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Meet Amber Benson's "authentically original creation" (Locus)... My name is Calliope Reaper-Jones (Callie to my friends). I’m Death’s Daughter and—as of very recently—the (reluctant) head of my father’s company, Death, Inc. I was gradually learning how to be a businesswoman. Had the power suits and shoes down, though the day to day was slow going. Then I was blindsided by Enemies Unknown and sent off to I-don’t-know-where. Not a good thing. Now not only must my friends and family be frantic, but without a CEO, Death, Inc., can’t function. With the newly deceased left free to roam the Earth, it’s the zombie apocalypse come true. I’ve got to get back—for my sake and the sake of, oh, all humanity…
In the late fourth century, the world of Christianity was torn apart by debate over the teachings of the third-century theologian Origen and his positions on the incorporeality of God. In the year 400, Archbishop Theophilus of Alexandria convened a council declaring Origen's later followers as heretics. Shortly thereafter, Theophilus banished the so-called Tall Brothers, four Origenist monks who led monastic communities in the western Egyptian desert, along with hundreds of their brethren. In some accounts, Theophilus leads a violent group of drunken youths and enslaved Ethiopians in sacking and desecrating the monastery; in others, he justly exercises his episcopal duties. In some versions, Theophilus' violent actions effectively bring the Golden Age of desert monasticism to an end; in others, he has shown proper respect for the desert fathers, whose life of asceticism is subsequently destroyed by bands of barbarian marauders. For some, the desert came to be inextricably connected to violence and trauma, while for others, it became a site of nostalgic recollection. Which of these narratives subsequent generations believed depended in good part on the sources they were reading. In Death of the Desert, Christine Luckritz Marquis offers a fresh examination of this critical juncture in Christian history and brings into dialogue narrative strands that have largely been separated in the scholarly tradition. She takes the violence perpetrated by Theophilus as a turning point for desert monasticism and considers how monks became involved in acts of violence and how that violence came back to haunt them. More broadly, her careful attention to the dynamic relations between memory practices, the rhetorical constructions of place, racialized discourse, and language and deeds of violence speak to us in our own time.
Meet Amber Benson's "authentically original creation" (Locus)... My name is Calliope Reaper-Jones (Callie to my friends). I’m Death’s Daughter and—as of very recently—the (reluctant) head of my father’s company, Death, Inc. I was gradually learning how to be a businesswoman. Had the power suits and shoes down, though the day to day was slow going. Then I was blindsided by Enemies Unknown and sent off to I-don’t-know-where. Not a good thing. Now not only must my friends and family be frantic, but without a CEO, Death, Inc., can’t function. With the newly deceased left free to roam the Earth, it’s the zombie apocalypse come true. I’ve got to get back—for my sake and the sake of, oh, all humanity…
A major history of the shtetl's golden age The shtetl was home to two-thirds of East Europe's Jews in the eighteenth and nineteenth centuries, yet it has long been one of the most neglected and misunderstood chapters of the Jewish experience. This book provides the first grassroots social, economic, and cultural history of the shtetl. Challenging popular misconceptions of the shtetl as an isolated, ramshackle Jewish village stricken by poverty and pogroms, Yohanan Petrovsky-Shtern argues that, in its heyday from the 1790s to the 1840s, the shtetl was a thriving Jewish community as vibrant as any in Europe. Petrovsky-Shtern brings this golden age to life, looking at dozens of shtetls and drawing on a wealth of never-before-used archival material. Illustrated throughout with rare archival photographs and artwork, this nuanced history casts the shtetl in an altogether new light, revealing how its golden age continues to shape the collective memory of the Jewish people today.
"This is a must read book if you care about your health." Jeff Kanter, Co-Founder HealthExcellencePlus.com The 1962 Amendments to the Food & Drug Act have probably shaved at least 5 years off of your lifespan without making drugs safer and more effective. They shifted our medical paradigm from inexpensive prevention to costly treatment, censored life-saving nutritional approaches to disease, added a decade to the time it takes to get a new drug from the lab bench to market place, destroyed over half of our medical/pharmaceutical/nutritional innovations, and caused the prices of drugs to soar without improving safety or effectiveness. Find out how to reclaim our Golden Age of Health. The life you save may be your own! "Death by Regulation is one of the most important books of the 21st Century. The tragic impact of FDA regulations makes this a cause of life and death to all of us." Ken Schoolland, Associate Professor of Economics at Hawaii Pacific University Dr. Ruwart's rigorous and hard-hitting analysis is a shocking eye opener and essential reading for anyone who wants to understand why medical progress is so painfully slow in the United States. Kyle Varner, MD, Medical Director, Elite Locum Tenens LLC, Spokane, Washington "Death by Regulation is undoubtedly the most insightful and comprehensive analysis of the unintended consequences-and mind-numbing costs in terms of shortened lives and suffering-of the 1962 legislation." Bartley Madden, author of Free to Choose Medicine
As she plans a party for her son and daughter, Rehana Haque's life will be transformed forever in a story of one family caught in the middle of the 1971 Bangladesh war of independence, as they face changes and decisions that will have a profound impact on their lives forever.
In this fascinating and detailed profile, Benn paints a vivid picture of life in the Tang Dynasty (618-907), traditionally regarded as the golden age of China. 40 line illustrations.
Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.
The woman's world champion tennis player is challenged by a fiery new competitor, but the match comes to a halt when the challenger falls dead.
The Golden Age is Grand Space Opera, a large-scale SF adventure novel in the tradition of A. E. Van vogt and Roger Zelazny, with perhaps a bit of Cordwainer Smith enriching the style. It is an astounding story of super science, a thrilling wonder story that recaptures the excitements of SF's golden age writers. The Golden Age takes place 10,000 years in the future in our solar system, an interplanetary utopian society filled with immortal humans. Within the frame of a traditional tale-the one rebel who is unhappy in utopia-Wright spins an elaborate plot web filled with suspense and passion. Phaethon, of Radamanthus House, is attending a glorious party at his family mansion to celebrate the thousand-year anniversary of the High Transcendence. There he meets first an old man who accuses him of being an impostor and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. He is an exile from himself. And so Phaethon embarks upon a quest across the transformed solar system--Jupiter is now a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms that are partly both, to recover his memory, and to learn what crime he planned that warranted such preemptive punishment. His quest is to regain his true identity. The Golden Age is one of the major, ambitious SF novels of the year and the international launch of an important new writer in the genre. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.