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The most comprehensive book of its kind, this gorgeous edition presents more than 500 full-color works by famous and lesser-known artists from the heyday of book and magazine illustration. Featured artists include Walter Crane, Edmund Dulac, Maxfield Parrish, Howard Pyle, Arthur Rackham, N. C. Wyeth, and many others — 101 in all. Several examples of each artist's finest illustrations are accompanied by biographical comments and career notes. Additional artists include Victorian-era illustrator Aubrey Beardsley, noted for his compelling combinations of the erotic and grotesque; American painter Harvey Dunn, one of Howard Pyle's most accomplished students; James Montgomery Flagg, famed for his U.S. Army recruitment posters; Charles Dana Gibson, creator of the iconic Gibson Girl; Charles R. Knight, a pioneer in the depiction of dinosaurs and other prehistoric creatures; Edward Penfield, the king of poster art; Frederic Remington, whose works document the Old West; J. Allen St. John, the principal illustrator of Edgar Rice Burroughs's adventure tales; and dozens of others.
From the 1860s to the 1930s, there was a great flowering of the illustrator1s art in England and America. Artists such as Kate Greenaway, Jessie Willcox Smith, Arthur Rackham, Edmund Dulac, and the Robinson brothers revolutionized the art of children1s book illustration. Their beautifully executed illustrations made children1s books appealing to all ages. This book includes biographies of more than 50 of the artists whose talents helped to create the Golden Age. Includes not only the great names, but also less well known but equally talented artists such as Anne Anderson, Margaret Tarrant, Harry Clarke, and L. Leslie Brooke. More than 150 illustrations, both in color and B&W.
A young crippled prince must reclaim his kingdom from his evil uncle, with the help of a magic cape from his godmother.
Unique anthology presents scores of color and black-and-white artworks by 22 of the best women illustrators of the early 20th century, including Beatrix Potter, Kate Greenaway, and Jessie Willcox Smith.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
The first full-scale treatment of Robinson's early output, this anthology features more than 100 images from fairy tales, children's literature, and works by Shakespeare, Kipling, and Poe, many in full glorious color.
This volume of the Golden Age of Illustration Series contains Hans Christian Andersen’s ‘The Red Shoes’. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, Edmund Dulac, Harry Clarke, Honor Appleton, Jennie Harbour, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and – most importantly – the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales. ‘The Red Shoes’ was first published in April of 1845, as part of Andersen’s New Fairy Tales: First Volume, Third Collection. Andersen explained the source of the story as being an incident he had witnessed as a small child. His father, he stated, had been sent a piece of red silk by a rich lady, who wanted the material converted into a pair of dancing slippers. Andersen’s father produced the slippers, but the rich woman was horrified at the result, and in reaction to her harsh criticism, he cut the shoes up in front of her.
This volume of the Golden Age of Illustration Series contains Hans Christian Andersen’s ‘The Snow Queen’. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, Edmund Dulac, Harry Clarke, Honor Appleton, Jennie Harbour, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and – most importantly – the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales.
A celebration of the painstaking hand-stenciling technique known as pochoir, as it was used in luxury fashion publications of the early twentieth century The 1910s and 1920s witnessed an outpouring of luxury fashion publications that used a hand-stenciling technique known as pochoir (French for stencil). This highly refined, painterly technique, which consists of applying layers of gouache paint or watercolor to achieve bold blocks of saturated color, produced works of visual artistry previously unrivaled in the history of fashion illustration. Fashion and the Art of Pochoir presents a carefully curated selection of 300 of the most exceptional illustrations from albums produced by the leading French couturiers, as well as from high-end fashion magazines. Artists from Paul Iribe, Georges Lepape, and George Barbier to Umberto Brunelleschi, Eduardo Garcia Benito, and André E. Marty, these artists inaugurated the alliance between fashion and art with highly stylized depictions of the work of cutting edge designers such as Paul Poiret, Jeanne Lanvin, and Madeleine Vionnet, among others. Complete with biographical descriptions of the featured illustrators and fashion designers, Fashion and the Art of Pochoir celebrates the rare—and rarely seen—images that defined a short but magnificent golden age of fashion illustration.