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Wayne presents intimate insider biographies of the most radiant stars in movie mogul Louis B. Mayer's galaxy--their careers, the affairs, the heartbreak and the scandals. of photos.
The only full-length biography of this immensely popular screen star of the 1940s and 1950s
"Half of all marriages end in divorce--and then there are the really unhappy ones." --Joan Rivers Do you suppose that the person who first said "Life is stranger than fiction" might have had Hollywood marriages in mind? Why watch a romantic film starring a leading man and a leading lady when their real-life romances are so much more interesting? It seems that a celebrity's latest film can have a considerably longer life span in the theater than his or her marriage du jour. One would almost think that Tinseltown has come to embrace divorce as an accepted pastime. Some celebrities have seemingly collected spouses over the years, systematically adding notches in their belts of divorces. Cases in point: Zsa Zsa Gabor (nine), Lana Turner (eight), Elizabeth Taylor (nine), and Mickey Rooney (eight). This list appears to make Jennifer Lopez a mere novice with only three marriages, two divorces, and one terminated engagement to date. In The Hollywood Book of Breakups, James Robert Parish looks at scores of hot Hollywood romances that eventually fell apart. From the decade-long union of Tom Cruise and Nicole Kidman to the "just-for-show" nuptials of Rock Hudson and Phyllis Gates to the four-and-a-half-year marriage of Brad Pitt and Jennifer Aniston to the "other woman" divorce of Debbie Reynolds and Eddie Fisher, Parish covers it all--from the burning embers to the fizzling fires of Hollywood breakups. You couldn't make this stuff up--and James Robert Parish doesn't need to. Hollywood writes its own drama when it comes to scandalous breakups.
The birth of the male sex symbol began when actors did more than jump on and off horses or swoop swashbuckling from the prow of a pirate ship. Sex appeal came when men looked like they intended to have sex. No one is completely sure about Clooney. Sometimes he looks more comfortable with a cup of Espresso in his hands, but Valentino knew how to lunge, plunge, tango and bodice rip. The repression of the Victorian age meant that heroes in films were required to represent a certain moral standard, but Valentino proved there was no desire without shadow, ambiguity and perhaps even a smidge of black eyeliner. He was a hero but not necessarily one of the good guys. Through the 20th century masculine appeal dwelled in adventure (Errol Flynn, Clark Gable, Steve McQueen) and the simple ability to look very good in a dinner suit (Cary Grant, Sidney Poitier). The element of the dandy, the cultivated and well spoken gentleman, is a trait that began to fade fast in appeal by the mid twentieth century when manly men (Brando, Newman, Hudson) delivered less talk and more action. Marlon Brando Cary Grant Elvis Presley Clark Gable Errol Flynn Gary Cooper James Dean Rock Hudson Rudolph Valentino Paul Newman Steve McQueen Jim Morrison Fashion Industry Broadcast’s “STYLE ICONS” is a series: Style Icons – Vol 1 Golden Boys Style Icons – Vol 2 Hunks Style Icons – Vol 3 Bombshells Style Icons – Vol 4 Sirens Style Icons – Vol 5 Idols Style Icons – Vol 6 Young Guns Style Icons – Vol 7 Kittens Style Icons – Vol 8 Babes Fashion Industry Broadcast is a leading global publisher of lifestyle titles, this multi edition set has been created as a hard cover colour coffee table books, e-books for $9.99 from Amazon Kindle, Barnes and Noble Nook, Apple iBook’s, Google books, Stanza and Kobo, Apps for mobile devices and a TV documentary series is also in the works. A very special video rich multimedia App version with 1000+ original videos, interviews, movie scenes, behind the scenes shoots and advertisements, and also embedded links to rent or purchase all their major movies right in the App is available through Apple’s iTunes App store and other major App stores for just $4.99 per edition. Look for “STYLE ICONS” on the Apple App store. www.fashionindustrybroadcast.com Contact [email protected]
M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.
Blessed with a natural beauty, Scotland-born actress Deborah Kerr (1921-2007) provided the cinema with memorable studies of English gentility. A star in British pictures before she was 21 and a Hollywood fixture from 1946 on, she projected a cool reserve and stoic nobility, often hinting at passion and insecurity beneath the surface. Frequently portraying selfless, sympathetic women, she was brilliant in such roles as Anna Leonowens in The King and I (1956). And in a fascinating departure from her normal range, her portrayal of the sexually frustrated Army wife in From Here to Eternity (1953) resulted in the screen's most famous "clinch"--the beach scene with Burt Lancaster. Though she never won an Academy Award despite six nominations, Deborah Kerr received an honorary Oscar in 1994.
America's dream capital achieved its greatest influence in the '30s, when many of these now-gone stars were at their peak, and lasted until television invaded American living rooms in the '50s. Chosen for inclusion were men and women who were universally recognized as stars in the Hollywood sense, and who were no longer alive as of December 31, 1988. Fred Astaire, Jack Benny, Charlie Chaplin, Gary Cooper, Joan Crawford, Bing Crosby, Errol Flynn, Clark Gable, Jean Harlow, Al Jolson, Vivien Leigh, Marilyn Monroe, Elvis Presley, Will Rogers, Gloria Swanson, Spencer Tracy, Mae West--these are a few of the 81 stars covered, with biographies and filmographies of each. Numerous movie stills, complete index.
MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema
From the acclaimed author of Joan Crawford comes a riveting and uncensored biography of Clark Gable. The archetypal male of his era, Gable was named “King of Hollywood” in 1938. But as David Bret reveals, the star was not quite who he seemed. One of Gable's best-kept secrets was his bisexuality. Bret recounts Gable's failed marriages to women who turned a blind eye toward his affairs with actors Earl Larimore and Rod La Rocque, among other men. Bret also reveals how a pseudo-scandalous paternity suit and the actor's wartime accomplishments were no more than elaborate publicity stunts created by studio chief Louis B. Mayer in order to exaggerate Gable's masculinity and heroism in the public eye. With passion and accuracy, Bret uncovers the truth behind one of Hollywood's biggest stars.
Don Ameche, Eve Arden, George Burns, Bette Davis, Greer Garson, Rex Harrison, Lilli Palmer, George Raft, Ginger Rogers, Barbara Stanwyck, Orson Welles, Cornel Wilde--these are among the stars who graced the silver screen in Hollywood's Golden Age. Biographies and filmographies of these actors and actresses and 70 others who had passed from the scene by September 1996 are presented in this reference work. The biographical section focuses on how they came to be involved with whom they shared the screen. The filmography lists all the films in which they appeared, along with the studio and the year of release.