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Anna is a writer, author of one very successful novel, who now keeps four notebooks. In one, with a black cover, she reviews the African experience of her earlier years. In a red one she records her political life, her disillusionment with communism. In a yellow one she writes a novel in which the heroine relives part of her own experience. And in a blue one she keeps a personal diary. Finally, in love with an American writer and threatened with insanity, Anna resolves to bring the threads of all four books together in a golden notebook. Doris Lessing's best-known and most influential novel, The Golden Notebook retains its extraordinary power and relevance decades after its initial publication.
The landmark novel of the Sixties – a powerful account of a woman searching for her personal, political and professional identity while facing rejection and betrayal.
The experiences of two women provide the framework for an intense literary study of liberated womanhood.
A genre-defying memoir in which Lara Feigel experiments with sexual, intellectual and political freedom while reading and pursuing Doris Lessing How might we live more freely, and will we be happier or lonelier if we do? Re-reading The Golden Notebook in her thirties, shortly after Doris Lessing's death, Lara Feigel discovered that Lessing spoke directly to her as a woman, a writer, and a mother in a way that no other novelist had done. At a time when she was dissatisfied with the conventions of her own life, Feigel was enticed by Lessing's vision of freedom. Free Woman is essential reading for anyone whose life has been changed by books or has questioned the structures by which they live. Feigel tells Lessing's own story, veering between admiration and fury at the choices Lessing made. At the same time, she scrutinises motherhood, marriage and sexual relationships with an unusually acute gaze. And in the process she conducts a dazzling investigation into the joys and costs of sexual, psychological, intellectual and political freedom. This is a genre-defying book: at once a meditation on life and literature and a daring act of self-exposure.
The fifth and final book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.
Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.
In her 1985 CBC Massey Lectures Doris Lessing addresses the question of personal freedom and individual responsibility in a world increasingly prone to political rhetoric, mass emotions, and inherited structures of unquestioned belief. The Nobel Prize-winning author of more than thirty books, Doris Lessing is one of our most challenging and important writers.
Truth can be stranger than fiction. In a Coogee aquarium in 1935 a shark coughed up a man's tattooed arm. The authors of Shark Arm have unravelled an extraordinary tale of high-class smuggling around Sydney Harbour and police collusion that has eluded many investigations into this famous cold case. Shortlisted for the 2020 Ned Kelly Awards 'The biggest tabloid shark story in the history of the world.' - Peter FitzSimons 'A truly gripping whodunnit which throws fresh light on one of Australia's most extraordinary murders.' - Kate McClymont It all started with a ruthless murder. An ex-boxer and petty police informer was efficiently disposed of, sending a ghastly warning to others. That would have been the end of it, had not a shark, in a million-to-one chance, vomited up the victim's arm in an aquarium and shone an unwelcome light into some very dark places. With so much at stake, the guilty closed ranks and gradually, with intimidation, money, and the murder of a mate who they feared would betray them, they re-imposed their control and the light was turned off again. The memory of those events, and the terrible fear they inspired, kept those who knew the truth silent unto the grave. Others have written about the Shark Arm murder but Phillip Roope and Kevin Meagher, having digested the entire cold-case police file, reveal a very different story: an extraordinary tale of high-class smuggling, a frantic cover-up and the truth behind one of the most infamous cases in Australia. Except there were actually two gruesome murders ...
This murder story features a Rhodesian farmer's wife and her houseboy.
The author, a poet, recounts her difficult childhood growing up in a Texas oil town.