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Searingly hot in the summer, bitterly cold in the winter, the ancestral estate of the Golovlyov family is the end of the road. There Anna Petrovna rules with an iron hand over her servants and family-until she loses power to the relentless scheming of her hypocritical son Judas. One of the great books of Russian literature, The Golovlyov Family is a vivid picture of a condemned and isolated outpost of civilization that, for contemporary readers, will recall the otherwordly reality of Macondo in Gabriel García Márquez's One Hundred Years of Solitude.
The centre of the estate that he managed was an important trading village in which there were many taverns. He liked to take a glass of tea in a tavern and boast of his mistress's great power. And in the course of his boasting he would sometimes unconsciously blab out secrets. His mistress was always with a lawsuit on her hands, so that her trusty's garrulousness sometimes brought her sly stratagems to the surface before they could be executed.
The Golovyov Family is a thought-provoking and powerfully written novel. Recognized as a classic since it first publication in Russia in 1880, it recounts the history of a family of landowners through three generations. In a letter written shortly after the book’s publication, the author reflected that "I wrote The Golovyov Family as an attack on the family principal." As Russian scholar Carl Proffer wrote: "Gogol has been passed from school to school for thirteen decades. Even Bulgakov, who regarded Saltykov-Schhedrin as his teacher, who is the most satirical writer after Saltykov, and whose main works were unpublished until ten years ago, has been written about by representatives of many different critical sects. That Saltykov's works have not had this kind of appeal is somewhat puzzling. Even a Freudian novice could work Oedipal themes out of the autobiographical elements in The Golovlyov Family, and the Tartu University school could draw complex diagrams to show how The Golovyov Family is that most wonderful of all things, a "unified whole." It is time that Saltykov stopped being the exclusive property of critics whose primary concerns are sociological or historical. As the reader of The Golovlyov Family will see with considerable pleasure Saltykov’s prose has much more to offer than not."