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Egyptologist Gerald Massey challenged readers in A Book of the Beginnings to consider the argument that Egypt was the birthplace of civilization and that the widespread monotheistic vision of man and the metaphysical was, in fact, based on ancient Egyptian mythos. In The Natural Genesis, presented here in an omnibus edition, Massey delivers a sequel, delving deeper into his compelling polemic. In Volume I, he offers a more intellectual, fine-tuned analysis of the development of society out of Egypt. From the simplest signs (numbers, the cross) to the grandest archetypes (darkness, the mother figure), Massey carefully and confidently lays the cultural and psychosocial bricks of evolutionism. Volume II provides detailed discourse on the Egyptian origin of the delicate components of the monotheistic creed. With his agile prose, Massey leads an adventurous examination of the epistemology of astronomy, time, and Christology-and what it all means for human culture. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best known works are in the realm of Egyptology, including The Book of the Beginnings, The Natural Genesis, and Ancient Egypt: The Light of the World.
An Exposition of the Epistle of Saint Paul to the Philippians by Jean Daillé, first published in 1843, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
v. 1 Dynamic jurisprudential thought --
W. E. Best is a Baptist pastor and an excellent teacher of the Bible. The author chose this title (not to sin) to describe the Christ because it expresses the divine truth that Christ could not sin for the reason that as God He was perfectly holy, and as man He was perfectly holy. "Holiness is far more than the absence of sin; it is positive virtue. The Lord Jesus could not sin because the days of His flesh meant only addition of experience, not variation of character. Holy humanity was united to Holy Deity in one indivisible Person, the impeccable Christ." It could not be otherwise, else, the holy Deity would have been defiled by any unholiness in the human flesh. This book slays completely Satan's lie which says that Christ was human, therefore, He "could have sinned, but did not." Yes, He was "tempted (tried) in all respects according to [our] likeness, apart from sin." However, the trial, or test, was to demonstrate His perfect holiness, that regardless of stress or trial, it was impossible for Him to sin. In short but powerful sentences, the author comprehends the mysterious and marvelous Person who is the Christ. He covers such pregnant subjects as The Eternal Son of God; The Son Declares the Father; The Mystery of Godliness; The Incarnation; the Virgin Birth; Christ's Human Nature; Christ's Human Soul; Christ's Human Growth; Christ's Baptism; Christ's Temptation; Christ's Impeccable Life; The God-approved Man; Christ's Prayer Life; The Drawing Power of Christ; Christ's Discriminating Message; Christ's Miracles; Christ's Death; Christ's Headship; and, Christ's Kingship.