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Beverley Hansford delivers his third romantic novel, shot through with suspense and intrigue. The Golden Anklet is full of dark secrets and suspense that will keep readers enthralled until the last page.
Cinduri, hungry and ragged, is befriended by Godfather Snake, who feeds her delicacies and dresses her in gold cloth and anklets with bells and diamonds, to meet the prince.
A retelling of the enthralling stories by a renowned folklorist, including Aladdin and Ali Baba, with evocative illustrations
Originating in Tamil mythology, Cilappatikaram is the love story of Kannaki and Kovalan. Kannaki wears a circular anklet representing the power, strength and dignity of the goddess Pattini. Goddess status is bestowed upon Kannaki as her life undergoes the same fate as the anklet that is stolen and used as a weapon.
This book is a rendering in English of the Tamil epics Silappadikaram and Manimekalai written by renowned Tamil poets. Silappadikaram is the story of Kovalan and Kannagi and of how Kannagi avenges the wrong done to her husband. Manimekalai is meant to be a sequel to Silappadikaram, being the story of Kovalan s daughter s renunciation. There are strong spiritual undertones in the story that give an insight into the religious influence of those times. The illustrations are by A V Illango who is a well-known name in the Indian art scene. His areas of interest are Tamil folklore and the mythology and temple architecture of Tamil Nadu.
In Upper Egypt, there is that always-told story about patience. This story was told to me by women, advanced in years, about an infertile mother who wished to give birth to a beautiful baby girl and to put two anklets in her legs; one anklet made of silver and another made of gold. Her dream came true and she named her girl " 'Agab ". 'Agab faced grave adversity when she saw the sheikh of the Kuttab (1) eating a little child. She went ripping by. When she got stuck in a ring-like object on the ground while running away, the golden anklet dropped. However, 'Agab kept running and hid in a greenfield belonging to a prince. The prince caught 'Agab. He tested and married her. Whenever 'Agab gave birth to a baby boy, the sheikh of the Kuttab would show up and take the baby away. He would put blood on their mouths and vanish into thin air. Three boys had disappeared and blood was seen on 'Agab's mouth. The prince divorced 'Agab, thinking that she had gone crazy eating his little children. He threw her in a place for breeding pigeons and geese and prepared himself to marry another. The prince, on his wedding night, asked 'Agab to ask him to bring her something as a present. 'Agab asked the prince to get her the "Urn of Patience". After looking for one for some time, the prince came to 'Agab with an "Urn of Patience" and left it beside her. He went to take care of his wedding ceremonies. (1) Kuttab or Kuttāb, (Arabic: “school”), Muslim elementary school. Until the 20th century, boys were instructed in Qur'an recitation, reading, writing, and grammar in maktabs, which were the only means of mass education. 'Agab sat next to the "Urn of Patience" and told it her tragic story. The "Urn of Patience" shook and boiled over. When done telling her story, the Urn of Patience exploded and the sheikh of the Kuttab came out with the three children alive in one hand - the three children became young boys – and the golden anklet in his other hand. So, that sheikh was a test of patience and silence for 'Agab. – "What did you see, 'Agab, when you took the silver anklet and left the golden one?" The sheikh smilingly asked her. She replied with sorrow and sincerity: "I saw a teacher putting the children on the right track." The sheikh then said: "If you told the secret, 'Agab, I would have shown you the strangest things." The sheikh left 'Agab with her children who became polite and educated young boys. 'Agab took them to their father who was getting ready for his wedding night. The father embraced his children and believed 'Agab's story. As far as we can see, this is one story about patience; it is to be patient with what appears to be painful, believing that there is mercy in it. It is exactly like the story of Moses and Al Khedr told in the Chapter of "The Cave" in the Qur'an. Where there is no "'Agab", it is a meaningless story.
Renunciation is a core value in the Buddhist tradition, but Buddhism is not necessarily austere. Jewels—along with heavenly flowers, rays of rainbow light, and dazzling deities—shape the literature and the material reality of the tradition. They decorate temples, fill reliquaries, are used as metaphors, and sprout out of imagined Buddha fields. Moreover, jewels reflect a particular type of currency often used to make the Buddhist world go round: merit in exchange for wealth. Regardless of whether the Buddhist community has theoretically transcended the need for them or not, jewels—and the paradox they represent—are everywhere. Scholarship has often looked past this splendor, favoring the theory of renunciation instead, but in this volume, scholars from a wide range of disciplines consider the role jewels play in the Buddhist imaginary, putting them front and center for the first time. Following an introduction that relates the colorful story of the Emerald Buddha, one of the most famous jewels in the world, chapters explore the function of jewels as personal identifiers in Buddhist and other Indian religious traditions; Buddhaghosa’s commentary on the Jewel Sutta; the paradox of the Buddha’s bejeweled status before and after renunciation; and the connection in early Buddhism between jewels, magnificence, and virtue. The Newars of Nepal are the focus of a chapter that looks at their gemology and associations between gems and celestial deities. Contributors analyze the Fifth Dalai Lama’s reliquary, known as the “sole ornament of the world”; the transformation of relic jewels into precious substances and their connection to the Piprahwa stupa in Northern India and the Nanjing Porcelain Pagoda. Final chapters offer detailed studies of ritual engagement with the deity known as Wish-Fulfilling Jewel Avalokiteśvara and its role in the new Japanese lay Buddhist religious movement Shinnyo-en. Engaging and accessible, Jewels, Jewelry, and Other Shiny Things in the Buddhist Imaginary will provide readers with an opportunity to look beyond a common misconception about Buddhism and bring its lived tradition into wider discussion.
The story of jewelry in modern Egypt, from the end of the nineteenth century to the fusion of modern and traditional