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The Furniture from Tumulus MM, The Gordion Wooden Objects, volume 1, is a study of the furniture from the largest tomb at Gordion, Turkey, excavated in 1957 by the University of Pennsylvania Museum. The tomb dates to the eighth century BC and is thought to be the burial of the great Phrygian king Midas or his father. The objects, initially misunderstood, are now identified as nine tables, two serving stands, two stools, a chair, and an open log coffin. Three pieces are ornately carved and inlaid with religious symbols and complex geometric motifs. The wooden objects from Gordion are now recognized as the most important collection of well preserved wooden artifacts excavated from the Near East. Included in this volume are new photographs, reconstruction drawings, and eight scientific/technical appendices. Contributors include: Harry Alden, Burhan Aytuğ, Mary W. Ballard, Robert A. Blanchette, Roland Cunningham, Laure Dussubieux, Patrick E. McGovern, Benjamin Held, Walter Hopwood, Joseph Koles, Lynn E. Roller, Krysia Spirydowicz. "...this work goes well beyond a typical site-specific object catalogue and makes important contributions to a wide range of scholarly fields, both technical and conceptual, from textile and wood analysis to anthropological and religious studies." Elizabeth P. Baughan, University of Richmond “The book succeeds in its main aims of making available every scrap of information about the finds, and it illuminates form, techniques, and function in a most convincing and stimulating manner.” Catherine M. Draycott, Courtauld Institute of Art
This book details 18 years of research and conservation work on the wooden furniture and small objects excavated at the site of Gordion, Turkey, by the University of Pennsylvania Museum between 1950 and 1973, uncovering what is now considered to be the most important collection of well-preserved wooden objects surviving from the ancient Near East. Forty-seven pieces of fine furniture and more than 70 wooden sculptures and household objects were recovered from the three largest tombs at Gordion, once considered to be the tombs of King Midas, who ruled the kingdom of Phrygia from Gordion in the eighth century B.C.
Gordion is a paramount site for understanding the culture of central Anatolia over more than 3,000 years, from the Bronze Age to the Medieval period, but is most renowned for its Iron Age horizon, when it was royal capital of the mighty Phrygian kingdom. The hundreds of bone and ivory artifacts excavated at Gordion constitute a highly diverse body of material, and this publication presents one of the largest and most important assemblages of its kind in the Near East. The artifacts give remarkable insight into the tools used in crafts and manufacturing processes, a variety of decorative items, the artistic developments among local craftspeople, as well as indications of trading connections with other regions to the east and west. Ivory was a highly valued material used for decorative pieces in many areas around the eastern Mediterranean. The objects from Gordion are a significant addition to this corpus and illustrate both widely dispersed features common in other contemporary ivory-working centers, as well as the singular motifs and styles that developed in the Phrygian milieu. A unique assemblage of ivory horse trappings from the Early Phrygian Citadel are an important illustration of this cultural confluence. While bone was primarily used for strictly utilitarian objects, there are numerous pieces that show this lowly material could be used for high quality items such as inlays set into the wooden furniture exceptionally attested at Gordion. Even the sheep knuckle bone (astragal), decorated with incised designs and letters, gives a glimpse into the daily life in the community.
Some of the most dramatic new discoveries in Asia Minor have been made at Gordion, the Phrygian capital that controlled much of central Asia Minor for close to two centuries. The most famous ruler of the kingdom was Midas, who regularly negotiated with Greeks in the west and Assyrians in the east during his reign. Excavations have been conducted at Gordion over the course of the last 60 years, all under the auspices of the University of Pennsylvania Museum of Archaeology and Anthropology. In spite of the economic and political importance of Gordion and the Phrygians, the site is consistently omitted from courses in Old World archaeology, primarily because Gordion lies too far to the west for many Near Eastern archaeologists, and too far to the east for classical archaeologists. Moreover, there is no book that offers a comprehensive and up-to-date assessment of the material culture of Gordion during the Phrygian period, a gap that will be filled by this volume. The chapters cover all aspects of Gordion's Phrygian settlement topography from the arrival of the Phrygians in the tenth century B.C. through the arrival of Alexander the Great in 333 B.C., focusing on the site's changing topography and the consistently fluctuating interaction between the inhabitants and the landscape. A reexamination of the material culture of Phrygian Gordion is particularly timely, given the dramatic recent changes in the site's chronology, wherein the dates of many discoveries have changed by as much as a century. The authors are among the leading experts in Near Eastern archaeology, historic preservation, paleobotany, and ancient furniture, and their articles highlight the interdisciplinary nature of the Gordion project. A significant component of the book is a new color phase plan of the site that succinctly presents the topography in diachronic perspective.
Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources--from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims.
In 1950, the University of Pennsylvania Museum of Archaeology and Anthropology began excavations at the ancient Phrygian capital of Gordion in central Turkey. The Museum's Gordion Project continues today, with researchers from many disciplines and with many specializations contributing to a growing—and sometimes changing—body of information and understanding about this complex and multifaceted site, inhabited by peoples and diverse civilizations for millennia. In this volume of Gordion Special Studies, Lynn E. Roller focuses on a series of stone blocks with incised figural and abstract drawings recovered from early Phrygian structures at Gordion. The great majority of the incised stones come from a single structure within the Early Phrygian citadel at Gordion known as Megaron 2, a stone building with several remarkable features and a likely candidate for the citadel's temple. The volume begins with a description of the excavation of the stones and a discussion of Megaron 2. Next is an analysis of the subject matter of the drawings by type, describing scenes of human figures, animals, architectural drawings, geometric patterns, and formless marks. A discussion follows of the sources from which the drawings could have been taken and of parallels with similar scenes and designs on objects in other media from Gordion and other contemporary sites in Anatolia. The fourth section proposes an explanatory hypothesis on the origin of the drawings, and considers who could have made them and why. Parallels with comparable drawings from Anatolia and the Near East are discussed here. The final section summarizes the contribution of the drawings to our understanding of the development of the Early Phrygian material at Gordion. University Museum Monograph, 130