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Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.
Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work. The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.
"This telling of the life of the Haggadah, probably the most beloved of books that Jews own, chronicles its recalibrations over time. It moves from its early sources in the Bible and rabbinic literature; to the years it was a handwritten manuscript; to its life as an illuminated book in the middle ages; to its emergence as mass-produced printed book and later, as an artist's book; to its iterations in the twentieth century in America and Israel, including those using emerging technologies of our day. It is the story of a liturgical text came about to fulfill a biblical injunction to fathers to tell the story of the Exodus from Egypt to their children (literally, to their sons): "And you shall tell your son on that day, 'It is because of what the Lord did for me when I went free from Egypt'" (Exodus 13:8). Despite significant flaws in the text that have occasioned thousands of revisions, it remains well and alive because it allows its users to transmit the story of Exodus as if it happened to them. With a Haggadah in hand at a Passover seder meal, the text kindles the memory of belonging to a people who knew slavery and then liberation and enlivens empathy. An engagement with the Haggadah, inevitable leaves one feeling responsible for helping others to achieve their own liberation".
A superbly illustrated history of five centuries of Jewish manuscripts The love of books in the Jewish tradition extends back over many centuries, and the ways of interpreting those books are as myriad as the traditions themselves. Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the most beautiful examples of Jewish art of all time—including hand-illustrated versions of the Bible, the Haggadah, the prayer book, marriage documents, and other beloved Jewish texts—the book introduces readers to the history of these manuscripts and their interpretation. Edited by Marc Michael Epstein with contributions from leading experts, this sumptuous volume features a lively and informative text, showing how Jewish aesthetic tastes and iconography overlapped with and diverged from those of Christianity, Islam, and other traditions. Featured manuscripts were commissioned by Jews and produced by Jews and non-Jews over many centuries, and represent Eastern and Western perspectives and the views of both pietistic and liberal communities across the Diaspora, including Europe, Israel, the Middle East, and Africa. Magnificently illustrated with pages from hundreds of manuscripts, many previously unpublished or rarely seen, Skies of Parchment, Seas of Ink offers surprising new perspectives on Jewish life, presenting the books of the People of the Book as never before.
The Unorthodox Haggadah is a way to enjoy the strange and wonderful world of religion, while skipping the boring parts. Ritual is at the core of every culture, but people are no longer into dogma. This book offers the ritual with a hilarious, irreverent twist. It is genuinely funny, fun to flip through, and a riot to use at the seder. Make sure everyone around your table has a copy for the next Passover. Sample text: Let's begin by drinking the blood of a virgin lamb off the tip of a flaming golden scimitar. In the event that you've de-virginized your lamb or misplaced your scimitar, use wine. Now, we toast the Israelites for rolling out of Egypt in time and generally being clever. Here are a few things they've invented since 1901: Jeans, lipstick, Hollywood, the fax machine, psychoanalysis, and the weekend. Thanks for getting us out of Egypt before shit got too real. Drink the second cup of wine while leaning to the left. “…light up your seder.” -Huffington Post "A cool, creative affront to Jewish grandmothers." -MediaBistro “Redefine Bitter Herbs…slightly insane.” -Tablet Magazine "It’s the Passover you never knew you always wanted...While there are many (many!) different Haggadah versions out there, this one is hands down our favorite (sorry Maxwell house). Genuinely funny, which puts it head and shoulders above 99.9% of the treacly crap people foist on unsuspecting seder guests to try to fool them into thinking they’re actually enjoying themselves.” -Heeb Magazine­
Twelve of the greatest works of all time are collected in this dazzling tribute to artistic genius. Bosch, Monet, Gauguin, van Gogh, Botticelli, Degas, and other masters are represented.
Accompanying an exhibition at Les Enluminures, New York, this scholarly book includes chapters on the art, iconography, and historical context of a remarkable medieval manuscript: a Haggadah with seventy-five watercolor paintings created in the circle of the famous artist Giovannino de' Grassi (d. 1398) in Milan in the late fourteenth century. The