Download Free The Goddesses Mirror Book in PDF and EPUB Free Download. You can read online The Goddesses Mirror and write the review.

Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita
Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita
This text takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god and recounts the tales of that deity, not as they appear in classical literature but as they were re-created by artists like Botticelli, Titian, Poussin and Rembrandt.
The simple image of oneself reflected back by a mirror can be more empowering than most of us realize. In A LITTLE BOOK OF MIRROR MAGICK, best-selling author Patricia Telesco explains how to use mirrors as a tool for personal empowerment and transformation. Combining ancient wisdom with practical approaches, this book is perfect for anyone interested in self-realization, magic, and fun! Discover how to:Improve self-image and call upon specific Gods and Goddesses.Gain insight into the past, present, and future, interpret mirror visions, and redirect energies. Prepare mirrors for truth seeking, healing, or blessings as well as make your own magic mirror. Use sample meditations and rituals to practice in personal spaces or in magic circles. Learn how to use astrology and feng shui in connection with your mirror magic practices.
In order to find the whereabouts of her missing brother, Tiana must seek out the dismembered and scattered pieces of the immortal and pretty damn evil sorcerer Lamarred ...
This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as "Universal Mind Lattice," envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy. Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.
The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.
First English translation of both a novel and two play excerpts based on tales of the goddess Chen Jinggu, an eighth-century shaman and present-day cult deity. This book offers the first translation into English of the Chinese novel Haiyouji, as well as excerpts of a marionette play based on the cult lore of the goddess Chen Jinggu (766–790), a historical shaman priestess who became one of Fujian’s most important goddesses and the Lüshan Sect’s chief deity. The novel, a 1753 reprint of what is possibly a Ming dynasty novel, was both a popular fiction and a religious tract. It offers a lively mythological tale depicting combat between the shaman goddess and a snake demon goddess. Replete with the beliefs and practices of the cult of this warrior goddess, the novel asserts the importance of Shamanism (i.e., local religious beliefs) as one of the four religions of China, along with Confucianism, Buddhism, and Daoism. To further develop the links between literature and local religion, Fan Pen Li Chen includes translations of two acts from a Fujian marionette play, Biography of the Lady, featuring the goddess.
Many books have discussed the development of the notion of God in Western monotheistic traditions, but how have non-Western cultures conceptualized what those in the West might identify as "God"? What might be learned by comparing different visions of the Divine, such as God, gods, Brahman, Nirvana, and Emptiness? James L. Ford engages these fascinating questions, exploring notions of "the Divine" or "Ultimate Reality" within Jewish, Christian, Hindu, and Buddhist traditions. Looking at a multiplicity of divine conceptions, even within traditions, Ford discusses the relationship between imagination and revelation in the emergence of visions of ultimacy; consequences and tendencies associated with particular notions of the Ultimate; and how new visions of the Ultimate arise in relation to social, cultural, political, and scientific developments. Ford reflects on what can be learned through an awareness of the various beliefs about the Ultimate and on how such disparate visions influence the attitudes and behavior of people in different parts of the world.