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From Ho (Whore) to Holy details the journey of a person going from innocence to idolatry, and back to righteousness, by mirroring Marcia's life steps to those of Israel, the "apple of God's eye." Israel was created by the Creator, because of his desire to have a wife, a people, and a family. Israel is important to all human beings, because it is the focus of what God has planned for all of us, individually! But Israel wanted freedom (from one god) and fun, by seeking many lovers (different gods), which in essence, constituted idolatry. How can the whorish Israel ever become a loyal and righteous wife (nation) again? By traveling through Marcia's life, we realize that Israel will be the wife of God, and believers will be the wife of Jesus! The book details the steps of becoming a harlot, characteristics of a whore, consequences of whoredom, steps to take to stop whoredom, how to be transformed (with benefits), ensuring that one becomes holy, and no longer living as a ho. There are some women in the Bible who were transformed, with benefits, which included Ruth, Tamar, and Mary Magdalene. There were some who pretended to be transformed, but were not, such as Samson. And then, there were those who no longer practiced whoredom, changed, and became a wife, such as Rahab. This book allows self-assessment of ones level of holiness, righteousness, and intimacy with God.
Twenty-two years after her kidnapping and brainwashing, Emily Masterdon regains consciousness and explains a horrifying plot her abductors had revealed to herto send someone back in time to prevent the fall of the Protecian Kingdom, create a monster unlike anything anyone has ever seen before, and alter history so that todays world is ruled by anarchy and chaos. Beverly Lopez, now director of the FBI, steals a government time-displacement device to travel back to the past in an attempt to set things back to the way they were always supposed to be. Or has the damage to history already become irreversible? The God, the Ghost, and the Whore brings back old adversaries Prince Alexander, Catryna Corpa, and Henry Scarpini, joined with new villains, in a battle against Beverly Lopez to save the very fibers of time itself.
In Virgin Whore, Emma Maggie Solberg uncovers a surprisingly prevalent theme in late English medieval literature and culture: the celebration of the Virgin Mary’s sexuality. Although history is narrated as a progressive loss of innocence, the Madonna has grown purer with each passing century. Looking to a period before the idea of her purity and virginity had ossified, Solberg uncovers depictions and interpretations of Mary, discernible in jokes and insults, icons and rituals, prayers and revelations, allegories and typologies—and in late medieval vernacular biblical drama. More unmistakable than any cultural artifact from late medieval England, these biblical plays do not exclusively interpret Mary and her virginity as fragile. In a collection of plays known as the N-Town manuscript, Mary is represented not only as virgin and mother but as virgin and promiscuous adulteress, dallying with the Trinity, the archangel Gabriel, and mortals in kaleidoscopic erotic combinations. Mary’s "virginity" signifies invulnerability rather than fragility, redemption rather than renunciation, and merciful license rather than ascetic discipline. Taking the ancient slander that Mary conceived Jesus in sin as cause for joyful laughter, the N-Town plays make a virtue of those accusations: through bawdy yet divine comedy, she redeems and exalts the crime. By revealing the presence of this promiscuous Virgin in early English drama and late medieval literature and culture—in dirty jokes told by Boccaccio and Chaucer, Malory’s Arthurian romances, and the double entendres of the allegorical Mystic Hunt of the Unicorn—Solberg provides a new understanding of Marian traditions.