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“Brackett’s diaries read like a funnier, better-paced version of Barton Fink.” —Newsweek Screenwriter Charles Brackett is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as “the happiest couple in Hollywood,” collaborating on such classics as The Lost Weekend and Sunset Boulevard. He was also a perceptive chronicler of the entertainment industry, and in this annotated collection of writings from dozens of Brackett’s unpublished diaries, film historian Anthony Slide clarifies Brackett's critical contribution to Wilder’s films and enriches our knowledge of Wilder’s achievements in writing, direction, and style. Brackett’s diaries re-create the initial meetings of the talent responsible for Ninotchka, Hold Back the Dawn, Ball of Fire, The Major and the Minor, Five Graves to Cairo, The Lost Weekend, and Sunset Boulevard, recounting the breakthroughs and the breakdowns that ultimately forced these collaborators to part ways. In addition to a portrait of Wilder, this is rare view of a producer who was a president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, a New Yorker drama critic, and a member of the Algonquin Round Table. With insight into the dealings of Paramount, Universal, MGM, and RKO, and legendary figures such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker, this book reveals the political and creative intrigue at the heart of Hollywood’s most significant films. “A fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.” —Chicago Tribune “This feels as close as we can get to being in the presence of Wilder’s genius, and he emerges as the cruelest as well as the wittiest of men.” —The Guardian “Not only rare insight into their often-stormy partnership but also an insider’s view of Hollywood during that era.” —Los Angeles Times “Very entertaining.” —Library Journal
"Er zijn maar liefst 35.000 exemplaren van 'Rijks, Masters of the Golden Age' verkocht. Wegens het grote succes van deze uitgave is het tijd voor een nieuwe druk, en wel de 5e druk! Aan de 4e druk werden de twee beroemde huwelijksportretten van Marten Soolmans en Oopjen Coppit (Rembrandt - 1634) toegevoegd. De 5e druk bevat opnieuw extra pagina's. Na een tournee door de 12 provincies van Nederland, zal het imposante portret 'De Vaandeldrager' (Rembrandt - c. 1636) vanaf 2023 permanent worden opgenomen in de Eregalerij van het Rijksmuseum. Uiteraard verdient ook dit meesterwerk het te worden opgenomen in 'Rijks, Masters of the Golden Age'. 'Rijks, Masters of the Golden Age' brengt ons oog in oog met de iconische schilderijen uit de prestigieuze Eregalerij van het Rijksmuseum. Met de prachtige details van de kunstwerken en de commentaren van hedendaagse kritische denkers zoals Erwin Olaf, David Allen, Angela Missoni en Jimmy Nelson, is dit boek een waar eerbetoon aan de 17e-eeuwse Nederlandse meesterstukken."-- Provided by publisher.
It's opening night of Vincenzo Bellini's new opera I Puritani in Paris, and the Italian composer is determined to win the adulation of not only his audience, but his colleagues and rivals as well. When the curtain falls, will a thunderous ovation cement his prominence? Or has Bellini unwittingly composed his own swan song? Blending 21st-century language with the timeless beauty of 19th-century bel canto opera, GOLDEN AGE portrays the final act of an artist whose desire for greatness has eclipsed all else.
A lavish new investigation into the Paris Opera’s influence on Edgar Degas's painting. From his debut in the 1860s up to his final works after 1900, the Paris Opera formed a focal point of Edgar Degas's paintings. He explored the theater's various spaces—auditorium and stage, private boxes, foyers, and dance studios—and painted those who frequented them: dancers, singers, orchestral musicians, audience members, and subscribers watching from the wings. This theater presented a microcosm of infinite possibilities, allowing him to experiment with multiple points of view, contrasting lighting, motion, and the precision of movement. This catalog, created in concert with an exhibition at the Muse´e d'Orsay in Paris, and the National Gallery of Art in Washington, DC, considers the Paris Opera’s influence on Degas as a whole, examining not only his passionate relationship with the house and his musical tastes, but also the infinite resources of the opera's marvelous toolbox. Filled with striking reproductions of Degas’s work and including insightful essays by leading curators and scholars, Degas at the Opera offers admission into the world of Degas and the Paris Opera of the nineteenth century.
The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the 18th century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here. Vic Gatrell's spectacular new book recreates this time and place by drawing on a vast range of sources, showing the deepening fascination with 'real life' that resulted in the work of artists like Hogarth, Blake, and Rowlandson, or in great literary works like The Beggar's Opera and Moll Flanders. The First Bohemians is illustrated by over two hundred extraordinary pictures, many rarely seen, for Gatrell celebrates above all one of the most fertile eras in Britain's artistic history. He writes about Joshua Reynolds and J. M. W. Turner as well as the forgotten figures who contributed to what was a true golden age: the men and women who briefly dazzled their contemporaries before being destroyed - or made - by this magical but also ferocious world. About the author: Vic Gatrell's last book, City of Laughter, won both the Wolfson Prize for History and the PEN Hessell-Tiltman Prize; his The Hanging Tree won the Whitfield Prize of the Royal Historical Society. He is a Life Fellow of Caius College, Cambridge.
The Golden Age is Grand Space Opera, a large-scale SF adventure novel in the tradition of A. E. Van vogt and Roger Zelazny, with perhaps a bit of Cordwainer Smith enriching the style. It is an astounding story of super science, a thrilling wonder story that recaptures the excitements of SF's golden age writers. The Golden Age takes place 10,000 years in the future in our solar system, an interplanetary utopian society filled with immortal humans. Within the frame of a traditional tale-the one rebel who is unhappy in utopia-Wright spins an elaborate plot web filled with suspense and passion. Phaethon, of Radamanthus House, is attending a glorious party at his family mansion to celebrate the thousand-year anniversary of the High Transcendence. There he meets first an old man who accuses him of being an impostor and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. He is an exile from himself. And so Phaethon embarks upon a quest across the transformed solar system--Jupiter is now a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms that are partly both, to recover his memory, and to learn what crime he planned that warranted such preemptive punishment. His quest is to regain his true identity. The Golden Age is one of the major, ambitious SF novels of the year and the international launch of an important new writer in the genre. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"West End Broadway discusses every American musical seen in London between 1945 and 1972."--Jacket.