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Utopia Antiqua is a fresh look at narratives of the Golden Age and decline in ancient Roman literature of the late Republic and imperial period. Through the lens of utopian theory, Rhiannon Evans looks at the ways that Roman authors, such as Virgil, Ovid and Tacitus, use and reinvent Greek myths of the ages, considering them in their historical and artistic context. This book explores the meanings of the ‘Iron Age’ and dystopia for Roman authors, as well as the reasons they give for this decline, and the possibilities for a renewed Age of Gold. Using case studies, it considers the cultural effects of importing luxury goods and the way that it gives rise to a rhetoric of Roman decline. It also looks at the idealisation of farmers, soldiers and even primitive barbarians as parallels to the Golden Race and role models for now-extravagant Romans.
An anthology containing fresh and rhythmic translations of the great poets from the Augustan period, Golden Verses covers a broad range of verse with introduction, maps, chronology, glossary, bibliography and notes. Alessi's text is designed specifically for the college market, providing students with access to the thought and context at the roots of our culture. Designed to be read in conjunction with major works of the Augustan Age—Ovid's Metamorphosis and Vergil's Aeneid.
In this updated edition of his concise biography, Werner Eck tells the extraordinary story of Augustus, Rome's first monarch. Incorporates literary, archaeological, and legal sources to provide a vivid narrative of Augustus' brutal rise to power Written by one of the world's leading experts on the Roman empire Traces the history of the Roman revolution and Rome's transformation from a republic to an empire Includes a new chapter on legislation, further information on the monuments of the Augustan period, more maps and illustrations, and a stemma of Augustus' family Thorough, straightforward, and organized chronologically, this is an ideal resource for anyone approaching the subject for the first time
"This book investigates the various ways that ancient Greek and Roman authors envisioned the end of the world and the role they gave to global catastrophes, both past and future, in shaping human history"--
This anthology is a compilation of primary sources in translation, covering Roman politics, art, literature, social history and philosophy. The sources have been carefully selected to provide the primary evidence for a detailed study of Rome and Augustus, founder of the Empire. Also included are sources for a more wide-ranging study of the development of Principate to Empire under Augustus' successors and for the development of Roman rule in the provinces of Gaul, Germany, Britain and Judaea.
Joshua Noble focuses on the rapid appearance and disappearance in Acts 2 and 4 of the motif that early believers hold all their property in common, and argues that these descriptions function as allusions to the Golden Age myth. Noble suggests Luke's claims that the believers “had all things in common” and that “no one claimed private ownership of any possessions”-a motif that does not appear in any biblical source- rather calls to mind Greek and Roman traditions that the earliest humans lived in utopian conditions, when “no one ... possessed any private property, but all things were common.” By analyzing sources from Greek, Latin, Jewish, and Christian traditions, and reading Acts 2:42-47 and 4:32-35 as Golden Age allusions, Noble illustrates how Luke's use of the motif of common property is significant for understanding his attitude toward the Roman Empire. Noble suggests that Luke's appeal to this myth accomplishes two things: it characterizes the coming of the Spirit as marking the beginning of a new age, the start of a “universal restoration” that will find its completion at the Second Coming of Christ; and it creates a contrast between Christ, who has actually brought about this restoration, and the emperors of Rome, who were serially credited with inaugurating a new Golden Age.