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The Sanskrit narrative text Devī Māhātmya, “The Greatness of The Goddess,” extols the triumphs of an all-powerful Goddess, Durgā, over universe-imperiling demons. These exploits are embedded in an intriguing frame narrative: a deposed king solicits the counsel of a forest-dwelling ascetic, who narrates the tripartite acts of Durgā which comprise the main body of the text. It is a centrally important early text about the Great Goddess, which has significance to the broader field of Purāṇic Studies. This book analyzes the Devī Māhātmya and argues that its frame narrative cleverly engages a dichotomy at the heart of Hinduism: the opposing ideals of asceticism and kingship. These ideals comprise two strands of what is referred to herein as the dharmic double helix. It decodes the symbolism of encounters between forest hermits and exiled kings through the lens of the dharmic double helix, demonstrating the extent to which this common narrative trope masterfully encodes the ambivalence of brāhmaṇic ideology. Engaging the tension between the moral necessity for nonviolence and the sociopolitical necessity for violence, the book deconstructs the ideological ambivalence throughout the Devī Māhātmya to demonstrate that its frame narrative invariably sheds light on its core content. Its very structure serves to emphasize a theme that prevails throughout the text, one inalienable to the rubric of the episodes themselves: sovereignty on both cosmic and mundane scales. The book sheds new light on the content of the Devī Māhātmya and contextualizes it within the framework of important debates within early Hinduism. It will be of interest to academics in the fields of Asian Religion, Hindu Studies, Goddess Studies, South Asian Studies, Narrative Studies and comparative literature.
In analyzing the parallels between myths glorifying the Indian Great Goddess, Durgā, and those glorifying the Sun, Sūrya, found in the Mārkaṇḍeya Purāṇa, this book argues for an ideological ecosystem at work in the Mārkaṇḍeya Purāṇa privileging worldly values, of which Indian kings, the Goddess (Devī), the Sun (Sūrya), Manu and Mārkaṇḍeya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Mārkaṇḍeya Purāṇa houses the Devī Māhātmya glorifying the supremacy of the Indian Great Goddess, Durgā, it also houses a Sūrya Māhātmya, glorifying the supremacy of the Sun, Sūrya, in much the same manner. This book argues that these māhātmyas were meaningfully and purposefully positioned in the Mārkaṇḍeya Purāṇa, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura–Śākta symbiosis found in these mirrored māhātmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between pravṛtti (worldly) and nivṛtti (other-worldy) dharmas. As the first narrative study of the Sūrya Māhātmya, along with the first study of the Mārkaṇḍeya Purāṇa (or any Purāṇa), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.
A decoding of Hindu mythology Hindus have one God. They also have 330 million gods: male gods; female gods; personal gods; family gods; household gods; village gods; gods of space and time; gods for specific castes and particular professions; gods who reside in trees; in animals; in minerals; in geometrical patterns and in man-made objects. Then there are a whole host of demons. But no Devil. In this groundbreaking book Dr Devdutt Pattanaik; one of India’s most popular mythologists; seeks an answer to these apparent paradoxes and unravels an inherited truth about life and death; nature and culture; perfection and possibility. He retells sacred Hindu stories and decodes Hindu symbols and rituals; using a unique style of commentary; illustrations and diagrams. We discover why the villainous Kauravas went to heaven and the virtuous Pandavas (all except Yudhishtira) were sent to hell; why Rama despite abandoning the innocent Sita remains the model king; why the blood-drinking Kali is another form of the milk-giving Gauri; and why Shiva wrenched off the fifth head of Brahma. Constructed over generations; Hindu myths serve as windows to the soul; and provide an understanding of the world around us. The aim is not to outgrow myth; but to be enriched and empowered by its ancient; potent and still relevant language.
Heroic Saktism is the belief that a good king and a true warrior must worship the goddess Durga, the form and substance of kingship. This belief formed the bedrock of ancient Indian practices of cultivating political power. Wildly dangerous and serenely benevolent at one and the same time, the goddess's charismatic split nature promised rewards for a hero and king and success in risky ventures. This book is the first expansive historical treatment of the cult of Durga and the role it played in shaping ideas and rituals of heroism in India between the 3rd and the 12th centuries CE. Within the story of ancient Indian kingship, two critical transitions overlapped with the rise of heroic Saktism: the decline of the war-god Skanda-Mahasena as a military symbol, and the concomitant rise of the early Indian kingdom. As the rhetoric of kingship once strongly linked to the older war god shifted to the cultural narratives of the goddess, her political imagery broadened in its cultural resonance. And indigenous territorial deities became associated with Durga as smaller states unified into a broader conception of civilization. By assessing the available epigraphic, literary and scriptural sources in Sanskrit, and anthropological studies on politics and ritual, Bihani Sarkar demonstrates that the association between Indian kingship and the cult's belief-systems was an ancient one based on efforts to augment worldly power.
Unlike many other ancient mythologies, Hinduism thrives in the modern world. One billion followers and countless others have been captivated by its symbolic representations of love, karma, and reincarnation. Handbook of Hindu Mythology offers an informative introduction to this dauntingly complex mythology of multifaceted deities, lengthy heroic tales, and arcane philosophies-all with a 3,000-year history of reinterpretations and adaptations. Williams offers a number of pathways by which to approach Hinduism's ever-changing gods and goddesses (e.g., Brahma, Vishnu, Siva), spiritual verses (such as the vedas), secular epics (including the Ramayana and the Mahabharata), myths within myths, devotional and esoteric traditions, psychic and yogic disciplines, and magical practices. With this handbook, readers can explore the history of Hindu mythology, follow a detailed timeline of key episodes and historical events, and look up specific elements of historical or contemporary Hinduism in a beautifully illustrated reference work. It is the ideal introduction to the origins of Hinduism, the culture that shaped it from antiquity to the present, and the age-old stories, ideas, and traditions that speak to the human condition as eloquently today as ever. Including annotated bibliographies, a glossary of cultural and mythological terms, and numerous illustrations, here is a gold mine of information on Hindu mythology. "
A beautifully written introduction to Indian mythology, join storyteller, scholar and teacher, Dr Raj Balkaran, and explore the unforgettable tales behind 50 key yoga poses.
The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj, crossing more than 2,000 years of history. While focusing on the Nathdwara school of pakhāvaj, the author joins ethnographic, historical, religious and iconographic perspectives to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages. Furthermore, he offers the first analysis of the visual and narrative contents of its repertoire.
Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata, Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all.
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.