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This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
From the co-authors of the classic Last Night a DJ Saved My Life: A fascinating oral history of record spinning told by the groundbreaking DJs themselves. Acclaimed authors and music historians Bill Brewster and Frank Broughton have spent years traveling across the world to interview the revolutionary and outrageous DJs who shaped the last half-century of pop music. The Record Players is the fun and revealing result—a collection of firsthand accounts from the obsessives, the playboys, and the eccentrics that dominated the music scene and contributed to the evolution of DJ culture. In the sixties, radio tastemakers brought their sound to the masses, while early trendsetters birthed the role of the club DJ at temples of hip like the Peppermint Lounge. By the seventies, DJs were changing the course of popular music; and in the eighties, young innovators wore out their cross-faders developing techniques that turned their craft into its own form of music. With discographies, favorite songs, and amazing photos of all the DJs as young firebrands, The Record Players offers an unparalleled music education: from records to synthesizers, from disco to techno, and from influential cliques to arenas packed with thousands of dancing fans.
Golden Miles is a book about cars, people and Australia in the late 60s and early 70s. With the energy and irreverent humour of a fanzine, the acuity of investigative journalism, and the eye of an art book, this new, expanded edition of Golden Miles explores the archetypal product of Australian suburbia - the muscle car. Clinton Walker is the author of seven books and several hit documentaries including the 2001 series on the history of Australian rock, Long Way to the Top. 'A rambling journey that's provocative and lavishly illustrated ... as much for pop culture lovers as rev heads.' - Sydney Morning Herald.
From Keroncong to Xinyao presents a captivating and groundbreaking exploration of Singapore’s vibrant record industry from 1903 to 1985, revealing how Singapore was once a significant recording centre in Southeast Asia. The book highlights the pioneers and innovators of the industry, from performing artists to recording engineers. Records made during this musical heyday covered diverse genres, from Malay keroncong to Chinese opera and pop songs, and, from the 1950s, the rock ’n’ roll wave that was sweeping the world. Beautifully illustrated with photographs, record album art and archival images, this book takes readers on a fascinating journey through the music industry’s triumphs and challenges, revealing its resonating contributions to Singapore’s cultural heritage.
From 1940 to 1970, Cincinnati overflowed with musical opportunities. Hank Williams recorded his hit "Lovesick Blues." Andy Williams, Rosemary and Betty Clooney, and Doris Day appeared regularly on WLW Radio, which also broadcast Boone County Jamboree. Then came the network television show Midwestern Hayride and stardom for Kenny Price. Meanwhile, King and Fraternity Records released hundreds of hits for James Brown, Hank Ballard and the Midnighters, Cowboy Copas, Lonnie Mack, and the Casinos. In the late 1960s, the Lemon Pipers sang "Green Tambourine," and rock bands ruled Coney Island's Moonlite Gardens. It was a wild, incredible ride while it lasted, and it left such an indelible impression that today Cincinnati is remembered as one of America's top music capitals.
In a small studio perched above the cafeteria the telephone rings nonstop when Big John Trimble broadcasts his all night radio across 32 states and half of Canada from Jarrell's Truck Plaza. - LA Times.
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.