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The brave, wry, irresistible journey of a fiercely independent American woman who finds everything she ever wanted in the most unexpected place. Shufu: in Japanese it means “housewife,” and it’s the last thing Tracy Slater ever thought she’d call herself. A writer and academic, Tracy carefully constructed a life she loved in her hometown of Boston. But everything is upended when she falls head over heels for the most unlikely mate: a Japanese salary-man based in Osaka, who barely speaks her language. Deciding to give fate a chance, Tracy builds a life and marriage in Japan, a country both fascinating and profoundly alienating, where she can read neither the language nor the simplest social cues. There, she finds herself dependent on her husband to order her food, answer the phone, and give her money. When she begins to learn Japanese, she discovers the language is inextricably connected with nuanced cultural dynamics that would take a lifetime to absorb. Finally, when Tracy longs for a child, she ends up trying to grow her family with a Petri dish and an army of doctors with whom she can barely communicate. And yet, despite the challenges, Tracy is sustained by her husband’s quiet love, and being with him feels more like “home” than anything ever has. Steadily and surely, she fills her life in Japan with meaningful connections, a loving marriage, and wonder at her adopted country, a place that will never feel natural or easy, but which provides endless opportunities for growth, insight, and sometimes humor. A memoir of travel and romance, The Good Shufu is a celebration of the life least expected: messy, overwhelming, and deeply enriching in its complications.
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These gripping biographies poignantly illustrate the strengths and the vulnerabilities of professional housewives and of families facing social change and economic uncertainty in contemporary Japan.
"There's a cancer, and it's killing our democracy. A poor man has to sell his soul to get elected. I cry for this country." On February 29, 2000, ninety-year-old Doris “Granny D” Haddock completed her 3,200-mile, fourteen-month walk from Los Angeles to Washington D.C. She walked through 105-degree deserts and blinding blizzards, despite arthritis and emphysema. Along her way, her remarkable speeches — rich with wisdom, love, and political insight — transformed individuals and communities and jump-started a full-blown movement. She became a national heroine. On her journey, Haddock kept a diary — tracking the progress of her walk and recalling events in her life and the insights that have given her. Granny D celebrates an exuberant life of love, activism, and adventure — from writing one-woman feminist plays in the 1930s to stopping nuclear testing near an Eskimo fishing village in 1960 to Haddock’s current crusade. Threaded throughout is the spirit of her beloved hometown of Dublin/Peterborough, New Hampshire — Thornton Wilder’s inspirations for Grovers Croner in Out Town — a quintessentially American center of New England pluck, Yankee ingenuity and can-do attitude. Told in Doris Haddock’s distinct and unforgettable voice, Granny D will move, amuse, and inspire readers of all ages with its clarion message that one person can indeed make a difference.
THE STORY BEHIND THE FILM TWINSTERS One of the Top Ten Facebook Stories of the decade When twenty-five-year-old South Korean adoptee and actress Samantha Futerman opened a Facebook message from a stranger named Anaïs Bordier, she had no idea that it would change her life forever… Adopted from South Korea as an infant, Sam grew up in New Jersey with her parents and two brothers. She never imagined she had a sister; nor did Anaïs—who grew up in France and was also adopted from South Korea—until she saw an actress with a face identical to her own in a YouTube video and decided to contact her doppelgänger via social media. A few dubious exchanges turned from mistrust and cynicism to utter shock, as the women discovered more in common than just their looks—and their birth date. Samantha and Anaïs’s ensuing adventure is a dive into the fascinating research on identical twins, particularly those who have been separated since birth; a reexamination of nature vs. nurture; a guide through the often befuddling territory of foreign adoption; and an emotional soul-search for two inextricably connected set of parents and children. Their discovery can only be described as the unimaginable journey of a lifetime—one that spans languages, continents, cultures, and ultimately proves that none of these barriers can disrupt the unbreakable bond between sisters.
A portrait of the sun-drenched volcanic city from an American who has lost his heart to the place and to a beguiling Neapolitan woman. In Falling Palace Dan Hofstadter brilliantly reveals Naples, from the dilapidated architectural beauty to the irrepressible theater of everyday life. We witness the centuries-old festivals that regularly crowd the city’s jumbled streets, and eavesdrop on conversations that continue deep into the night. We browse the countless curio shops where treasures mingle with kitsch, and meet the locals he befriends. In and out of these encounters slips Benedetta, the object of the author’s affections, at once inviting and unfathomable. Weaving the tale of an elusive love together with a vivid portrayal of a legendary metropolis, this is a startling evocation of a magical place.
Determined to broaden her cultural horizons and live a “fiery” life, twenty-one-year-old Rachel DeWoskin hops on a plane to Beijing to work for an American PR firm based in the busy capital. Before she knows it, she is not just exploring Chinese culture but also creating it as the sexy, aggressive, fearless Jiexi, the starring femme fatale in a wildly successful Chinese soap opera. Experiencing the cultural clashes in real life while performing a fictional version onscreen, DeWoskin forms a group of friends with whom she witnesses the vast changes sweeping through China as the country pursues the new maxim, “to get rich is glorious.” In only a few years, China’s capital is transformed. With “considerable cultural and linguistic resources” (The New Yorker), DeWoskin captures Beijing at this pivotal juncture in her “intelligent, funny memoir” (People), and “readers will feel lucky to have sharp-eyed, yet sisterly, DeWoskin sitting in the driver’s seat”(Elle).
Longing for more than yet another limp salad? Tired of tussling with the kids over junk food lunch kits? Sounds like you’ve got the lunch box blues. J. M. Hirsch has the fix. But it isn’t a cookbook. Because when it comes to lunch, nobody has time to break out a recipe to bang out a brown bag special. Busy people need lunch ideas. Lots of them. And those ideas need to be healthy, fast, easy, affordable, and delicious. That’s what Beating the Lunch Box Blues is—an idea book to inspire anyone daunted by the daily ordeal of packing lunch. Jammed with nearly 200 photos and more than 500 tips and meals, this book is designed to save families time, money, and their sanity. Whether you want to jazz up a grilled cheese, turn leftover steak into a DIY taco kit, or make pizza “sushi,” Hirsch has it covered. And because the best lunches often are built from the leftovers of great suppers, he has also included 30 fast and flavorful dinner recipes designed to make enough for tomorrow, too. Crazy good stuff like short ribs braised in a Rosemary-Port Sauce, Hoisin-Glazed Meatloaf, and kid-friendly classics such as Turkey Sloppy Joes and American Chop Suey. With ideas this easy and this delicious, there’s no reason to let the lunch box blues get you down.
With a great charm and spirit, "Socialism Is Great!" recounts Lijia Zhang's rebellious journey from disillusioned factory worker to organizer in support of the Tiananmen Square demonstrators, to eventually become the writer and journalist she was always determined to be. Her memoir is like a brilliant minature illuminating the sweeping historical forces at work in China after the Cultural Revolution as the country moved from one of stark repression to a vibrant capitalist economy.
Drawing on a unique ethnographic inquiry, Ofra Goldstein-Gidoni explores the complexities of the relationship between socially and culturally constructed roles bestowed on Japanese women by a variety of state agents, including the market and the media, and the 'real' lives of these women.