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Leave your family peace of mind with this new approach to wills and estates Whenever Elizabeth Arnold tells people her specialty, they usually share their own family dilemmas. Maybe Dad left behind a misguided or inadequate will. Maybe Aunt Sue nabbed the vase that wasn’t in Grandma’s will and Aunt Pat hasn’t spoken a kind word to her since. Maybe Sis can’t decide who should get the kids in case of a tragedy, so she doesn’t have any will at all. Such tales of woe have nothing to do with legal or tax problems. The real issues behind wills gone wrong—or wills that never get off the ground—are the human ones. Creating the Good Will tackles the important human dimensions that most books about wills fail to address. Arnold teaches her readers that wills are not just legal documents but also heartfelt emotional tools.
In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion. Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.
As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.
Will Rogers: Ambassador of Good Will, Prince of Wit and Wisdom, first published in 1935, is an affectionate look at the great humorist, philanthropist, cowboy, newspaper columnist, movie- and vaudeville-star. Rogers, noted for his kindness to all he met, wrote his epitaph: “'I joked about every prominent man of my time, but I never met a man I didn't like.' I am so proud of that, I can hardly wait to die so it can be carved.” Rogers and aviator Wiley Post died in a plane crash near Point Barrow, Alaska, on August 15, 1935. Rogers was 55 at the time of his death. Included are numerous quotes of Will Rogers and 24 pages of photographs.
'Curl up in a chair with Fenella J Miller's characters and lose yourself in another time and another place.' Lizzie Lane As war looms, can they keep the home fires burning? Lady Joanna Harcourt and her daughter Sarah discover their life of luxury at Goodwill House is over. Because with Lord Harcourt away fighting, the Harcourt girls are facing financial ruin. Lady Joanna is terrified of losing their home, but for Sarah, this means her dreams of becoming a doctor are over. Headstrong Sarah isn’t one to quit! War or not, she’s determined to find a way to save her home and follow her dreams– whatever it takes! Dashing RAF officer Angus Trent might just save the day. The new RAF base at Manston will soon be full of young women all hoping to serve their country, and Goodwill House will make the perfect home for them. But can Sarah convince Lady Joanna to agree to her plan? Angus has never met a woman quite like Sarah – courageous, brave, unwavering. She has a huge task ahead of her, but if anyone can do it, his war girl can. Book 1 in the brand new Goodwill House series by bestselling author Fenella J. Miller Praise for Fenella J. Miller: 'Curl up in a chair with Fenella J Miller's characters and lose yourself in another time and another place.' Lizzie Lane 'Engaging characters and setting which whisks you back to the home front of wartime Britain. A great start to what promises to be a fabulous series.' Jean Fullerton
A Chinese boy struggles to adapt to life in the big city In Chinatown, the streets are crowded and the air is filled with delicious smells. Felix Fong and his family just moved to San Francisco from a town in the countryside, and they have never seen so many people. Felix’s siblings are thrilled by the constant hustle and bustle, but he misses their old house. He liked having grass to play in and a pond to swim in. The city is overwhelming, and it doesn’t feel like home. But soon Felix begins to have adventures in San Francisco. He makes friends and even gets a job. Before he knows it, he forgets about being homesick and learns to fall in love with the city.
A collection of blistering, darkly humorous stories that upend the idyllic image of the Greek holiday island. Seeking to escape the paralyzing effects of the Greek economic crisis, a group of Athenian friends move to an Aegean island in the hopes of starting over. Viewed with suspicion and disdain by the locals, they soon find themselves enmeshed in the same vicious cycle of money, power, and violence they thought they had left behind.
Johan is a cold and calculating killer with a mysterious past, and brilliant Dr. Kenzo Tenma is the only one who can stop him! Conspiracy and serial murder open the door to a compelling, intricately woven plot in this masterwork of suspense. “Once upon a time, there lived a monster without a name. He wanted a name very badly. So one day he made up his mind to set out on a journey to find a name.” How could this strange Czech children’s story have upset Johan so much? Does the book hold any clues to the mystery of Johan’s birth? One mystery leads to another as events unfold. The border police spot Tenma when he tries to smuggle himself into the Czech Republic to look for Johan’s mother. With the help of Grimmer, a freelance journalist, Tenma manages a narrow escape. Though the two men part without discussing what brought them together, Grimmer is also deeply interested in the same thing Tenma is looking for—511 Kinderheim, which once existed in East Germany. The story moves to the streets of Prague…
First published in 2002. This is Volume X of twelve in the Library of Philosophy series on Ethics. Written in 1927, this book presents a study in the Coherence Theory of Goodness and looks at areas of will and its context, self and self-knowledge, the world and self and develops into the will as immediate and as individual. The book ends on will as both moral and social. It looks at goodness on two main sides The first is that goodness has its roots in the spiritual activity called willing; that it belongs to things, not in themselves, but as objects of some kind of willing. The second is that goodness belongs to the coherent will; that different kinds of goodness, whether in actions or in things, are due to the different kinds of coherence in the will which wills them; and that moral goodness in particular belongs to a will which. is coherent as a member of an all-inclusive, society of coherent wills.