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"The Golden Age Of Bank Robbers" describes what occurred during this nation's darkest days. Bank robberies during the 1920's and 1930's were at an all time high. Many banks closed their doors after robbers cleared out their vaults. A new breed of folk hero was created: spiritual descendants of Jesse James and Billy The Kid. This book describes how outlaws such as John Dillinger, Pretty Boy Floyd and other gangsters, lived and died. Lawmen that were under-paid and out-gunned were no match for the machinegun welding gangsters during the Great Depression. Many men died trying to capture these notorious outlaws. Details of bank robberies, shoot-outs with police, and daring get-a-ways are described with vivid details. This book describes eight different notorious bank robbers. Read about stories of their lives, crimes, and deaths. This fascinating book details the research of how these robbers were able to steal thousands of dollars from banks. Until now, many of these bank robbers have long been forgotten by history. By reading this book, you'll go back in time and ride with each gangster as he daringly robs bank after bank. "The Golden Age of Bank Robbers" is a colorful collection of historical anecdotes and descriptive accounts - including some great photographs - of the rambunctious crime spree that occurred mainly in the Midwest during the first half of the twentieth century. This book serves as both an opportunity for academic learning as well as a thorough resource for those personally interested in or passionate about a significant (and fast-changing) time in US history. Readers interested in American history and the unique drama of the 1920s and 1930s will appreciate the material covered in this book.
Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history. Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
The time between the wars, the 1920 and 1930s, differed from each other in almost every respect. “The Roaring ’20s” ushered in a period of optimism and frivolity, complete with daring fashions for women that broke from the Victorian standard of dress. With the stock market crash of 1929, the 1930s were markedly more subdued. As the United States struggled through the Great Depression, the somber tones were reflected in people’s everyday wear, though cinematic stars still wore dazzling outfits. The 1920s and 1930s details how men and women dressed during the periods between World War I and World War II, giving ample examples of the style of costumes and fashions popular at the time. Chapters include: New Clothes for a New Age Gentlemen and Gangsters 1920s Casual and Day Wear 1930s Women's Wear 1930s Men's Wear The Golden Age of Glamour 1930s Day Wear, Sportswear, and Children's Wear Accessories.
During the 1920s—the Golden Age of sports—sports writers gained their own recognition while covering such athletes as Babe Ruth, Bobby Jones, Jack Dempsey, and Red Grange. The top journalists of the era were the primary means by which fans learned about their favorite teams and athletes, and their popularity and importance in the sports world continued for decades. Legendary Sports Writers of the Golden Age: Grantland Rice, Red Smith, Shirley Povich, and W. C. Heinz details the lives and careers of four sports-writing greats and the iconic athletes and events they covered. Although these writers established themselves during the 1920s, their careers extended well into the decades that followed. They reported on Jesse Owens, Joe Louis, Sandy Koufax, Arnold Palmer, and many other stars from the 1920s and beyond. Lee Congdon examines not only the lives and careers of Rice, Smith, Povich, and Heinz, but the distinctive writing style that each of them developed. Taken together, these four writers lifted sports reporting to heights that it is unlikely to reach again. This book brings to life the greatest era in sports history, as seen through the eyes of four legendary sports writers. Sports fans, historians, and those interested in sports journalism will all find this a fascinating and informative look at a time when the sports world was at its peak.
Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes's humanism in the 20th century.
Swedish society underwent great changes during the first decades of the 1900s and the new consumption and entertainment culture came under fire. Children and youth--but also women and the working classes--become symbols of the forces breaking down traditional structures and values. These groups were also identified as the principal audience for the new film medium. Hence, during the silent era, film culture interacted with society at large, filling the screen with contradictory images of diverging masculinities and gender/ethnic relations. In fact, film culture became one of the most important arenas where new gender relations could be articulated. This book covers Swedish film culture throughout the 1920s. It is the first in-depth exploration of Swedish silent film culture that goes beyond the small number of canonized films of the "Swedish Golden Age" that have been discussed as "art" for nearly 100 years. The study is based on extensive research and takes all Swedish feature films produced in the 1920s into consideration, together with a large number of source materials that include fan and trade magazines, manuscripts, censorship records, government reports and some 900 film reviews.
When the luxury liner Ile de France sailed into New York harbor for the first time in 1927, she brought to America the first great, coordinated example of what the French then called L'Art Moderne. The revolutionary Art Deco interiors found on the Ile de France were unlike anything previously seen on the North Atlantic and set a standard in ocean liner décor for decades to come. Her glittering passenger lists of the 1920s and 1930s were the envy of other shipping lines: Marlene Dietrich, Gloria Swanson, John D. Rockefeller, Buster Keaton, Barbara Hutton, Maurice Chevalier, Will Rogers, Cary Grant, Marie Curie and Arturo Toscanini were but a few of the luminaries that graced its salons. The Ile de France served heroically in World War II as a troopship, and in peacetime came to the rescue of other ships nine times during her career, most notably when she rescued more than 700 survivors from the stricken Andrea Doria following its collision with the Stockholm in 1956. In a last gasp of immortality, the Ile de France appeared in the epic disaster film The Last Voyage standing in for a fictional, stricken liner. Forgetting her ignoble end, the Ile deFrance is still held in awe and reverence both in her native France and by the maritime community worldwide. Although neither the fastest nor the largest liner of her time, one writer said of the Ile de France, “She was handsome without being grand, comfortable without being overstuffed, class-conscious without living by exclusions.” The penchant the Ile de France had for attracting the famous, the talented, the youthful, along with her special chic and verve ensured her place in the pantheon of immortal Atlantic liners.
The 'Handbook of Marketing' presents a major retrospective and prospective overview of the field of marketing when many of the traditional boundaries and domains within marketing have been subject to change.