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"The Gospel According to Ayn Rand" contains much of the text that appeared in "It Usually Begins with Ayn Rand"-somewhat revised and edited to conform to modern style-plus new chapters dealing with events that took place after the book was first published. Some of the new material deals with my campaign for Governor of New York as the Free Libertarian Party candidate, plus thoughts on my current political and spiritual leanings. The perennial success of "It Usually Begins with Ayn Rand" has startled no one more than me. Sales started slowly, then began to pick up over the years, until the book became an underground classic that has gained readership over the decades. "The Gospel According to Ayn Rand" and "It Usually Begins with Ayn Rand" should be read as political memoir, first-hand accounts of a political movement, mostly fact, but with fictional elements and hyperbole added for effect. A reviewer once said that most memoirs are neither fact nor fiction; they are the truth as the author remembers it. So it is with "The Gospel According to Ayn Rand" and its predecessor, "It Usually Begins With Ayn Rand."
The Soul of Atlas: Ayn Rand, Christianity, A Quest for Common Ground by Mark Henderson (Reason Publishing) is a very engaging, autobiographical account of the author's experience growing up as a son/stepson, caught between the two world views of his father and stepfather-devout Christian and committed follower of Ayn Rand, respectively. Henderson examines the underlying principles of Christianity and Objectivism, challenging readers to approach the seemingly contradictory world views with a fresh perspective and an open mind. The Soul of Atlas leads the reader through a powerful dialogue between two worlds, addressing such topics as Capitalism, Selfishness, Power, and even Joy. Henderson challenges readers to uncover the commonalities between these world views. What they will discover, as Henderson himself discovered, is that reason cannot rule out the need for faith, nor faith the need for reason. Indeed, we need both. "Something about these two domains of thought...is deeply compelling to many Americans," Henderson writes in the introduction to The Soul of Atlas. "Given that fact, one would imagine that there are shelves of books comparing and contrasting these ideologies. In fact, there are not. To date, the Conversation between Objectivism and Christianity has not played out. There is common ground to stand on, though, and people who adhere to either one of these two world views need to engage with each other and cooperate. It's vital today more than ever."
Ayn Rand’s philosophy has once again found an important part on the American political stage. With the rise of the Tea Party movement, her political and economic philosophy has infused the American public discourse with a new Libertarian vitality. Ironically, many of her new followers identify themselves as committed Christians, a prospect that Rand herself would have rejected. This book critically reviews Rand’s secular-atheist philosophy of religion, which includes her theory of altruism, collectivism, and statism, and asks the questions: How did Ayn Rand become conservative Christians’ favorite atheist?; Can Christianity, or any other prophetic religion, be reconciled with her philosophy of greed, selfishness, and capitalism?; Can one be both a Christian and a dedicated follower of Ayn Rand?; Can one appropriate her political and economic philosophy while rejecting her radical atheism and anti-religious stance?
This bestselling biography of one of the 20th century's most remarkable and controversial writers is now available in paperback. Author Barbara Branden, who knew Rand for nineteen years, provides a matchless portrait of this fiercely private and complex woman.
Ayn Rand’s complicated notoriety as popular writer, leader of a political and philosophical cult, reviled intellectual, and ostentatious public figure endured beyond her death in 1982. In the twenty-first century, she has been resurrected as a serious reference point for mainstream figures, especially those on the political right from Paul Ryan to Donald Trump. Mean Girlfollows Rand’s trail through the twentieth century from the Russian Revolution to the Cold War and traces her posthumous appeal and the influence of her novels via her cruel, surly, sexy heroes. Outlining the impact of Rand’s philosophy of selfishness, Mean Girl illuminates the Randian shape of our neoliberal, contemporary culture of greed and the dilemmas we face in our political present.
Exhaustively annotated and illustrated, this explosive work of history unearths clues that finally demonstrate the truth about one of the world’s great religions: that it was born out of the conflict between the Romans and messianic Jews who fought a bitter war with each other during the 1st Century. The Romans employed a tactic they routinely used to conquer and absorb other nations: they grafted their imperial rule onto the religion of the conquered. After 30 years of research, authors James S. Valliant and C.W. Fahy present irrefutable archeological and textual evidence that proves Christianity was created by Roman Caesars in this book that breaks new ground in Christian scholarship and is destined to change the way the world looks at ancient religions forever. Inherited from a long-past era of tyranny, war and deliberate religious fraud, could Christianity have been created for an entirely different purpose than we have been lead to believe? Praised by scholars like Dead Sea Scrolls translator Robert Eisenman (James the Brother of Jesus), this exhaustive synthesis of historical detective work integrates all of the ancient sources about the earliest Christians and reveals new archeological evidence for the first time. And, despite the fable presented in current bestsellers like Bill O’Reilly’s Killing Jesus, the evidence presented in Creating Christ is irrefutable: Christianity was invented by Roman Emperors. I have rarely encountered a book so original, exciting, accessible and informed on subjects that are of obvious importance to the world and to which I have myself devoted such a large part of my scholarly career studying. In this book they have rendered a startling new understanding of Christianity with a controversial theory of its Roman provenance that is accessible to the layman in a very powerful way. In the process, they present new and comprehensive archeological and iconographic evidence, as well as utilizing the widest and most cutting edge work of other recent scholars, including myself. This is a work of outstanding and original scholarship. Its arguments are a brilliant, profound and thorough integration of the relevant evidence. When they are done, the conclusion is inescapable and obviously profound. Robert Eisenman, Author of James the Brother of Jesus and The New Testament Code "A fascinating and provocative investigative history of ideas, boldly exploring a problem that previous scholarship has not clearly or credibly addressed: how (and why!) the Flavian dynasty wove Christianity into the very fabric of Western civilization." -Mark Riebling, author of Church of Spies: The Pope's Secret War Against Hitler
Ayn Rand remains a truly significant figure of modern philosophy. Her unique vision of a world in which man, relying on reason, acts wholly for his own good is skillfully developed and illustrated in her most famous novels, Atlas Shrugged and The Fountainhead. But Rand's first novel, We the Living, a lesser-known but no less important book, offers an early form of the author's nascent philosophy—the philosophy Rand later called Objectivism. In the second edition, Robert Mayhew once again brings together pre-eminent scholars of Rand's writing. The edition includes three new chapters, as well as an epilogue by renowned Rand-scholar Leonard Peikoff. In part a history of We the Living, from its earliest drafts to the Italian film later based upon it, Mayhew's collection goes on to explore the enduring significance of Rand's first novel as a work both of philosophy and of literature. For Ayn Rand scholars and fans alike, this enhanced second edition is a compelling examination of a novel that set the tone for some of the most influential philosophical literature to follow.
What is art? The arts establishment has a simple answer: anything is art if a reputed artist or expert says it is. Though many people are skeptical about the alleged new art forms that have proliferated since the early twentieth century, today's critics claim that all such work, however incomprehensible, is art. A groundbreaking alternative to this view is provided by philosopher-novelist Ayn Rand (1901–1982). Best known as the author of The Fountainhead and Atlas Shrugged, Rand also created an original and illuminating theory of art, which confirms the widespread view that much of today's purported art is not really art at all. In What Art Is, Torres and Kamhi present a lucid introduction to Rand's esthetic theory, contrasting her ideas with those of other thinkers. They conclude that, in its basic principles, her account is compelling, and is corroborated by evidence from anthropology, neurology, cognitive science, and psychology. The authors apply Rand's theory to a debunking of the work of prominent modernists and postmodernists—from Mondrian, Jackson Pollock, and Samuel Beckett to John Cage, Merce Cunningham, and other highly regarded postmodernist figures. Finally, they explore the implications of Rand's ideas for the issues of government and corporate support of the arts, art law, and art education. "This is one of the most interesting, provocative, and well-written books on aesthetics that I know. While fully accessible to the general reader, What Art Is should be of great interest to specialists as well. Ayn Rand's largely unknown writings on art—especially as interpreted, released from dogma, and smoothed out by Torres and Kamhi—are remarkably refined. Moreover, her ideas are positively therapeutic after a century of artistic floundering and aesthetic quibbling. Anyone interested in aesthetics, in the purpose of art, or in the troubling issues posed by modernism and post modernism should read this book." —Randall R. Dipert Author of Artifacts, Art Works, and Agency "Torres and Kamhi effectively situate Rand's long-neglected esthetic theory in the wider history of ideas. They not only illuminate her significant contribution to an understanding of the nature of art; they also apply her ideas to a trenchant critique of the twentieth century's 'advanced art.' Their exposure of the invalidity of abstract art is itself worth the price of admission." —Chris Matthew Sciabarra Author of Ayn Rand: The Russian Radical "Rand's aesthetic theory merits careful study and thoughtful criticism, which Torres and Kamhi provide. Their scholarship is sound, their presentation is clear, and their judgment is refreshingly free from the biases that Rand's supporters and detractors alike tend to bring to considerations of her work." —Stephen Cox University of California, San Diego
In Money, Greed, and God: Why Capitalism is the Solution and Not the Problem, Senior Fellow at the Discovery Institute Jay W. Richards and bestselling author of Indivisible: Restoring Faith, Family, and Freedom Before It's Too Late and Infiltrated: How to Stop the Insiders and Activists Who Are Exploiting the Financial Crisis to Control Our Lives and Our Fortunes, defends capitalism within the context of the Christian faith, revealing how entrepreneurial enterprise, based on hard work, honesty, and trust, actually fosters creativity and growth. In doing so, Money, Greed, and God exposes eight myths about capitalism, and demonstrates that a good Christian can be a good capitalist.
The revolutionary literary vision that sowed the seeds of Objectivism, Ayn Rand's groundbreaking philosophy, and brought her immediate worldwide acclaim. This modern classic is the story of intransigent young architect Howard Roark, whose integrity was as unyielding as granite...of Dominique Francon, the exquisitely beautiful woman who loved Roark passionately, but married his worst enemy...and of the fanatic denunciation unleashed by an enraged society against a great creator. As fresh today as it was then, Rand’s provocative novel presents one of the most challenging ideas in all of fiction—that man’s ego is the fountainhead of human progress... “A writer of great power. She has a subtle and ingenious mind and the capacity of writing brilliantly, beautifully, bitterly...This is the only novel of ideas written by an American woman that I can recall.”—The New York Times