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Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.
Mallins Wood is under threat, and with it the home of the last remaining gorgon - a mythical creature that can kill with a look. Only a handful of people know that she still exists. Col and his mother are among them, and both are determined to save her, and the forest. While Col tries to rally support amongst the locals, his mum is hatching a more deadly plan. Egged on by the evil shapeshifter Kullervo, she is ready to sacrifice Col's best friend, Connie, to protect the gorgon. But first she needs Col to lure Connie to the gorgon's lair...
Mythical creatures still exist, hidden from the modern world by a secret society determined to keep these wild and mysterious creatures safe from those who wish to destroy them.
Connor O`Goyle IS Monster Boy!
Magical Mallins Wood is under threat from developers. Unknown to everyone but the members of the top secret Society for the Protection of Mythical Creatures, the wood is the home of the last gorgon, a creature so deadly she can kill with a look. Col's difficult mother is the gorgon's Companion - a human with a special bond with the gorgon - and she's determined to save it. So determined, that she'll allow the evil shapeshifter Kullervo to help her, even if it means having to sacrifice her son to him. But Kullervo wants more than to help the gorgon. He wants universal power, and he needs Col's best friend Connie to get it. Col's mum tells Col that she wants to meet this powerful girl. But is it a trap? And, if so, who is the hunter, and who the hunted?
Cassandra Klein accidently drags her friend and Deputy Principal into the fantastical world of Morphea.
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.
Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.
"Originally published in the UK by Oxford University Press, 2006."