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This enlightening and gorgeously illustrated book explores the beauty and mystery of the divine proportion in art, architecture, nature, and beyond. From the pyramids of Giza, to quasicrystals, to the proportions of the human face, the golden ratio has an infinite capacity to generate shapes with exquisite properties. Author Gary Meisner has spent decades researching the subject, investigating and collaborating with people across the globe in dozens of professions and walks of life. In The Golden Ratio, he shares his enlightening journey. Exploring the long history of this fascinating number, as well as new insights into its power and potential applications, The Golden Ratio invites you to take a new look at this timeless topic.
The first English translation of Ghyka’s masterwork on sacred geometry • Reveals how the Golden Number Phi underlies the spiritual nature of beauty and the hidden harmonies that connect the whole of creation • Explains how the spiritual mysteries of the Golden Number were passed down in an unbroken line of transmission from the Pythagorean brotherhoods through the medieval builders’ guilds to the secret societies of 18th-century Europe The Golden Number, or Phi (Φ), is a geometric ratio found throughout nature, often underlying the dimensions of objects considered especially beautiful. Simplified as 1.618 and symbolized by the Fibonacci sequence, the Golden Number represents the unique relationship within an object where the ratio of a larger part to a smaller part is the same as the ratio of the whole to the larger part. It appears in the proportions of the human face and body as well as in the proportions of animals, plants, and celestial bodies. Called the divine proportion by the monk Fra Luca Pacioli, whose book on the subject was illustrated by Leonardo da Vinci, Phi’s use in art and architecture goes back at least to the mystical mathematics of Pythagoras and his followers in the sixth century BCE. The perfect synthesis of spiritual and material, it can be found in the measurements of the sacred temples of Egypt, Ancient Greece, and Medieval and Renaissance Europe. The asymptotic series of integers that define Phi represent the macrocosm and microcosm as portrayed in Plato’s concept of the world soul. Presenting Matila Ghyka’s classic treatise on the Golden Number for the first time in English, this book reveals the many ways this ratio can be found not only in the organic forms of nature--such as in the spirals of shells or the number of petals on a flower--but also in the most beautiful and highest creations of humanity. One of the most important concepts of sacred geometry, its mysteries were passed down in an unbroken line of transmission from the Pythagorean brotherhoods through the medieval builders’ guilds to the secret societies of 18th-century Europe. Ghyka shows how the secrets of this divine proportion were not sought merely for their value in architecture, painting, and music, but also as a portal to a deeper understanding of the spiritual nature of beauty and the hidden harmonies that connect the whole of creation.
What exactly is the Golden Ratio? How was it discovered? Where is it found? These questions and more are thoroughly explained in this engaging tour of one of mathematics' most interesting phenomena. The authors trace the appearance of the Golden Ratio throughout history, demonstrate a variety of ingenious techniques used to construct it, and illustrate the many surprising geometric figures in which the Golden Ratio is embedded. Requiring no more than an elementary knowledge of geometry and algebra, the authors give readers a new appreciation of the indispensable qualities and inherent beauty of mathematics.
This comprehensive study traces the historic development of division in extreme and mean ratio ("the golden number") from its first appearance in Euclid's Elements through the 18th century. Features numerous illustrations.
In this invaluable book, the basic mathematical properties of the golden ratio and its occurrence in the dimensions of two- and three-dimensional figures with fivefold symmetry are discussed. In addition, the generation of the Fibonacci series and generalized Fibonacci series and their relationship to the golden ratio are presented. These concepts are applied to algorithms for searching and function minimization. The Fibonacci sequence is viewed as a one-dimensional aperiodic, lattice and these ideas are extended to two- and three-dimensional Penrose tilings and the concept of incommensurate projections. The structural properties of aperiodic crystals and the growth of certain biological organisms are described in terms of Fibonacci sequences.
Assisted by Scott Olsen ( Central Florida Community College, USA ). This volume is a result of the author's four decades of research in the field of Fibonacci numbers and the Golden Section and their applications. It provides a broad introduction to the fascinating and beautiful subject of the OC Mathematics of Harmony, OCO a new interdisciplinary direction of modern science. This direction has its origins in OC The ElementsOCO of Euclid and has many unexpected applications in contemporary mathematics (a new approach to a history of mathematics, the generalized Fibonacci numbers and the generalized golden proportions, the OC goldenOCO algebraic equations, the generalized Binet formulas, Fibonacci and OC goldenOCO matrices), theoretical physics (new hyperbolic models of Nature) and computer science (algorithmic measurement theory, number systems with irrational radices, Fibonacci computers, ternary mirror-symmetrical arithmetic, a new theory of coding and cryptography based on the Fibonacci and OC goldenOCO matrices). The book is intended for a wide audience including mathematics teachers of high schools, students of colleges and universities and scientists in the field of mathematics, theoretical physics and computer science. The book may be used as an advanced textbook by graduate students and even ambitious undergraduates in mathematics and computer science. Sample Chapter(s). Introduction (503k). Chapter 1: The Golden Section (2,459k). Contents: Classical Golden Mean, Fibonacci Numbers, and Platonic Solids: The Golden Section; Fibonacci and Lucas Numbers; Regular Polyhedrons; Mathematics of Harmony: Generalizations of Fibonacci Numbers and the Golden Mean; Hyperbolic Fibonacci and Lucas Functions; Fibonacci and Golden Matrices; Application in Computer Science: Algorithmic Measurement Theory; Fibonacci Computers; Codes of the Golden Proportion; Ternary Mirror-Symmetrical Arithmetic; A New Coding Theory Based on a Matrix Approach. Readership: Researchers, teachers and students in mathematics (especially those interested in the Golden Section and Fibonacci numbers), theoretical physics and computer science."
This classic study probes the geometric interrelationships between art and life in discussions ranging from dissertations by Plato, Pythagoras, and Archimedes to examples of modern architecture and art. Other topics include the Golden Section, geometrical shapes on the plane, geometrical shapes in space, crystal lattices, and other fascinating subjects. 80 plates and 64 figures.
What do the Parthenon in Greece, crosses in graveyards, the ratio of the height of a woman's navel to a woman's height, sunflowers and Leonardo da Vinci's Mona Lisa have in common? The answer is that these disparate elements share a geometrical proportion of ancient origin commonly known as the golden ratio, or expressed numerically as phi. fractals and DNA on the way, the author takes us into the heart of this extraordinary number. He gives an account of the phi-obsessed individuals who devoted their lives to discovering its secrets - from the Pythagoreans who believed that the study of the Golden Ratio would reveal the hand of God, to the astronomer Johannes Kepler who felt that phi was the greatest treasure of geometry, to the modern day scientists who are discovering ever more remarkable ramifications of this strange, almost mystical, number.
The Gregorian calendar reform of 1582, which provided the basis for the civil and Western ecclesiastical calendars still in use today, has often been seen as a triumph of early modern scientific culture or an expression of papal ambition in the wake of the Counter-Reformation. Much less attention has been paid to reform's intellectual roots in the European Middle Ages, when the reckoning of time by means of calendrical cycles was a topic of central importance to learned culture, as impressively documented by the survival of relevant texts and tables in thousands of manuscripts copied before 1500. For centuries prior to the Gregorian reform, astronomers, mathematicians, theologians, and even Church councils had been debating the necessity of improving or emending the existing ecclesiastical calendar, which throughout the Middle Ages kept losing touch with the astronomical phenomena at an alarming pace. Scandalous Error is the first comprehensive study of the medieval literature devoted to the calendar problem and its cultural and scientific contexts. It examines how the importance of ordering liturgical time by means of a calendar that comprised both solar and lunar components posed a technical-astronomical problem to medieval society and details the often sophisticated ways in which computists and churchmen reacted to this challenge. By drawing attention to the numerous connecting paths that existed between calendars and mathematical astronomy between the Fall of Rome and the end of the fifteenth century, the volume offers substantial new insights on the place of exact science in medieval culture.