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This Novel will take you into the lives of several different black women who have different ways of surviving. Andrea is the C.E.O of her own multi-million dollar cleaning company. Mrs. Scott, who holds several degree ́s, is a retired college professor and battling stage four breast cancer. Then there ́s the beautiful "green eyed monster" Tranasha, who hasn ́t finished high school, can ́t keep a job and doesn ́t want one... But hey, she has her own lottery ticket to help her get out of the ghetto and her fiancee, Mr. Jordan Kyle Scott III, who owns a multi-million dollar commercial real estate company. If Tranasha ́s mother, Mildred has anything to say about it, Traci better use any means necessary to Trap Jordan, even lie about the paternity of their son Jamaal. Traci ́s mother, Mildred, who comes from five generations of welfare recipients, has no problem marrying elderly men just for their money, and if you get in her way, she will cut you. She ́s even given up her own children for a man... Come and explore these characters with me and other interesting women that will keep you wondering, what ́s next?
“Remarkable . . . The Way You Make Me Feel affirms that Black and Brown existence in America comes with no guarantee of collective solidarity, no innate promise of racial equality. The path to justice is uncertain, Sharma reminds us, and we must each work hard—and be bold enough to sacrifice our own comfort—to actualize it.” —Washington Post A hilarious and moving memoir in essays about love and allyship, told through one Asian and Black interracial relationship When Nina Sharma meets Quincy while hitching a ride to a friend’s Fourth of July barbecue, she spots a favorite book, Maxine Hong Kingston’s The Woman Warrior, in the back seat of his cramped car, and senses a sadness from him that’s all too familiar to her. She is immediately intrigued—who is this man? In The Way You Make Me Feel, Sharma chronicles her and Quincy’s love story, and in doing so, examines how their Black and Asian relationship becomes the lens through which she moves through and understands the world. In a series of sensual and sparkling essays, Sharma reckons with caste, race, colorism, and mental health, moving from her seemingly idyllic suburban childhood through her and Quincy’s early sweeping romance in the so-called postracial Obama years and onward to their marriage. Growing up, she hears her parents talk about the racism they experienced at the hands of white America—and as an adult, she confronts the complexities of American racism and the paradox of her family’s disappointment when she starts dating a Black man. While watching The Walking Dead, Sharma dives into the eerie parallels between the brutal death of Steven Yeun’s character and the murder of Vincent Chin. She examines the trailblazing Mira Nair film Mississippi Masala, revolutionary in its time for depicting a love story between an Indian woman and a Black man on screen, and considers why interracial relationships are so often assumed to include white people. And as she and Quincy decide whether to start a family, they imagine a universe in which Vice President Kamala Harris could possibly be their time-traveling daughter. Written with a keen critical eye and seamlessly weaving in history, pop culture, and politics, The Way You Make Me Feel reaffirms the idea that allyship is an act of true love.
A searing YA debut that follows the joys, complexities, and heartbreaks of an interracial romance between high school sophomores that blossoms during a volatile school election Uly would rather watch old Westerns with his new girlfriend, Sallie, than get involved in his school's politics—why focus on the “bad” and “ugly” when his days with Sallie are so good? His older sister Regina feels differently. She is fed up with the way white school-body presidential candidate Leona Walls talks about Black students. Regina decides to run against Leona . . . and convinces Uly to be her campaign manager. Sallie has no interest in managing her sister's campaign, but how could she say no? After their parents' death, Leona is practically her only family. Even after Leona is accused of running a racist campaign that targets the school's students of color—including Sallie's boyfriend, Uly—Sallie wants to give her sister the benefit of the doubt. But how long can she ignore the ugly truth behind Leona's actions? Together and apart, Uly and Sallie must navigate sibling loyalty and romantic love as the campaign spirals toward a devastating conclusion. CW: Acts of racism and bigotry, racist language, and gun violence are portrayed in this novel.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Introduction The Last American Frontier – History of the 'Far West', of the Pioneers & Trailblazers Story of the Cowboy Story of the Outlaw Novels & Stories Riders of the Purple Sage Saga (Zane Grey) Ohio River Trilogy Dan Barry Series (Max Brand) The Virginian (Owen Wister) Lin McLean Leatherstocking Series (James F. Cooper) Flying U Series (B. M. Bower) Cabin Fever Rimrock Trail (J. Allan Dunn) Bucky O'Connor (William M. Raine) Breckinridge Elkins Series (Robert E. Howard) In a Hollow of the Hills (Bret Harte) Wolf Hunters (James Oliver Curwood) Gold Hunters Last of the Plainsmen Border Legion Smoke Bellew Country Beyond Lone Star Ranger Ronicky Doone Trilogy Riders of the Silences Three Partners Man of the Forest Lure of the Dim Trails Tennessee's Partner Covered Wagon (Emerson Hough) Luck of Roaring Camp Rustlers of Pecos County Pike Bearfield Series Hopalong Cassidy (Clarence E. Mulford) O Pioneers! (Willa Cather) My Ántonia Roughing It (Mark Twain) Outcasts of Poker Flat Call of the Wild (Jack London) Heart of the West (O. Henry) White Fang Log of a Cowboy (Andy Adams) Two-Gun Man (Charles Alden Seltzer) Short Cut (Jackson Gregory) Astoria (Washington Irving) Ungava (R.M. Ballantyne) Valley of Silent Men Black Jack Bull Hunter "Drag" Harlan (Charles Alden Seltzer) Wyoming: A Story of the Outdoor West Sheriff's Son Whispering Smith (Frank H. Spearman) A Texas Cow Boy (Charles Siringo) Boss of the Lazy Y Trail Horde Rider of Golden Bar (William P. White) Buck Peters, Ranchman Tangled Trail Golden Dream (Ballantyne) Gun-Brand (James B. Hendryx) Blue Hotel (Stephen Crane) Long Shadow Girl from Montana (Grace Livingston Hill) Hidden Children (Robert W. Chambers) Where the Trail Divides Iron Trail (Rex Beach) Desert Trail (Dane Coolidge)...
Skin-lightening is currently one of the most common forms of potentially harmful body modification practices in the world and African women are among some of the most widely represented users of skin-lightening products. The overall objective of this book is to provide up-to-date evidence-based recommendations for reducing the global burden of cosmetic skin bleaching and preventing injuries related to skin bleaching in sub-Saharan Africa and Africans in diaspora. The book aims to: offer an appraisal of all relevant literature on cosmetic bleaching practices to-date, focusing on any key developments; identify and address important medical, public health issues as well as historical, genetic, psychosocial, cultural, behavioural, socioeconomic, political, institutional and environmental determinants; provide guideline recommendations that would help attenuate the burden and possibly eliminate the injuries related to skin bleaching; discuss potential developments and future directions.
If misfortune hadn’t gotten in the way, Sandra Sanborn would be where she belongs—among the rich and privileged instead of standing outside a Hollywood studio wearing a sandwich board in the hope of someone discovering her. It’s tough breaking into the movies during the Great Depression, but Sandra knows that she’s destined for greatness. After all, her grandmother Vira crossed the country during the Gold Rush and established the Sanborns as one of San Francisco’s most prominent families, and her mother Mabel grew up in a lavish mansion and married into an agricultural empire. Success, Sandra feels, is in her blood. She just needs a chance to prove it. In between failed auditions, Sandra receives a letter from a man claiming to be her father, which calls into question everything she believes about her family—and herself. As she tries to climb the social ladder, family secrets lurk in the background, pulling her down. Until Sandra confronts the truth about how Vira and Mabel gained and lost their fortunes, she will always end up right back where she started from. Right Back Where We Started From is a sweeping, multigenerational work of fiction that explores the lust for ambition that entered into the American consciousness during the Gold Rush and how it affected our nation’s ideas of success, failure, and the pursuit of happiness. It is a meticulously layered saga—at once historically rich, romantic, and suspenseful—about three determined and completely unforgettable women.
"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Ugly dolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--
This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.
The main objective of this book is to afford readers a comprehensive view of the current state of the African American experience from the perspective of a child and youth. Oftentimes, members within and outside the African American community fail to objectively critique this culture. The worst of the culture is perpetuated due to the lack of understanding of the origins of African American history and how that history relates to the socialization process. This book also explores the generational influence in socializing African American children. Beginning with the Great Depression generation to the hip-hop and generation Y generations, the norms and values past down to African American children are examined. As significant as passing down norms and values are, most normally little stock is given by parents toward instilling a sense of honor for community environment and service to others. From society's viewpoint, most Americans feel that only African Americans can shape the development of black children and youth- - a great misconception. There are many white, Native American, Hispanic and Asian teachers involved in the development of African American children. On average, black children/youth spend an average of seven hours in school with educators of all races and ethnicities. However, very few to none of these experiences are in institutional settings where their culture is at the center of learning. Is African American culture on a path towards extinction? Are African American parents and immediate caregivers preparing their children to effectively function in a global technological age? Is African American culture on a path towards extinction? Are African American parents and immediate caregivers preparing their children to properly function in a global technological age? These questions and more will be addressed in this book.
What''s Wrong with Black Women? is one black man''s story of the bitter downside of black romance. After years of research on the Internet, and a life time of varied experiences pursuing, dating, romancing, and engaging in verbal and mental conflict with black women, the author Monte Maddox, presents a non-stop, Hip-Hop, in your face rollercoaster ride! The thin line between love and hate has been crossed and then some! The faint of heart or ultra sensitive would do well to avoid this frenetic mixture of rage, passion, street-life observations, and at times, tragic revelations about what the author says are bad black women who are destroying good black men. Maddox'' sincere and brutal frankness cuts through the reader like a chainsaw through Swiss cheese! ! If you can''t stand the heat, stay out of the kitchen. If there''s a "kitchen" of controversy about black women, What''s Wrong with Black Women? is cooking up one heck of a main course! It''s one book that surely would never be in Oprah''s book of the month club! HTTP://DIABLOBANYON.TRIPOD.COM