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The author of Scary Kisses delivers a shocking and powerful novel about the gay club scene in New York in the 1970s. Sean Devlin leaves Columbia University to pursue the downtown life of an avant-garde filmmaker, in the tradition of Warhol. As Sean slowly becomes a famous filmmaker, readers pass through an erotic, decadent, lost world of drugs, dim lights, and strange rooms.
This book presents an original and engaging look at contemporary popular culture, opening with the provocative idea that this is a day and age of complete exhaustion of ideas, images, stories, and myths. Questioning the effects of content recycling in cinema and other media, the author further elaborates on the repurposing of cultural junk, the reassembling of narratives and myths. The thought-provoking hypothesis proposed in this research is that we have entered an age of cultural promiscuity. By analyzing the mutations of myth-making practices and connecting them with larger cultural manifestations, the author explains these transformations as integral to the development of a myth-illogical imagination. Cinematic and mythological representations in mainstream Hollywood films have reached a point of amalgamation with no return, which marks the beginning of a "fourth age of representations," where signs and meanings are manifested in illogical permutations. This is more explicit in films that commingle aliens, cowboys, undead American presidents, and zombie nazis, joining together in the same narrative ghosts, werewolves, and vampires, aggregating disjoined storylines and historical fake facts, all coalesced in an orgy of empty burlesque and infantile masquerades. This interdisciplinary research combines cultural studies, film criticism, art and myth interpretations, bringing into the debate multiple concepts from related fields such as critical theory and media criticism. The book also opens up to innovative approaches from a wide array of academic disciplines, offering researchers, students and those fascinated by the transformations happening in contemporary cinema an interpretative tool based on a revised dialectic approach. The conclusion is that we are now victims of a zombie semiotics. Meaning-making in contemporary culture, politics, and aesthetics is dominated by a process of incessant desecration of significations, specific to the total mishmash of representations analyzed here.
In The Promiscuity Papers, archetypal roots of promiscuity are explored. In classical Greek and Roman mythology some promiscuous father figures may be found viz. Chronos (Saturn), and Zeus (Jupiter). Another form of Saturnian promiscuous dynamic is explored in the mythological figures of Oedipus and Antigone. This is followed by presentation of a case history. Ines, a woman in her early thirties, enters analysis because she would like to solve the recurring problem of her unsuitable partnerships, in which her partners are predominantly promiscuous. The father was psychotically disturbed and the patient was the family member who offered support to him. Psychotherapy started with a stable frequency of two sessions a week. Within the transference, there appear two figures. One of a 'positive father, ' and the other as the 'all-knowing.' The latter may be compared with the mythological figure of Oedipus, whose intelligence was exceptional, being demonstrated in his redemption of Thebes from the Sphinx. All the same, Oedipus suffered from a promiscuously incestuous relationship with his mother Iocaste. During old age, when he was expelled, and accompanied by his faithful daughter Antigone, Oedipus was most probably psychotic. In the analysis, Ines has decided, after 200 hours of analysis, to reduce the frequency down to one session a week. The problem of analytic interpretation is described, as well as the effects of interpretation (when it finally takes place) that it had on the analytic relationship and analytic process. The intimate and important link between promiscuity and incest is also explored, promiscuous actualizing the incestuous. Promiscuity is a manifest sexual activity with the unknown other. Promiscuity can also be considered as a defense against paranoia.
Take a look at how narrative has shaped gay and lesbian culture A Sea of Stories: The Shaping Power of Narrative in Gay and Lesbian Cultures: A Festschrift for John P. De Cecco is an unforgettable collection of personal narratives that explores the historical, psychological, and sociological contexts of homosexuality in locations ranging from Nazi Germany to Colorado. Some of the prominent authors in this collection include David Bergman, Louis Crew, Diana Hume George, and Ruth Vanita. Scholars in gay and lesbian studies, political movements, cultural studies, and narratology, and anyone interested in gay history will want to explore these intriguing narratives on topics such as sex and sin in the South, selling gay literature before Stonewall, growing up gay in India, and the story of an interracial male couple facing homophobic ignorance in a small town. A Sea of Stories also contains creative fiction and nonfiction love stories, war stories, oral stories, and bibliographies, and a beautiful post-Stonewell and post-modern narrative set on a South African seascape that tells the story of two professional men and the possibility of a kiss. For a complete list of contents, please visit our Web site at www.haworthpressinc.com. This book offers you a variety of narratives that cover a wide range, including: memoirs of gay Holocaust survivors and the emergence of the first lesbian and gay book club in its wake homophobia in the workplace and the use of coming-out stories to enhance workplace diversity the establishment of a gay/straight alliance in a Salt Lake City high school that is heavily dominated by Mormons gay literary heritage that examines the works of Langston Hughes as well as Martin Duberman, Paul Monette, and Edmund White in relation to the lesbian 70s creative nonfiction about a woman's love for another woman, her lifelong friend Provincetown's remarkable community response to the AIDS epidemic A collection of chapters written by the colleagues and former students of John P. De Cecco, pioneering editor of the Journal of Homosexuality, A Sea of Stories takes its title from a phrase Dr. De Cecco used in his keynote address to the “History and Memory” conference at Allegheny College in 1997. This conference sparked the idea for this collection of essays that examine the homosexual experience through historical, psychological, and sociological viewpoints and homosexuality in literature. These courageous stories will assist readers to know themselves more deeply, to identify wih others, and to interpret gay and lesbian experiences in different narrative forms.
Neither a comprehensive history of Eastern European Jewish life or the shtetl, Petrovsky-Shtern, professor of Jewish Studies at Northwestern University, focuses on three provinces Volhynia, Podolia, and Kiev of the then Russian Empire during what he deems the golden age period, 1790 - 1840, when the shtetl was "the unique habitat of some 80 percent of East European Jews."
In 1850 the Industrial Revolution came to an end. In 1851 the Great Exhibition illustrated to the whole world the supremacy of industrial England. For the next twenty years Britain reigned supreme. From around 1870 Britain began to decline. Britain is now a second rate power with strong memories of its former supremacy. The above five sentences summarise a common view of the sequencing of Britain’s rise and relative fall, a stereotype that is challenged and modified in the essays of The Golden Age. By concentrating on central aspects of social and industrial change authors expose the underpinnings of supremacy, its unsung underside, its tarnished gold. Major themes cover industrial and technological change, social institutions and gender relations in a period during which industry and industrialism were equally celebrated and nurtured. Against this background it is difficult to argue for any sudden decline of energy, assets or institution, nor for any significant move from an industrial society to one in which a hearty manufacturing was replaced by commerce and land, sensibility and artifice.
Throughout history humans have been fascinated with incest. Stories, fables, literature, philosophers, church officials, and scientists have explored this mysterious topic. The taboo is critical to human survival, as incest threatens the species and patterns of human social organization. Drawing upon the rich legacy of theory, empirical data, and speculation about the origins of the incest taboo, this book develops a new explanation for, not only the emergence of the taboo in hominid and human evolutionary history, but also for the varying strength of the taboo for the incestuous dyads of the nuclear family, the different rates of incest of these dyads, and the dramatic differences the psychological pathology incest has on its younger victims. Synthesizing findings from biology, sociobiology, neurology, primatology, clinical psychology, anthropology, and sociology, the authors weave together a scenario of how natural selection initially generated mechanisms of sexual avoidance; and then, as the nuclear family emerged in hominid and human evolution, how sociocultural selection led to the development of the incest taboo.
Hardcore pornographic films combine fantasy and real sex to create a unique genre of entertainment. Pornographic films are also historical documents that give us access to the sexual behavior and eroticism of different historical periods. This book shows how the making of pornographic films is a social process that draws on the fantasies, sexual scripts, and sexual identities of performers, writers, directors, and editors to produce sexually exciting videos and movies. Yet hardcore pornographic films have also created a body of knowledge that constitutes, in this digital age, an enormous archive of sexual fantasies that serve as both a form of sex education and self-help guides. Sex, Society, and the Making of Pornography focuses on sex and what can be learned about it from pornographic representations.
Derek Meyers third book remembers the incredible brave fighters and talented icons of dance during the AIDS crisis and looks back at each of the four decades since the first cases of the disease were reported in the early 1980s. Medical dramas such as Greys Anatomy have been top rated in recent years and this book won`t let readers down who want to learn more about HIV and AIDS, but ""Live as Heroes"" is mainly a book about the heroes, who were not getting tired of trying to make a difference right in the face of darkness. The book connects the power of the performing arts with the inspiring stories of those people who fought against discriminations and the missing support from the government and managed to build up organizations such as the GMHC or AIDS Healthcare Foundation. It also tells a personal story which is both sweet and sad at the same time and encourages its readers to ask themselves if they prefer to hide as villains and cowards or ?Live as Heroes?.