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This encyclopedic volume is a thorough examination of the history of religion in ancient India, detailing each of the gods and goddesses, his or her origins, and how the gods continue to be worshipped today. The history of religion is directly tied to the history of the past one thousand years. World history is an important part of the history curriculum, making this volume a valuable teaching tool, as well as an entertaining read. Vibrant images make it a visual experience.
Hindu gods serve mankind with compassion and devotion, breathing wisdom into every aspect of life. This exquisitely illustrated book presents profiles of 30 deitiesfrom the powerful triad of Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to the colorful supporting cast of gods such as Ganesha and Saraswati. Author Priya Hemenway tells the stories of how these gods came to be, how theyre worshipped, and how they remain forever alive in the hearts of those who seek to know themselves.
This study of Hindu mythology explores the significance of the most prominent Hindu deities as they are envisioned by the Hindus themselves, Referred to by its adherents as the "eternal religion" Hinduism recognizes for each age and each country a new form of revelation-and for each person, according to his or her stage of development, a different path of realization. This message of tolerance and adaptability, the very heart of Hindu polytheism, resounds clearly throughout Alain Danielou's work. Photographic plates by Raymond Burnier further illustrate the many facets of Hindu teaching and grace the significance of the Gods of the Vedas, as well as Vishnu, Shiva, Brahma, Kali, Shakti, and other deities.
Philosophical arguments for and against the existence of God have been crucial to Euro-American and South Asian philosophers for over a millennium. Critical to the history of philosophy in India, were the centuries-long arguments between Buddhist and Hindu philosophers about the existence of a God-like being called Isvara and the religious epistemology used to support them. By focusing on the work of Ratnakirti, one of the last great Buddhist philosophers of India, and his arguments against his Hindu opponents, Parimal G. Patil illuminates South Asian intellectual practices and the nature of philosophy during the final phase of Buddhism in India. Based at the famous university of Vikramasila, Ratnakirti brought the full range of Buddhist philosophical resources to bear on his critique of his Hindu opponents' cosmological/design argument. At stake in his critique was nothing less than the nature of inferential reasoning, the metaphysics of epistemology, and the relevance of philosophy to the practice of religion. In developing a proper comparative approach to the philosophy of religion, Patil transcends the disciplinary boundaries of religious studies, philosophy, and South Asian studies and applies the remarkable work of philosophers like Ratnakirti to contemporary issues in philosophy and religion.
Home to one of the ancient civilizations of the world, India is also the birthplace of a dizzying array of gods worshipped by millions of Hindus living in India and across the globe. Over the centuries many of these gods rose to power and became the object of utmost devotion, only to fall from grace and lose their standing. These deities shared a peculiar trait: they were never perfect. In this multivolume series entitled, The Galaxy of Hindu Gods, Sach takes you on an extended journey to meet with the gods and share their tales with you. Among the multitude of deities, the most ancient are the Vedic gods, which include luminaries like Indra, Surya, Varuna, Agni, and others. Today a minor deity, the Vedic Indra was once the ruler of the three worlds who, under the influence of a mysterious power drink, fought with the demons and vanquished them. His reign did not last long. His comrades Surya and Varuna also had their glory days but were overthrown by other gods of the pantheon. Yet, after thousands of years, gods like Indra, Surya, and Varuna are still household names and honored in Hindu rituals and traditions. If you know little or nothing about Hindu mythology, this is your ideal starting point where you will meet the overwhelming array of Hindu gods and learn about their wonderful stories.
Chris Pinney demonstrates how printed images were pivotal to India's struggle for national and religious independence. He also provides a history of printing in India.
Vishnu -- Hinduism's most important and powerful deity -- is the great Preserver, vanquishing those who seek to destroy the balance of the universe. For his followers he is also the Creator and the Destroyer, the cause of all existence. His many traits are embodied in his impressive physical form, the weapons he carries, the goddesses who are his consorts, and the eagle Garuda, on whom he flies down from heaven. In Hindu legend, Vishnu descends to earth in many manifestations, known as avatars, to fight powerful demons and to save his devotees. The avatars range in form from Varaha the boar to Parashurama the Brahmin warrior, and in character from Narasimha the ferocious half-man half-lion, to Krishna the charismatic prince-cowherd. The legends of Vishnu have inspired some of the greatest art, literature, and ritual traditions in India. This catalogue examines the many faces of Vishnu and the ways that the god has been represented, from antiquity to the present. Essays by noted historians of South Asian art delve deeply into the regional and sectarian traditions of Vishnu worship in India. Illustrations and discussions of almost 200 works of art, in a wide range of media and borrowed from collections around the world, reveal the rich diversity of India's art and religious culture.
Gods in Print is the first comprehensive collection of early hand-colored lithographs, multiple-block chromolithographs, and offset print images of India’s world of gods and goddesses. India’s love of gods in print began in the 1870s with the founding of the Calcutta Art Studio and the Chitrashala Press. In 1894, artists Ravi and Raja Varma set up the Ravi Varma Fine Art Lithographic Press outside Bombay. By the early 1900s, these presses had begun selling their prints throughout the subcontinent. Collectors Mark Baron and Elise Boisante have traveled to remote corners of India to document and preserve this fragile and beautiful popular art form. Their diligence in tracking down “God prints” and restoring them to their original brilliance has resulted in the extraordinary and comprehensive collection featured in this volume. For the first time, the full scope of India’s sacred imagery in print can be viewed from its earliest days.