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"The greatest novel of physical love which China has produced." —Pearl S. Buck A saga of ruthless ambition, murder, and lust, The Golden Lotus (Jin Ping Mei) has been called the fifth Great Classical Novel in Chinese literature and one of the Four Masterworks of the Ming novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, it has also been denigrated as a "dirty" book for its sexual frankness. It centers on Ximen Qing, a wealthy, young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her main weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. It fields a host of vivid characters, each seeking advantage in a corrupt world. The author of The Golden Lotus is Lanling Xiaoxiaosheng, whose name, a pseudonym, means "Scoffing Scholar of Lanling." His great work, written in the late Ming but set in the Song Dynasty, is a virtuoso collection of voices and vices, mixing in poetry and song and sampling different social registers, from popular ballads to the language of bureaucrats, in order to recreate and comment mordantly on the society of the time. This edition features a new introduction by Robert Hegel of Washington University, who situates the novel for contemporary readers and explains its greatness as the first single-authored novel in the Chinese tradition. This translation contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun, later known as Lao She, one of the most prominent Chinese writers of the twentieth century. The translation has been pinyinized and corrected.
This beguiling story is woven around the life of Fragrant Lotus, who has her feet bound in the supreme Golden Lotus style when she is six years old. Events in Fragrants Lotus’ life twist and unfold in a series of witty and often wicked ironies, obliterating easy distinctions between kindness and cruelty, history and fable, forgery and authentic work. The novel’s waggish narrator exists in the tension between judgement and description, wryly deflating his reader’s certainties along the way. Written in 1985, The Three-Inch Golden Lotus is a deeply affecting, thoroughly enjoyable literary revelation.
"The greatest novel of physical love which China has produced." --Pearl S. Buck A saga of ruthless ambition, murder, and, famously, Chinese erotica, The Golden Lotus (also known as The Plum in the Golden Vase) has been called the fifth Great Classical Novel in Chinese Literature and one of the Four Masterworks of the Ming Novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, this Chinese classic has also been denigrated for its sexual frankness. It centers on Ximen Qing, a young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her primary weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. This great work of classic Chinese literature, from an author whose pseudonym means "Scoffing Scholar of Lanling," is a virtuoso collection of voices and vices, mixing in poetry and song. It samples different social registers from popular ballads to the language of bureaucrats to recreate and comment mordantly on the society of the time. Little-known in the west but utterly iconic amongst the Chinese classics in worldly circles, reading The Golden Lotus promises both an astute reflection on human tendencies and a sumptuous, intoxicating take on Chinese erotica. This new edition: Features a superb new introduction by Robert Hegel of Washington University, who explains its importance as the first single-authored novel in the Chinese tradition Contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun (later known as Lao She, one of the most prominent Chinese writers of the twentieth century) Ensures translation has been pinyinized and corrected for this new edition
"The greatest novel of physical love which China has produced." —Pearl S. Buck A saga of ruthless ambition, murder, and, famously, Chinese erotica, The Golden Lotus (also known as The Plum in the Golden Vase) has been called the fifth Great Classical Novel in Chinese Literature and one of the Four Masterworks of the Ming Novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, this Chinese classic has also been denigrated for its sexual frankness. It centers on Ximen Qing, a young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her primary weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. TThis great work of classic Chinese literature, from an author whose pseudonym means "Scoffing Scholar of Lanling", is a virtuoso collection of voices and vices, mixing in poetry and song. It samples different social registers from popular ballads to the language of bureaucrats to recreate and comment mordantly on the society of the time. Little-known in the west but utterly iconic amongst the Chinese classics in worldly circles, reading The Golden Lotus promises both an astute reflection on human tendencies and a sumptuous, intoxicating take on Chinese erotica. This new edition: Features a superb new introduction by Robert Hegel of Washington University, who explains its importance as the first single-authored novel in the Chinese tradition Contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun (later known as Lao She, one of the most prominent Chinese writers of the twentieth century) Ensures translation has been pinyinized and corrected for this new edition
The Chinese tradition of the pillow book was venerable when it inspired the Kama Sutra and other Indian writings that have since won fame in the West. This guide goes back to the source-the original scrolls written and illustrated for the erotic education of Chinese nobles thousands of years ago. The lessons left by these ancient artists teach sexual techniques for achieving fulfillment and maximizing life energies, knowledge as valuable now as it was then. This new translation presents the essence of the originals in a clear and sophisticated manner, with exquisite full-color illustrations.
This is an epic tale; a fantasy replete with grand romances and countless avenues leading to divine love. Venture through diverse time perspectives and complex mythologies of the Gods in this multi-dimensional drama, inspired by ancient Asian principles. The Gold Lotus is a dance in written form; a saga with a rhythmic delivery that will transport you through intricate plots, legendary wars, unsettling separations, and passionate love, unbound. Manifested in a time of darkness and war, the celestial being Kānu prepares for a journey brought on by Muniji, the minstrel saint, to face a destiny that stands between destruction and salvation. Weaving through the ways of love and power, the almighty Kānu will learn to become the saviour of his heavenly kingdom while discovering the deepest desires of the heart and defeating evil - both within and without. As the heavenly kingdom yearns for its saviour, a formidable and broken God of War comes to battle with an unpredictable foe that has bested the mightiest of warriors before him: finding the lost love capable of fulfilling the void in his heart. What (or who) he finds as the answer proves to be a riddle never before encountered by the revered warrior. Alongside Kānu and a kingdom of mystical beings that oversee the forces of existence, the celestial war for balance is far from won and the stakes grow higher with every heartbeat.
This book investigates the English translations and adaptations of the sixteenth century classic Chinese novel Jin Ping Mei. Acclaimed the ‘No.1 Marvellous Book’ of the Ming dynasty, Jin Ping Mei was banned soon after its appearance, due to the inclusion of graphically explicit sexual descriptions. So far there have been more than a dozen English adaptations and translations of the novel. Working within the framework of descriptive translation studies, this book provides a translational history of the English versions of Jin Ping Mei, supported by various paratexts, including book covers, reviews, and archival materials. It also conducts textual comparisons to uncover the translation norms at work in the only two complete renditions, namely The Golden Lotus by Clement Egerton and The Plum in the Golden Vase by David Roy, respectively. The notions of agency, habitus and capital are introduced for the examination of the transference of linguistic, literary and cultural aspects of the two translations. The book represents the first systematic research effort on the English Translations of Jin Ping Mei. Given its pioneering status and interdisciplinary nature, the data, structure and findings of this book will potentially enrich the fields of Translation Studies, Comparative Literature, Chinese Studies, Cultural Studies and Book History.
The Plum in the Golden Vase (also known as The Golden Lotus) was published in the early seventeenth century and may be the first long work of Chinese fiction written by a single (though anonymous) author. Featuring both complex structural elements and psychological and emotional realism, the novel centers on the rich merchant Ximen Qing and his household and describes the physical surroundings and material objects of a Ming dynasty city. In part a social, political, and moral critique, the novel reflects on hierarchical power relations of family and state and the materialism of life at the time. The essays in this volume provide ideas for teaching the novel using a variety of approaches, from questions of genre, intertextuality, and the novel's reception to material culture, family and social dynamics, and power structures in sexual relations. Insights into the novel's representation of Buddhism, Chinese folk religion, legal culture, class, slavery, and obscenity are offered throughout the volume.
"The greatest novel of physical love which China has produced." —Pearl S. Buck A saga of ruthless ambition, murder, and lust, The Golden Lotus (Jin Ping Mei) has been called the fifth Great Classical Novel in Chinese literature and one of the Four Masterworks of the Ming novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, it has also been denigrated as a "dirty" book for its sexual frankness. It centers on Ximen Qing, a wealthy, young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her main weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. It fields a host of vivid characters, each seeking advantage in a corrupt world. The author of The Golden Lotus is Lanling Xiaoxiaosheng, whose name, a pseudonym, means "Scoffing Scholar of Lanling." His great work, written in the late Ming but set in the Song Dynasty, is a virtuoso collection of voices and vices, mixing in poetry and song and sampling different social registers, from popular ballads to the language of bureaucrats, in order to recreate and comment mordantly on the society of the time. This edition features a new introduction by Robert Hegel of Washington University, who situates the novel for contemporary readers and explains its greatness as the first single-authored novel in the Chinese tradition. This translation contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun, later known as Lao She, one of the most prominent Chinese writers of the twentieth century. The translation has been pinyinized and corrected.