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This is the story of the most successful Soviet and post-Soviet Kyrgyz family, which casted light to some great secrets of all happy, stable, and healthy social environments and even revealed the enigmas of our nature and universe that needs to know for majority to catch up the blue bird of fortune and be happy and fruitful in any time, country, and living situation and condition.
“A stunningly beautiful ode to John Lennon! Really nice to read your poems”. Ann-Lise Andersen, poet, Sweden;“I love your words, they speak from deep truth. A wonderful mark of respect and a great poetry”. David N. Read, poet, UK;“Wow! I am so voracious for more of your lines and I definitely will come by to enjoy the bliss of your words”. Funom Makama, poet. Comment for Golden dust of Birke;“Very nice pen! I truly enjoyed by yours poems!” Dorian Peterson Potter, poet. Comment for Sparticles.
But who considered exactly what kind of deal we must handle out right now, what need to do or not? That is always look like the writing poem, where no one know what kind of thing will be penned out on yours page? Sometimes page by page dropping down thoughts without any corrections as if under someone dictation. And sometimes one phrase demanded works of day, month and year. From When the day goes longer than life Muratbek Rusbekov In the puppet theater, as is known, the giants who hid behind the scenes manipulate the tiny creatures, pulling them by the threads. In the grandiose theater of the universe, everything is done by the opposite way: our whole world and reality are controlled by tiny quantum particles. The microcosm completely defines and manages the world of giants. Our entire universe, its long evolution and the origin of life, proceeding from one simple cell to modern mankind and civilization, and now going into the great future is all the puppet theater, created and controlled by the smallest but such steep and quirk particles and their incredible imagination, way of life, staggering energies, speeds, strength and other physical abilities. From The puppet theater of the Universe has played by the strings of microcosm Zamir Osorov
A reinterpretation of world politics drawing on Chinese cultural and philosophical traditions to argue for a focus on relations amongst actors, rather than on the actors individually.
From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time.
The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.