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Jerry Canfield has long made a living by smuggling Meso-American artifacts into the United States and selling them to dealers in the Santa Fe art market. He is a hustler and a former numbers runner with an aptitude for cards, mathematics and amateur archeology. On a trip to Belize to acquire pre-Columbian relics, he finds a peculiar green glass contained in a metal frame. The glass is found in a Mayan tomb recently uncovered by an earthquake. The inscriptions on the metal are not Mayan, but in long-dead Middle Eastern languages. The Mayan tomb dates from a pre-Columbian time when metal and glass were unknown in the Americas. Canfield solves the secret of the glass and discovers that by looking through the glass, one can see the future. However, the future that can be viewed is limited—only five minutes and fifty seconds ahead of the present. Canfield realizes that, even with future knowledge of less than six minutes, the holder can obtain riches, power, and control over destiny.
A sparkling way to color powerful gods of popular mythology, these 16 stained glass designs include Poseidon, the king of the sea; Zeus, the ruler of the sky whose weapon was a thunderbo
Anne Carson's poetry - characterized by various reviewers as "short talks", "essays", or "verse narratives" - combines the confessional and the critical in a voice all her own. Known as a remarkable classicist, Anne Carson in Glass, Irony and God weaves contemporary and ancient poetic strands with stunning style. This collection includes: "The Glass Essay", a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah", a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome", about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.
One of the most religiously diverse nations in the world, India's magical pantheon of gods and goddesses allows its Hindu population to experience the divine in remarkable ways. Beautifully rendered and impeccably researched, this collection of images illuminates an array of important deities, including Krishna, Indra, Ganesha, Kali, and Lakshmi. Using markers, inks, crayons, or paints, artists can add colors to the 16 translucent stained glass sheets — and then let the light shine through for divinely glowing effects.
In this fifth book final volume of the acclaimed series Glass Thorns, Melanie Rawn has created a superb high fantasy series that blends the worlds of magic, theater, art, and politics. The boys are at the top of their theatrical game. Their only real competition for the hearts and gold of the public are the Shadowshapers. Nevertheless, the past years of financial struggle, since their manager proved to have been embezzling, have taken a toll on the group’s creativity. A shocking event brings all that to an end and brings Touchstone back together to create a play that will rattle the ceilings and shatter all the glass in palaces and theaters alike. An ancient conflict will come to a violent conclusion on stage, and all the gods will be watching. The Glass Thorns Series #1 Touchstone #2 Elsewhens #3 Thornlost #4 Window Wall #5 Playing to the Gods At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
'A brilliant epic fantasy debut from a master storyteller' Sebastien de Castell, author of the Greatcoat series including The Traitor's Blade 'Wonderful characters and great world-building, in Humphreys' special brand of addictive storytelling' Diana Gabaldon, author of the Outlander series 'An intriguing premise... an intricate, fast-paced story... Humphreys packs gods, deicide, warring tribes and some impressive world-building into just over 300 pages' Guardian Three lands, peopled by humans and immortals. In Corinthium a decadent endlessly-lived elite run the world for profit and power. But when a poor, honest solider dies, and is reborn, everything changes. In wintry Midgarth, where immortals are revered as deities, one of them has realized that something - or someone - is killing the gods. And in Ometepe there is only one immortal, for he has murdered every other. Until one woman gives birth to a very special baby. Yet there is a fourth, hidden land, where savage tribes have united under the prophecy of 'the One': a child who is neither boy nor girl. Now they plan to conquer the world. Unless a broken soldier, a desperate mother and a crippled god can stop them . . .
“One of the best collections I’ve ever read. Every single story is a standout.”—Roxane Gay WINNER OF THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE STORY PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Refinery29 • BookRiot “Fuses science, myth, and imagination into a dark and gorgeous series of questions about our current predicaments.”­—Anthony Doerr, author of All the Light We Cannot See A dystopian tale about genetically modified septuplets who are struck by a mysterious illness; a love story about a man bewitched by a mermaid; a stirring imagining of the lives of Nigerian schoolgirls in the aftermath of a Boko Haram kidnapping. The stories in All the Names They Used for God break down genre barriers—from science fiction to American Gothic to magical realism to horror—and are united by each character’s brutal struggle with fate. Like many of us, the characters in this collection are in pursuit of the sublime. Along the way, they must navigate the borderland between salvation and destruction. NAMED A MUST-READ BOOK BY Harper’s Bazaar • Entertainment Weekly • AM New York • Reading Women AND A TOP READ BY Elle • Fast Company • The Christian Science Monitor • Bustle • Shondaland • Popsugar • Refinery29 • Bookish • Newsday • The Millions • Asian American Writers’ Workshop • HelloGiggles “Strange and wonderful . . . delightfully unexpected.”—The New York Times Book Review “Completing one [story] is like having lived an entire life, and then being born, breathless, into another.”—Carmen Maria Machado “Captivating.”—NPR “Gripping.”—Los Angeles Review of Books “[A] remarkable debut . . . Sachdeva is seemingly fearless and her talent limitless.”—AM New York “This phenomenal debut short-story collection is filled with stories that bring the otherworldly to life and examine the strangeness of humanity.”—Bustle “So rich they read like dreams . . . They are enormous stories, not in length but in ambition, each an entirely new, unsparing world. Beautiful, draining—and entirely unforgettable.”—Kirkus Reviews (starred review)
Beginning two months after the end of "White Apples, Glass Soup" continues the story of Vincent and Isabelle, a 21st-century Orpheus and Eurydice--with a twist.