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The weight of words, the impact of photographs: Short texts supported by about 530 illustrations mainly in color. The author takes a fresh look on the museum antique pieces to follow the footsteps of the fertility goddess Lajja Gauri from the first centuries ac. until the earliest Prehistoric testimonies.The complete design of the goddess in Lajja Gauri attitude, her symbol ?M+V? and the swastika appear at Mezin, Ukraine, towards 10.000 bc. The migration of these symbols from the Black Sea cultures will reach all the Ancient World: Prehistoric Egypt, Neolithic Western China, Near East, Indus valley, Western Europe, ? until Easter island. The theories of the author, illustrated by his interpretation of the antique pieces, bring a fresh reading on many topics of history of ancient civilizations and on the iconographic origin of the universal goddess of sexuality.
The artists creating images of Lajja Gauri drew on various ancient symbols of fortune, fertility, and life-force to communicate her power through their rich heritage of meanings. Because there are no texts to explain the figure, the study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess`s form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajja Gauri`s rich symbolic meaning and cultural context.
Striking images of a certain Indian goddess have been variously referred to as the "shameless woman" the "nude squatting goddess," the "mother goddess," or, because her historical name remains unknown, more than twenty-five names, among them Aditi, Lajjā Gaurī, Renukā, and Nagna Kabambdha. The best-known images of this goddess have a female torso and a lotus flower in place of a head, while her legs are bent up at the knees and drawn up to each side in a position that has been described as one of "giving birth" or "self-display." This type of goddess figure is explained as part of a long, highly sophisticated tradition of expressing fertility and well-being in Indian art. The artists creating images of Lajjā Gaurī drew on various ancient symbols of fortune, fertility, and life-force to communicate her power through their rich heritage of meanings. As these historical-religious symbols and images were constantly reused and reincorporated, they formed a new and enriched religious context. In the process of recycling they became empowered cultural metaphors, visual morphemes in the language of Indian art. Because there are no texts to explain the figure, the study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess's form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajjā Gaurī's rich symbolic meanings and cultural context.
Menstruation across Cultures attempts to provide a detailed review of menstruation notions prevalent in India and in cultures from across the world. The world cultures covered in the book include Indic traditions like Hinduism, Buddhism, Jainism and Sikhism; ancient civilisations like Greece, Rome, Mesopotamia and Egypt; and Abrahamic religions of Judaism, Christianity, and Islam. Two themes of special focus in the book are: Impurity and Sacrality. While they are often understood as being opposed to each other, the book examines how they are treated as two sides of the same coin, when it comes to menstruation. This is especially true in Indic traditions and pre-Christian polytheistic traditions like Greco-Roman, Mesopotamian and Egyptian. Impurity and Sacrality complement each other to form a comprehensive worldview in these cultures. The book also examines how the understanding of impurity in Abrahamic religions differs from those of polytheistic cultures. As part of the examination of the sacrality attached to menstruation, a special focus has also been given to the deities of menstruation in polytheistic cultures and to what Ayurveda and Yoga say about this essential function in a woman’s physiology. Finally, a comparative study of menstrual notions prevalent in modernity is presented, along with a Do and Don’t dossier.
This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.
"Leslene della-Madre’s book, She Who Spins Creation: Sacred Female Cosmology in the Electric PlasMA Universe, is essential medicine and a much-needed balm for the spirit in these perilous times of toxic masculinity, toxic capitalism, toxic patriarchy, and the perpetuation of the annihilation of women’s wisdom and power (also known as the Inquisition) in which female-embodied existence and wisdom continue to be silenced and every attempt to eradicate us, deny our culture, belittle and erase our knowledge continues to unfold. It is also a master class in how to excavate and reclaim female-embodied experience, wisdom, empowerment, and sovereignty. Della-Madre exposes the misogyny inherent in patriarchal myth and science—from physics to molecular biology—delving into the mysteries of matter, the mammalian egg, mythologies of female origins, the Electric Universe, plasMA cosmology, and much, much more. She invites us to awaken to the reality of a truly female cosmology that has always reflected “as above, so below”—and always will—but that has been denied and subjected to nearly complete erasure in numerous ways by male-dominated realities. In doing so, she invokes us to challenge the amnesia of the ages, question all we have been told about who we are, where we come from, and who we can become. She implores us to “feel our horns and wings again”, and reclaim a world in which we understand that we are all “electric plasMA beings”, intertwined and interconnected, “in tune with the cosmos, the greater organism.” This is the way to heal the violence that has been done to the Earth, Nature, and women by thousands of years of patriarchal colonization. This book is also a clarion call for action—for women to “re-member our magic and to seek guidance from the ancestral realms to help restore us to whole (holy)ness.” This profound book should be made into a documentary series." Mary Saracino, author, LAMBDA award finalist
The first exhaustive collection of goddess mythologies from India. • Explores the evolution of goddess worship in India over 4,000 years. • Stunning color photographs illustrate many stories of goddess lore never before available in one collection. In India it is said that there is a goddess in every village, a nymph in every lake. Demonesses stand guard on village frontiers, ogresses howl on crossroads, and untamed forests resound with the laughter of celestial virgins. It is a land of mysterious Apsaras and seductive Yakshinis, of terrifying Dakinis and wise Yoginis--each with a story to tell. In this wide-reaching exploration of ancient Hindu lore and legends, author Devdutt Pattanaik discovers how earth, women and goddesses have been perceived over 4,000 years. Some of the tales recounted are revered classics, others are common and folklorish, often held in disdain by priests. Until now, most have remained hidden, isolated in distant hamlets or languishing in forgotten libraries, overwhelmed by the din of masculine sagas. As the tales come to light through word and stunning color imagery, the author identifies the five faces given to the eternal feminine as man sought to unlock the mysteries of life: the female half of existence is at first identified with Nature, gradually deified and eventually objectified. She comes to be seen as the primal mother, fountainhead of life and nurturance. The all-giving mother then transforms into the dancing nymph, a seductress offering worldly pleasures that bind man in the cycle of life. As this nymph is domesticated, the dominant image of woman becomes the chaste wife with miraculous powers. Finally the submissive consort redefines herself as the wild and terrifying goddess who does battle, drinks blood, and demands appeasement. Exploring mysteries of gender and biology, and shedding light on the roots of taboos and traditions practiced in India today, the author shows how the image of the Mother Goddess can be both worshipped and feared when she carries the face of mortal woman.
The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.
Goddess Images Are Omnipresent Within The Cultural Fabric Of India, Yet Most Indians Are Unaware Of Uplifting Meanings These Images Convey. In The Book, Images Of Indian Goddesses,. Dr. Madhu Bazaz Wangu Explains The Emergence Of Indian Goddesses Within The Changing Social, Political And Cultural Environment From The Prehistoric To The Present Times And Explains Their Metaphysical Meanings. Why Are Hindu Goddesses Paradoxical In Nature? Why Are They Portrayed As Erotic And Maternal Simultaneously? Why Do They Have Multiple Arms? Why Do Some Of Them Have Their Own Vehicle (Vahana) And Some Do Not? Why Are Such Images Portrayed On The Popular Calendar- Posters? The Book Answers Such Questions And Helps The Reader Understand Their Meanings. The Goddesses Discussed Range From The Devoted Sita To The Sinister Kali; From The Warrior Durga To The Auspicious Shri Lakshmi; From The Erotic Radha To The Serene Sarasvati And Many Others. Dr. Wangu Firmly Feels That If Experienced Hindu Goddesses Have A Potential For Stimulating The Onlooker'S Innermost Self. Experiencing Goddess Imagery Uplifts This Worldly Life And Ponders The Nature Of The Other -Worldly Existence. Furthermore, The Book Argues That The Goddesses Are Stimulating And Empowering Models Not Only For Indian Women But For All. Images Of Indian Goddesses Helps A Common Person Understand And Appreciate The Bewildering Number Of Female Images Expressed In India'S Sacred Art. The Book Is Not Only Absorbing And Inspiring, It Also Offers A Visual Treasury Of Goddess Art Images. Its Text Is Food For The Mind And The Illustrations Are A Feast For The Eyes.