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Did you hear the one about the good Greek girl who walked into a tattoo parlour to celebrate the anniversary of her discharge from a psych hospital? No? Well that’s not surprising because it’s not a joke, there is no punch line. It’s a true story about Maria Katsonis, the good Greek girl who grew up above her parents’ milk bar and shared a bedroom with her yiayia. That is until university when she discovered her rebellious side and her true sexuality. Summoning the courage to come out as a lesbian to her Greek Orthodox family and community, Maria was not met with love and support, but was ostracised. Embracing her imposed independence, Maria became your typical type A over-achiever. Furthering her studies later in life, Maria graduated from Harvard University with a Masters degree. Little did she know, in five years time, Maria would be alone on a bed in a white psych ward fighting for her life. Maria had experienced a complete mental breakdown, shattering her professional and personal identity. The Good Greek Girl will make you laugh, cry, gasp and smile, written with the honesty Maria’s story deserves, and the elegance and craft expected from such an inspiring public intellectual. Now a senior executive in the Victorian Department of Premier and Cabinet, an ambassador for beyondblue and advocate with the Australia Council for Mental Health, Maria has more than conquered the forces that held her back, she owns them. While she now lives with a chronic mental illness, Maria leads an active, meaningful and extraordinary life. Her story of triumph over adversity is nothing short of inspiring.
Rachel is finding it increasingly difficult to ignore her sister's derision, society's silent wagging finger and her father's advancing years. She's travelled the world, but now finds herself at a crossroads at an age where most people would stop globetrotting and settle. She's never been one to conform to the nine-to-five lifestyle, so why should she start now? Was it wrong to love the freedom and independence a single life provided, to put off the search for Mr Right and the children? Perhaps she could find the time for one last adventure... So with sunshine in mind, Rachel takes a TEFL course and heads to Greece after securing a job teaching English in a remote village. She wasn't looking for love, but she found it in the lifestyle and history of the country, its culture and the enduring volatility of its people. Girl Gone Greek is a contemporary women's fiction novel. When Rachel moved to Greece to escape a life of social conformity, she found a country of unconventional characters and economic turmoil. The last thing she expected was to fall in love with the chaos that reigned about her.
This enchanting novel in verse captures one young woman’s struggle for independence, equality, and identity as the daughter of Greek and French immigrants in tumultuous 1930s Detroit. Call Me Athena: Girl from Detroit is a beautifully written novel in verse loosely based on author Colby Cedar Smith’s paternal grandmother. The story follows Mary as the American-born daughter of Greek and French immigrants living in Detroit in the 1930s, creating a historically accurate portrayal of life as an immigrant during the Great Depression, hunger strikes, and violent riots. Mary lives in a tiny apartment with her immigrant parents, her brothers, and her twin sister, and she questions why her parents ever came to America. She yearns for true love, to own her own business, and to be an independent, modern American woman—much to the chagrin of her parents, who want her to be a “good Greek girl.” Mary’s story is peppered with flashbacks to her parents’ childhoods in Greece and northern France; their stories connect with Mary as they address issues of arranged marriage, learning about independence, and yearning to grow beyond one’s own culture. Though Call Me Athena is written from the perspective of three profoundly different narrators, it has a wide-reaching message: It takes courage to fight for tradition and heritage, as well as freedom, love, and equality.
With The Greek Girl’s Story, Alan Singerman presents the first reliable, stand-alone translation and critical edition of Abbé Prévost’s 1740 literary masterpiece Histoire d’une Grecque moderne. The text of this new English translation is based on Singerman’s 1990 French edition, which Jonathan Walsh called “arguably the most valuable critical edition” of Prévost’s novel to date. This new edition also includes a complete critical apparatus comprising a substantial introduction, notes, appendixes, and bibliography, all significantly updated from the 1990 French edition, taking into account recent scholarship on this work and providing some additional reflection on the question of Orientalism. Prévost’s roman à clef is based on a true story involving the French ambassador to the Ottoman Porte from 1699 to 1711. It is narrated from the ambassador’s viewpoint and is a model of subjective, unreliable narration (long before Henry James). It is remarkably modern in its presentation of an enigmatic, ambiguous character, as the truth about the heroine can never be established with certainty. It is the story of the tormented relationship between the diplomat and a beautiful young Greek concubine, Théophé, whom he frees from a pasha’s harem. While her benefactor becomes increasingly infatuated with her and bent on becoming her lover, the Greek girl becomes obsessed with the idea of becoming a virtuous and respected woman. Viewing the ambassador as a father figure, she condemns his quasi-incestuous passion and firmly rejects his repeated seduction attempts. Unable to possess the young woman or tolerate the thought that she might grant to someone else what she has refused him, the narrator subjects her behavior to minute scrutiny in an effort to catch her in an indiscretion. His investigations are fruitless, however, and Théophé, the victim of incessant persecution, simply dies, leaving all the questions about her behavior unanswered.
“One of the most satisfying accounts of a great passion that I have ever read.” —Vivian Gornick, New York Times Book Review Mary Norris, The New Yorker’s Comma Queen and best-selling author of Between You & Me, has had a lifelong love affair with words. In Greek to Me, she delivers a delightful paean to the art of self-expression through accounts of her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, and reveals the surprising ways in which Greek helped form English. Greek to Me is filled with Norris’s memorable encounters with Greek words, Greek gods, Greek wine—and more than a few Greek men.
Billionaire Greek playboy Iakovos Papaioannou knew his sister hired her favorite band to perform at her birthday party. He's just not sure how their six-foot tall, wild-haired, tempestuous manager has already ended up in his bed-and in his heart. Eglantine "Harry" Knight is so not his type. She's as infuriating as she is intriguing, and she's can't keep her hands off of him. But she just may be the woman who knocks him off the world's most eligible bachelor list for good...
Darkly handsome Demos Atrikes wants a wife to provide heirs to his fortune. No emotions, no complications… Catching sight of stunning, intriguing Althea Paranoussis, he has to have her. She may be a society party girl, but he believes she's perfect wife material—and their wedding is arranged. The chemistry between them is all-consuming. But once married, Demos discovers the painful truth of Althea's childhood. She needs more from him than he'd ever planned to give….
In Crete during World War II, Alenka, a young woman who fights with the resistance against the brutal Nazi occupation, finds herself caught between her traitor of a brother and the man she loves, an undercover agent working for the Allies. May 1941. German paratroopers launch a blitzkrieg from the air against Crete. They are met with fierce defiance, the Greeks fighting back with daggers, pitchforks, and kitchen knives. During the bloody eleven-day battle, Alenka, a young Greek woman, saves the lives of two Australian soldiers. Jack and Teddy are childhood friends who joined up together to see the world. Both men fall in love with Alenka. They are forced to retreat with the tattered remains of the Allied forces over the towering White Mountains. Both are among the seven thousand Allied soldiers left behind in the desperate evacuation from Crete’s storm-lashed southern coast. Alenka hides Jack and Teddy at great risk to herself. Her brother Axel is a Nazi sympathizer and collaborator and spies on her movements. As Crete suffers under the Nazi jackboot, Alenka is drawn into an intense triangle of conflicting emotions with Jack and Teddy. Their friendship suffers under the strain of months of hiding and their rivalry for her love. Together, they join the resistance and fight to free the island, but all three will find themselves tested to their limits. Alenka must choose whom to trust and whom to love and, in the end, whom to save.
Greece today finds itself caught on a turbulent edge of Europe, yet both high culture and popular myth have long placed Greece as a locus of Western civilisation, reinforced by English travellers' 'discovery' of Greece in the late-eighteenth century and the impact this had on English Literature. Opening up fresh avenues of discourse, Maria Koundoura maps what this dual representation signifies for Greeks, both national and diasporic. In doing so, she touches on twentieth-century diaspora cultures from Europe to the United States, offering a new critical paradigm from which to explore national and transnational identities. Koundoura deftly draws upon postcolonial theory to address and analyse the cultural material that has produced Greece's representation as both 'European' and 'other'.
Infamous Morgan Copeland has graced the tabloids as America's Sweetheart for years. Until scandalous family allegations change the headlines overnight to Socialite in Disgrace! Her reputation in tatters and holding on to the last shreds of her pride, Morgan seeks her estranged husband's help, knowing that to convince merciless Drakon Xanthis, she will have to get down on her knees and beg…. At first Morgan had merely been the Greek's trophy bride, but their explosive passion shocked them both—leaving Morgan with only one weapon left to negotiate with: her body. The Disgraced Copelands: A family in the headlines—for all the wrong reasons! Plus a Jane Proter reader-favorite story: At the Greek Boss's Bidding