight, and deep Christian commitment that made Kilby such an unusually captivating teacher. Even without his hobbit-like presence, his words remain a true inspiration." —Mark A. Noll, Author of Jesus Christ and the Life of the Mind, Francis A. McAnaney Professor of History, University of Notre Dame "Thousands owe to this giant of Wheaton their ability to hear literary voices with Gospel-tuned ears. This sampler of his hugely influential writing will make the reader profoundly grateful for a man whose legacy is beyond measure." —Jeremy Begbie, Thomas A. Langford Research Professor of Theology — Duke Divinity School, Director of Duke Initiatives in Theology and the Arts "Samuel Johnson said people need to be reminded more often than they need to be instructed. Dr. Kilby reminds us of what it means to be made in the image of God and how art, in our creation and reception of it, illuminates, articulates and glorifies that original great mimesis. With wisdom and relevance, this collection provides a touchstone for the spiritual thinker in its reconciliation of art's true and beautiful purpose with the unspeakable, inimitable mystery of God." —Dr. Carolyn Weber, Professor and speaker, Award-winning author of Surprised by Oxford; Holy is the Day "To read the reflections of C.S. Kilby on art and the Christian imagination is to engage one of the most pertinently constructive interior critiques of American evangelical culture in the 1960's. His biblically formed imagination saw good and truth in what seemed to many of his generation astonishing places—French Catholic philosophers, agnostic novelists, psychic experimentalists, off-beat artists, mathematicians, mentally disturbed poets--and he asked fellow evangelicals, comfortably certain of the categories of their own perception, to examine whether or not some alien accounts did not square better with a biblical view of the human person than their own rigidities. To read these essays is to hear again his distinctively gentle voice in the classroom, and once again to gather many pearls of wisdom." —David Lyle Jeffrey, Distinguished Professor of Literature and the Humanities Honors Program, Senior Fellow, Baylor Institute for Studies in Religion, Baylor University "As I read Dr. Kilby's words in this book, "Love, not duty, sends the artist forth," I recalled my class with him fifty years ago. I can still almost hear his voice as he read from Wordsworth: "what we have loved others will love, and we will show them how." That line perfectly describes Clyde Kilby's life and work. As his student, I love what my dear Professor of English literature loved. I treasure this collection of his essays on Arts and Christian Imagination." —G. Walter Hansen, Professor Emeritus Fuller Seminary, Co-author of Through Your Eyes: Dialogues on the Paintings of Bruce Herman
"Lost Treasures of the Bible contains photographs and detailed descriptions of more than one hundred biblically significant archaeological objects housed in over twenty-five museums worldwide. Clyde Fant and Mitchell Reddish's selection of artifacts - many of them relatively unknown - illuminates the history, culture, and practices of the biblical world as a whole. Each entry also explains that particular object's relevance for understanding the Bible and locates the artifact not only at its museum site but also by its specific identification number, which is particularly valuable for smaller and lesser-known objects - true "lost treasures.""--BOOK JACKET.
Preston Clearwater has been a criminal since stealing two chain saws and 1600 pairs of aviator sunglasses from the Army during the Second World War. Back on the road in post-war North Carolina, a member of a car-theft ring, he picks up hitch-hiking Henry Dampier, an innocent nineteen-year-old Bible salesman. Clearwater immediately recognizes Henry as just the associate he needs -- one who will believe is working as an F.B.I. spy; one who will drive the cars Clearwater steals as Clearwater follows along in another car at a safe distance. Henry joyfully sees a chance to lead a dual life as Bible salesman and a G-man. During his hilarious and scary adventures we learn of Henry's fundamentalist youth, an upbringing that doesn't prepare him for his new life. As he falls in love and questions his religious training, Henry begins to see he's being used -- that the fun and games are over, that he is on his own in a way he never imagined.
This book examines in depth and at length what the Old Testament and the New Testament hold about the salvation of God's 'other peoples'. The Bible repeatedly witnesses to the universal scope of the divine love for all human beings and the chances of salvation that are available to them. Since the Israelites experienced for many centuries, both at home and abroad, the religion and culture of numerous other peoples, the Old Testament texts have much to say, both positively and negatively, about the religious prospects and destiny of these peoples. In its second half this book scrutinizes what Jesus, the evangelists, Paul and the Letter to the Hebrews indicate about God's loving designs for all human beings. At the end, the book breaks new ground by developing the universal presence of the risen Jesus (along with the Holy Spirit) and his role as universal Wisdom, and the full teaching of the Letter to the Hebrews on the possibility of faith for all people.
According to recent surveys and studies, race relations in the United States are the worst they've been since the 1990s, and many would argue that life for most minorities has not significantly improved since the civil rights era of the 1960s. For so many, the dream of true equality has dissolved into a reality of prejudice, fear, and violence as a way of life. John M. Perkins has been there from the beginning. Raised by his sharecropping grandparents, Perkins fled Mississippi in 1947 after his brother was fatally shot by a police officer. He led voter registration efforts in 1964, worked for school desegregation in 1967, and was imprisoned and tortured in 1970. Through it all, he has remained determined to seek justice and reconciliation based in Christ's redemptive work. "Justice is something that every generation has to strive for," he says. And despite the setbacks of recent years, Perkins finds hope in the young people he has met all across the nation who are hard at work, bringing about reconciliation in God's name and offering acceptance to all. Dream with Me is his look back at a life devoted to seeking justice for all God's people, as well as a look forward to what he sees as a potentially historic breakthrough for people of every race.
Business and the businessman have had a fundamental place in American society since the inception of the nation. This tenet, the ‘gospel of wealth’, is a central concern in the novels of Theodore Dreiser and his contemporaries. First published in 1987, this study sets this group of writers in their historical context and shows how they elaborated the idea of wealth as an object of quasi-religious quest. What had previously been associated with disease and darkness, avarice and dishonour, now came to emblematise the virtues of thrift, prudence and diligence. The underlying argument is that the dominant group of a society legitimises its power through the appropriation of the vocabulary of religion, and the American business leaders were successful in doing this both in their own practice and through the more insidious medium of art. A detailed analysis, this reissue will be of particular value to students of American literature with an interest in the relationship between linguistic symbols and social order, and historical attitudes towards wealth in literature.