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The Gods of God's Own Country is a reminder of a forgotten culture and the communities surrounding it. Theyyam is a Dravidian ritual art form of Kerala, India - God's own country. This book provides detailed information about Theyyam, beautiful images, and hundreds of stories. We dedicate this book to the Theyyam artists, the veritable gods "Of the People, by the People, for the People." The author had the amazing grace of chasing the light with his camera during his management consulting, and volunteer roles, embarking upon expeditions in and around twenty countries over the past three decades. However, he has yet to catch sight of a place where over 500 gods descend upon the earth during a single season. Sandwiched between the Western Ghats mountain range (a UNESCO World Heritage Site) and the queenly Arabian sea, carpeted by natural greenery, the hilly terrains of North Malabar open it's off-beat paths for the Theyyam Gods to embrace the gods-forsaken disciples. Thanks to those Theyyam Gods, the Malabar corner is that truly shining city on a hill. These gods double-up as costume designers, painters, musicians, artisans, drummers, and choreographers. They transcend the human realms and have burgeoned into a mystical form, where they endure blazing fires and carry hefty costumes effortlessly. The Gods of The God's Own Country takes you on a whirlwind ride into the dense history and astonishing versatility of Theyyam, the ritual dance of the glistening cities atop the Malabar Hills of God's Own Country – Kerala. It is rich in captivating images of Theyyam and storytelling. The book's second part embarks on the Herculean task of covering the centuries-old, mesmerizing 101 Theyyam stories. Like the Blues in the Mississippi Delta, using song and dance, the Thottam and Theyyam express the melancholy of the Dravida, natives of God's Own Country, submerged under the 5000-year-old Chaturvarnya caste system. A true divine rebellion against mighty, unjust systems, their stories and art pluck a string in our own hearts today.
This storybook is the second part of the book: "The Gods of The God's Own Country: THEYYAM Publishing published it as volume II because of Amazon's file size limit (650MB). The royalties from this book will be donated to those destitute Gods of the God’s Own Country for a Greater Purpose. The Gods of God's Own Country is a reminder of a forgotten culture and the communities surrounding it. Theyyam is a Dravidian ritual art form of Kerala, India - God's own country. This book provides detailed information about Theyyam, beautiful images, and hundreds of stories. We dedicate this book to the Theyyam artists, the veritable gods "Of the People, by the People, for the People." The author had the amazing grace of chasing the light with his camera during his management consulting, and volunteer roles, embarking upon expeditions in and around twenty countries over the past three decades. However, he has yet to catch sight of a place where over 500 gods descend upon the earth during a single season. Sandwiched between the Western Ghats mountain range (a UNESCO World Heritage Site) and the queenly Arabian sea, carpeted by natural greenery, the hilly terrains of North Malabar open it's off-beat paths for the Theyyam Gods to embrace the gods-forsaken disciples. Thanks to those Theyyam Gods, the Malabar corner is that truly shining city on a hill. These gods double-up as costume designers, painters, musicians, artisans, drummers, and choreographers. They transcend the human realms and have burgeoned into a mystical form, where they endure blazing fires and carry hefty costumes effortlessly. The Gods of The God's Own Country takes you on a whirlwind ride into the dense history and astonishing versatility of Theyyam, the ritual dance of the glistening cities atop the Malabar Hills of God's Own Country – Kerala. It is rich in captivating images of Theyyam and storytelling. The book's second part embarks on the Herculean task of covering the centuries-old, mesmerizing 101 Theyyam stories. Like the Blues in the Mississippi Delta, using song and dance, the Thottam and Theyyam express the melancholy of the Dravida, natives of God's Own Country, submerged under the 5000-year-old Chaturvarnya caste system. A true divine rebellion against mighty, unjust systems, their stories and art pluck a string in our own hearts today.
This storybook is the second part of the book: "The Gods of The God's Own Country: THEYYAM "(https://www.amazon.com/dp/B0BD3M3MJ5). Publishing it as volume II because of Amazon's file size limit (650MB). The Gods of God's Own Country is a reminder of a forgotten culture and the communities surrounding it. Theyyam is a Dravidian ritual art form of Kerala, India - God's own country. This book provides detailed information about Theyyam, beautiful images, and hundreds of stories. We dedicate this book to the Theyyam artists, the veritable gods "Of the People, by the People, for the People." The author had the amazing grace of chasing the light with his camera during his management consulting, and volunteer roles, embarking upon expeditions in and around twenty countries over the past three decades. However, he has yet to catch sight of a place where over 500 gods descend upon the earth during a single season. Sandwiched between the Western Ghats mountain range (a UNESCO World Heritage Site) and the queenly Arabian sea, carpeted by natural greenery, the hilly terrains of North Malabar open it's off-beat paths for the Theyyam Gods to embrace the gods-forsaken disciples. Thanks to those Theyyam Gods, the Malabar corner is that truly shining city on a hill. These gods double-up as costume designers, painters, musicians, artisans, drummers, and choreographers. They transcend the human realms and have burgeoned into a mystical form, where they endure blazing fires and carry hefty costumes effortlessly. The Gods of The God's Own Country takes you on a whirlwind ride into the dense history and astonishing versatility of Theyyam, the ritual dance of the glistening cities atop the Malabar Hills of God's Own Country – Kerala. It is rich in captivating images of Theyyam and storytelling. The book's second part embarks on the Herculean task of covering the centuries-old, mesmerizing 101 Theyyam stories. Like the Blues in the Mississippi Delta, using song and dance, the Thottam and Theyyam express the melancholy of the Dravida, natives of God's Own Country, submerged under the 5000-year-old Chaturvarnya caste system. A true divine rebellion against mighty, unjust systems, their stories and art pluck a string in our own hearts today.
The Gods of God's Own Country is a reminder of a forgotten culture and the communities surrounding it. Theyyam is a Dravidian ritual art form of Kerala, India - God's own country. This book provides detailed information about Theyyam, beautiful images, and hundreds of stories. We dedicate this book to the Theyyam artists, the veritable gods "Of the People, by the People, for the People."The author had the amazing grace of chasing the light with his camera during his management consulting, and volunteer roles, embarking upon expeditions in and around twenty countries over the past three decades. However, he has yet to catch sight of a place where over 500 gods descend upon the earth during a single season. Sandwiched between the Western Ghats mountain range (a UNESCO World Heritage Site) and the queenly Arabian sea, carpeted by natural greenery, the hilly terrains of North Malabar open it's off-beat paths for the Theyyam Gods to embrace the gods-forsaken disciples. Thanks to those Theyyam Gods, the Malabar corner is that truly shining city on a hill. These gods double-up as costume designers, painters, musicians, artisans, drummers, and choreographers. They transcend the human realms and have burgeoned into a mystical form, where they endure blazing fires and carry hefty costumes effortlessly.The Gods of The God's Own Country takes you on a whirlwind ride into the dense history and astonishing versatility of Theyyam, the ritual dance of the glistening cities atop the Malabar Hills of God's Own Country - Kerala. It is rich in captivating images of Theyyam and storytelling.The book's second part embarks on the Herculean task of covering the centuries-old, mesmerizing 101 Theyyam stories. Like the Blues in the Mississippi Delta, using song and dance, the Thottam and Theyyam express the melancholy of the Dravida, natives of God's Own Country, submerged under the 5000-year-old Chaturvarnya caste system. A true divine rebellion against mighty, unjust systems, their stories and art pluck a string in our own hearts today.
A Buddhist monk takes up arms to resist the Chinese invasion of Tibet - then spends the rest of his life trying to atone for the violence by hand printing the best prayer flags in India. A Jain nun tests her powers of detachment as she watches her best friend ritually starve herself to death. Nine people, nine lives; each one taking a different religious path, each one an unforgettable story. William Dalrymple delves deep into the heart of a nation torn between the relentless onslaught of modernity and the ancient traditions that endure to this day. LONGLISTED FOR THE BBC SAMUEL JOHNSON PRIZE
REVENGE IS A DISH BEST SERVED COLD.THE SPIRITS DO NOT FORGET. VENGEANCE HAS BEEN LONG DUE.When Krish returns to his homeland of Kerala, all he wants is a break, some time away from his wife, and a chance to do some research for his book. But instead, he is drawn into the magical world of Theyyam, whose performers, dressed in ornate headgears and colourful make-up, take centre-stage in the sleepy district of Kannur. As the performers leap in the air and perform an aggressive dance, they enter a state of trance and turn into ‘gods’.Maria couldn’t have asked for a more fantastic experience to complete her thesis on the ritual form of worship. She forges a close bond with Krish, who acts as her local guide and together, they explore the mystic world of spirits, serpent-gods and forbidden secrets. But unknown to them, a grand plan is being executed in which they are nothing but mere pawns.Krish finds himself inescapably involved with not only two women but also the history of his land, the fate of his friend, and a spiritual journey that surpasses everything he has ever felt before. One that changes him irreversibly and for which, Maria must pay the price.
From Heaven, Jimmy Splendor and an angel named Oleo visit Jimmy's former wife Noelle in her dreams. The visits stimulate her to write a book in order to purge her emotional baggage.
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.