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“The Glory Of The Conquered" is an ancient historical fiction story book written by Susan Glaspell. Susan Glaspell's artwork, "The Glory Of The Conquered," is an extraordinary story set in competition to the backdrop of historical sports, exploring subjects of affection, ambition, and sacrifice. The novel is ready at some point of a vital length in American records, presenting readers with a view into the social, political, and cultural landscape of the time. Glaspell masterfully develops her characters, engrossing readers with their lives and emotions at the same time as they confront their personal personal horrible conditions and society conventions. At the coronary heart of the paintings is an excessive romantic story prominent via intensity, emotion, and intricacy, set in the direction of the backdrop of greater facts interest. "The Glory of the Conquered" exemplifies Susan Glaspell's literary talents, growing an indelible affect on readers with its amazing characters, dramatic storytelling, and timeless troubles of love and resilience. This creator's painstaking have a study and hobby to detail supply the historical environment to lifestyles, introducing readers to the elements of hobby, sounds, and sensations of the time period in question.
Women writers have been traditionally excluded from literary canons and not until recently have scholars begun to rediscover or discover for the first time neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945. Each entry is written by an expert contributor and discusses a particular author's biography, her major works and themes, and the critical response to her writings. The entries close with extensive primary and secondary bibliographies, and the volume concludes with a list of works for further reading. The period surveyed by this reference is rich and diverse. Modernism and the Harlem Renaissance, two major artistic movements, occurred between 1900 and 1945, and the entries included here demonstrate the significant contributions women made to these movements. The volume as a whole strives to reflect the diversity of American culture and includes entries for African American, Native American, Mexican American, and Chinese American women. It includes well known writers such as Willa Cather and Eudora Welty, along with more neglected ones such as Anita Scott Coleman and Sui Sin Far.
Vols. for 1898-1968 include a directory of publishers.
Pulitzer Prize-winning dramatist, founding member of the Provincetown Players, best-selling novelist and award-winning short fiction writer, Susan Glaspell (1876-1948) has been recovered from the marginalization of women writers that took place in the post-war period of canon-formation in America. Her recovery, begun by feminist critics and theatre historians in the 1980s, reached a milestone with the 1995 publication of the first collection of critical essays, Susan Glaspell: Essays on Her Theater and Fiction, edited by Linda Ben-Zvi. Since then scholarship has been exploding, with six major books on Glaspell and her work published since the year 2000, several by authors represented here. While Glaspell’s work with the Provincetown Players, 1915-1922, was crucial for the development of American theatre, scholars are now fully realizing the extent to which her stories and novels, as well as all of her plays, reflect a deep engagement with the major literary movements and political events of her age. A realist concerned with issues of social justice and a modernist committed to exploring the psyche, Glaspell through her art provides thoughtful commentary, not only on feminist issues of women and gender, but on war, class, socialism, idealism, aesthetics, ethics and law. Susan Glaspell: New Directions in Critical Inquiry continues the tradition started by Ben-Zvi and brings it up to date, featuring new work in various post-structural critical approaches from leading Glaspell scholars, including Americanists Mary E. Papke and Kristina Hinz-Bode; legal scholar, Patricia L. Bryan; cultural historian, J. Ellen Gainor; feminist biographer, Barbara Ozieblo; performance artist, Lucia V. Sander; and classicist Marie Molnar. Praise for the book: "Professor Carpentier's study of Glaspell's fiction stands as the most important work on the subject and has led to a renewed interest in the subject." "There is growing interest in Glaspell's writing, and this book should find a solid readership from the following fields: American drama and fiction studies, American studies, Women's studies, and Cultural Studies. I fully support the project and encourage your press to publish it." Linda Ben-Zvi, Professor of Theatre Studies, Tel Aviv Unviesrity