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Presents a biographical sketch, photograph, and short bibliography of 137 Confederate generals who attained their rank through a route other than presidential appointment and have therefore been largely overlooked in historical accounts of the Civil War.
Often overlooked, disregarded, or hidden from historical accounts due to its racy connotations, the prostitution industry was one of the most important factors in the development of the American West. The “oldest profession” fueled the economies of camps, towns, and cities as they grew.Sex workers, from common prostitutes to reigning madams such as Anna Wilson, Maggie Wood, and Big Ann Wynne, defied social norms to make sure their hometowns, and they themselves, were successful. Their reasons for entering the life varied, from women who could find no other way to make money to those who desired independence and wealth. In return they were ostracized, criticized, and subject to fines, jail, disease, drug addiction, violence, and unwanted pregnancies. While their success stories are many, others failed in their endeavors, their names buried with them when they died. Behind Brothel Doors chronicles the history of the nineteenth-century sex work industry in the Great Plains states of Kansas, Nebraska, and Oklahoma.
A Redemptive Theology of Art develops a biblical, systematic, and practical theology of aesthetics. It begins with the roots and ontology of aesthetics (vs. "art") and the architecture and narrative of affection and passion, their woes and their glory. Those who would search the Bible find little support for "art" as commonly conceived in the West. The language of aesthetics, applied to the maker’s intentions, the qualities of the work, and the responses of the audience, better addresses the questions of beauty, and better suits the discussion of human actions, beliefs, and culture than the language of art does. The Bible yields more consistent and helpful answers to questions about the broader category of aesthetics than it does to questions about art; leading in turn to better questions and a more practical and theological appreciation of human affections, beauty, and delight, and the many paths by which people, including Christians, pursue them. Using the categories and definitions from Scripture, Covington gives hope and help not only for those who labor in the arts, but for everyone who cares about the passions that motivate us. We were made for God's delight, and, though sin and bondage plague our passions, God can shape our fun, feelings, desires, affections and aversions. Feelings are neither objective nor subjective; they are redeemable. Borrowing key ideas from other Christian writers on the arts or aesthetics, Covington explores the connection between orthodox Protestant theology and a responsible, respectful treatment of arts, artists, and all aesthetic fields of human work and speech.
Reproduction of the original: The Great Baptizer by Samuel J. Baird
For more than 135 years, the Sisters of Notre Dame have been an integral part of the fabric of life in Northern Kentucky and the Greater Cincinnati region. Best known for their dedicated service as Catholic school teachers and administrators, the Sisters of Notre Dame have embraced numerous opportunities to minister to the people of the region and beyond. From operating orphanages, senior care centers, and hospitals to medical research, foreign missions in Uganda, and urban education centers in the inner city, the Sisters of Notre Dame have touched the lives of tens of thousands of people by their example of self-sacrifice and dedication to helping others. Their highly recognizable convent of St. Joseph Heights on the Dixie Highway stands as a visible reminder of the religious heritage offered to all by the Sisters of Notre Dame of the Covington Province.
Approaching Atlanta in July of 1864, William Tecumseh Sherman knew he was facing the most important campaign of his career. Lacking the troops and the desire to mount a long siege of the city, Sherman was eager for a quick, decisive victory. A change of tactics was in order. He decided to call on the cavalry. Over the next seven weeks, Sherman's horsemen - under the command of Generals Rousseau, Garrard, Stoneman, McCook, and Kilpatrick - destroyed supplies and tore up miles of railroad track in an attempt to isolate the city. This book tells the story of those raids. After initial successes, the cavalrymen found themselves caught up in a series of daring and deadly engagements, including a failed attempt to push south to liberate the prisoners at the infamous prison camp at Andersonville. Through exhaustive research, David Evans has been able to recreate a vivid, captivating, and meticulously detailed image of the day-by-day life of the Union horse soldier. Based largely upon previously unpublished materials, Sherman's Horsemen provides the definitive account of this hitherto neglected aspect of the American Civil War.
Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
“Swanson has done a crucial public service by exposing the barbarous side of the Rangers.” —The New York Times Book Review A twenty-first century reckoning with the legendary Texas Rangers that does justice to their heroic moments while also documenting atrocities, brutality, oppression, and corruption The Texas Rangers came to life in 1823, when Texas was still part of Mexico. Nearly 200 years later, the Rangers are still going--one of the most famous of all law enforcement agencies. In Cult of Glory, Doug J. Swanson has written a sweeping account of the Rangers that chronicles their epic, daring escapades while showing how the white and propertied power structures of Texas used them as enforcers, protectors and officially sanctioned killers. Cult of Glory begins with the Rangers' emergence as conquerors of the wild and violent Texas frontier. They fought the fierce Comanches, chased outlaws, and served in the U.S. Army during the Mexican War. As Texas developed, the Rangers were called upon to catch rustlers, tame oil boomtowns, and patrol the perilous Texas-Mexico border. In the 1930s they began their transformation into a professionally trained police force. Countless movies, television shows, and pulp novels have celebrated the Rangers as Wild West supermen. In many cases, they deserve their plaudits. But often the truth has been obliterated. Swanson demonstrates how the Rangers and their supporters have operated a propaganda machine that turned agency disasters and misdeeds into fables of triumph, transformed murderous rampages--including the killing of scores of Mexican civilians--into valorous feats, and elevated scoundrels to sainthood. Cult of Glory sets the record straight. Beginning with the Texas Indian wars, Cult of Glory embraces the great, majestic arc of Lone Star history. It tells of border battles, range disputes, gunslingers, massacres, slavery, political intrigue, race riots, labor strife, and the dangerous lure of celebrity. And it reveals how legends of the American West--the real and the false--are truly made.