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The Gododdin charts the rise and fall of 363 warriors in the battle of Catraeth, around the year 600AD. The men of the Brittonic kingdom of Gododdin rose to unite the Welsh and the Picts against the English, only to meet a devastating fate. Composed by the poet Aneirin, the poem was originally orally transmitted as a sung elegy, passed down for seven centuries before being written down by two medieval scribes. It is comprised of one hundred laments to the named characters who fell, and follows a sophisticated alliterative poetics. Former National Poet of Wales Gillian Clarke is the first poet to create a translation. She animates this historical epic with a modern musicality, making it live in the language of today.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
A poem called the Gododdin was composed by Aneurin sometime around 600 AD, but the poem of that name preserved in a 13th century manuscript probably had a history of oral and scribal transmission, and will have undergone changes. Here, Koch establishes the historical context, investigates the process of the poem's transmission and restores the text to its original form. This tranlation of the Book of Aneurin differs from earlier presentations by providing a reconstructed text recovered through principles of textual criticism and historical linguistics. This procedure allows one to separate earlier material from later modifications. The author also provides substantial linguistic notes.
Down the centuries, poets have provided Wales with a window onto its own distinctive world. This book gives a sense of the view seen through that special window in twelve illustrated poems, each bringing very different periods and aspects of the Welsh past into focus. Together, they give the flavour of a poetic tradition, both ancient and modern, in the Welsh language and in English, that is internationally renowned for its distinction and continuing vibrancy.
This collection of papers on the Brythonic languages of the Celtic group is divided into four parts: Welsh linguistics, Breton and Cornish linguistics, literary linguistics, and historical linguistics. This has resulted in a book providing a thorough and comprehensive coverage of this branch of Celtic studies prepared by leading scholars in the field.
This study draws on a wide range of texts — early Irish, pre-modern Scottish Gaelic, early Welsh, Early Norse, Old English —to illustrate the role of the poet as a tool of power, as seer, and as ceremonial figure.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A classic translation of poems from the sixth century. In over a hundred short, rhymed odes, Gododdin commemorates the encounter of 300 Britons with the Angles to win back the land of Catraeth, modern day Catterick, and how that conflict ended in the glorious and heroic defeat of the Britons.
The Holy Grail, the kingdom of Camelot, The Knights of the Round Table and the magical sword Excalibur are all key ingredients of the legends surrounding King Arthur. But who was he really, where did he come from, and how much of what we read about him in stories that date back to the Dark Ages is true? So far historians have failed to show that King Arthur really existed at all, for a good reason - they have been looking in the wrong place. In this fascinating and thought-provoking book, Alistair Moffat shatters all existing assumptions about Britain's most enigmatic hero. With reference to literary sources and historical documents, to archaeology and the ancient names of rivers, hills and forts, he strips away a thousand years of myth to unveil the real King Arthur. And in doing so he solves one of the greatest riddles of them all - the site of Camelot itself.
The author has determined in an earlier McFarland book (The Historic King Arthur, 1996, paperback 2007) that there was not a historic King Arthur during the sixth century. However, as listed in The Historia Brittonum, there was a "great king of all the kings of Britain" named Ambrosius Aurelianus who was conflated with a heroic Arthur of the second century, and hence with the legendary King Arthur. To further authenticate the Celtic/Romano "King Arthur,"--that is, Ambrosius--the author here examines seven major historical figures of the period A.D. 383-500 based upon the Genealogical Preface of The Anglo-Saxon Chronicle and the emendation of dates in that chronicle. Those seven allies and adversaries are Vortigern, Vortimer, Vitalinus, Cunedda, Cerdic, Octha, and Mordred. Through an extensive analysis of Arthur's 12 battles listed in the Historia Brittonum, this work explores both the influences of the High King's allies, and the shifting allegiances of his enemies. A battle list provides possible geographic locations for each of the battles, including a new site for Arthur's fateful battle at Camlann.