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It is at my persuasion that these poems are now published. The earliest of them were read to me in London in 1896, when the writer was seventeen; the later ones were sent to me from India in 1904, when she was twenty-five; and they belong, I think, almost wholly to those two periods. As they seemed to me to have an individual beauty of their own, I thought they ought to be published. The writer hesitated. "Your letter made me very proud and very sad," she wrote. "Is it possible that I have written verses that are 'filled with beauty,' and is it possible that you really think them worthy of being given to the world? You know how high my ideal of Art is; and to me my poor casual little poems seem to be less than beautiful—I mean with that final enduring beauty that I desire." And, in another letter, she writes: "I am not a poet really. I have the vision and the desire, but not the voice. If I could write just one poem full of beauty and the spirit of greatness, I should be exultantly silent for ever; but I sing just as the birds do, and my songs are as ephemeral." It is for this bird-like quality of song, it seems to me, that they are to be valued. They hint, in a sort of delicately evasive way, at a rare temperament, the temperament of a woman of the East, finding expression through a Western language and under partly Western influences. They do not express the whole of that temperament; but they express, I think, its essence; and there is an Eastern magic in them. Sarojini Chattopadhyay was born at Hyderabad on February 13, 1879. Her father, Dr. Aghorenath Chattopadhyay, is descended from the ancient family of Chattorajes of Bhramangram, who were noted throughout Eastern Bengal as patrons of Sanskrit learning, and for their practice of Yoga. He took his degree of Doctor of Science at the University of Edinburgh in 1877, and afterwards studied brilliantly at Bonn. On his return to India he founded the Nizam College at Hyderabad, and has since laboured incessantly, and at great personal sacrifice, in the cause of education.
Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on February 13th, 1879. the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies. In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge. Even in these early times she was a social activist. It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule. Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems). She began writing at the age of twelve. Her play, 'Maher Muneer', written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children. Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today. Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon. Happily, they overcame these problems and both marriage and careers thrived. In 1905, her first collection of poems, 'The Golden Threshold' was published. Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the 'Nightingale of India'. Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement. Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March. Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the United Provinces (the present-day Uttar Pradesh) in so doing she became India's first woman governor. Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled. Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache. Sarojini Naidu died of a cardiac arrest on 2nd March 1949.
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Mohammad Ali Jinnah was forty years old, a successful barrister and a rising star in the nationalist movement when he fell in love with pretty, vivacious Ruttie Petit, the daughter of his good friend, the fabulously rich Parsi baronet, Sir Dinshaw Petit. But Ruttie was just sixteen and her outraged father forbade the match. However, when she turned eighteen, they married. Bombay society was scandalized, and Ruttie and Jinnah were ostracized. It was an unlikely union that few thought would last. But Jinnah, in his undemonstrative, reserved way, was unmistakably devoted to his beautiful, wayward child-bride. And Ruttie, on her part, worshipped him, and could tease and cajole the famously unbending Jinnah. But as tumultuous political events increasingly absorbed him, Ruttie felt isolated and alone, cut off from her family, friends and community. She died at twenty-nine, leaving behind her daughter, Dina, and her inconsolable husband, who never married again. Sheela Reddy uses never-before-seen personal letters of Ruttie and her close friends as well as accounts left by contemporaries and friends to portray this marriage that convulsed Indian society. A product of intensive and meticulous research in Delhi, Bombay and Karachi, this is a must-read for all those interested in politics, history, and the power of an unforgettable love story.
Jenny George’s debut showcases an astonishing poetic talent, a new voice that is intensely focused, patient, and empathic. The Dream of Reason explores the paradoxical relationships between humans and the animals we imagine, keep, fear, and consume. Titled after Goya’s grotesque bestiary, George’s own dreamscape is populated by purring moths, bats that crawl like goblins, and livestock—especially pigs, whose spirit and slaughter inform a central series of portraits. The poems invite moments of stark realism into a spacious, lucid realm just outside of time—finding revelation in stillness, intimacy in violence, and vision in language that lifts from the dark. From “Threshold Gods”: I saw a bat in a dream and then later that week I saw a real bat, crawling on its elbows across the porch like a goblin. It was early evening. I want to ask about death. But first I want to ask about flying. Jenny George lives in Santa Fe, New Mexico, where she runs a foundation for Buddhist-based social justice. She holds an MFA from the Iowa Writers’ Workshop.