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The Glory of Africa is a well-researched masterpiece specifically written to provoke readers to rediscover themselves, embrace their uniqueness and appreciate that God created all humankind equal.Written in an exciting and amusing manner, the author Onwusa Opiah, through persuasive arguments underpinned by facts and figures, passionately postulates that black people in general and Africans in particular are not inferior or subservient to any race as many would want them to believe in what he considers to be a subtle act of "brainwashing." According to him "the fault of underachievement lies in the underachiever and not in anyone else."Citing many examples of black people of African and African-American descent who rose to the pinnacle of their careers and reached the top against all odds, Opiah counsels that, with a little bit of effort, anyone can achieve greatness. He, therefore, admonishes readers to emancipate themselves from mental slavery and change their mindset.
First published in 1954, a time when few books on African history were written from an African perspective. An intimate history of Africa and its ancient civilizations, the book opposed the stereotyped and often racist histories of Africa. Today, a half century after its initial publication, African Glory still provides a vivid and dynamic connection to the African past.
A "meticulously researched and comprehensive" (Financial Times​) history of the devastating war in the heart of Africa's Congo, with first-hand accounts of the continent's worst conflict in modern times. At the heart of Africa is the Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal war in which millions have died. In Dancing in the Glory of Monsters, renowned political activist and researcher Jason K. Stearns has written a compelling and deeply-reported narrative of how Congo became a failed state that collapsed into a war of retaliatory massacres. Stearns brilliantly describes the key perpetrators, many of whom he met personally, and highlights the nature of the political system that brought these people to power, as well as the moral decisions with which the war confronted them. Now updated with a new introduction, Dancing in the Glory of Monsters tells the full story of Africa's Great War.
A dazzling short story collection from the person Chimamanda Ngozi Adichie calls "one of the greatest writers of our time" Ngũgĩ wa Thiong'o, although renowned for his novels, memoirs, and plays, honed his craft as a short story writer. From "The Fig Tree, " written in 1960, his first year as an undergraduate at Makerere University College in Uganda, to the playful "The Ghost of Michael Jackson," written as a professor at the University of California, Irvine, these collected stories reveal a master of the short form. Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence—and including two stories that have never before been published in the United States— Ngũgĩ's collection features women fighting for their space in a patriarchal society, big men in their Bentleys who have inherited power from the British, and rebels who still embody the fighting spirit of the downtrodden. One of Ngũgĩ's most beloved stories, "Minutes of Glory," tells of Beatrice, a sad but ambitious waitress who fantasizes about being feted and lauded over by the middle-class clientele in the city's beer halls. Her dream leads her on a witty and heartbreaking adventure. Published for the first time in America, Minutes of Glory and Other Stories is a major literary event that celebrates the storytelling might of one of Africa's best-loved writers.
Few people have garnered so much enduring interest as Sir Richard Burton. A true polymath, Burton is best known today for his translations of the "Kama Sutra" and "Arabian Nights." Yet, Africa stood at the center of his adult life. The Burton-Speke expedition (1856 59) that put Lake Tanganyika on the map led to years of controversy over the source of the White Nile. From 1861 to 1864 Burton served as British consul in Fernando Po and traveled widely between Ghana and Angola. He wrote prodigiously and contributed some of the first detailed ethnographic accounts of Africa s peoples. In many ways, however, Africa proved to be Burton s undoing. Injuries and sickness sapped his strength, he made enemies in high places, and, ironically, even the discovery of Lake Tanganyika worked to his disadvantage. Increasingly frustrated and bitter, he turned to alcohol as a frequent remedy.In this fascinating story of the relationship between a man and a continent, geographer James L. Newman provides an intimate portrait of Burton through careful examination of his journals and biographers rich analyses. Delving deepest into Burton s later life and travels, Newman pinpoints the thematic mainstays of his career as a diplomat and explorer, namely his strong advocacy of aggressive imperial policies and his belief that race explained crucial human differences. Historians and scholars of the golden age of empire, as well as armchair adventurers, will not only discover what defined this famously enigmatic figure, but venture, themselves, into the heart of mid-nineteenth-century Africa. "
2022 BOOKER PRIZE FINALIST “Manifoldly clever…brilliant… ‘Glory’ is its own vivid world, drawn from its own folklore. This is a satire with sharper teeth, angrier, and also very, very funny.” —Violet Kupersmith, The New York Times Book Review "Genius."—#1 New York Times bestselling author Jason Reynolds From the award-winning author of the Booker-prize finalist We Need New Names, an exhilarating novel about the fall of an oppressive regime, and the chaos and opportunity that rise in its wake. NoViolet Bulawayo’s bold new novel follows the fall of the Old Horse, the long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup in November 2017 of Robert G. Mugabe, Zimbabwe’s president of nearly four decades, Glory shows a country's imploding, narrated by a chorus of animal voices that unveil the ruthlessness required to uphold the illusion of absolute power and the imagination and bulletproof optimism to overthrow it completely. By immersing readers in the daily lives of a population in upheaval, Bulawayo reveals the dazzling life force and irresistible wit that lie barely concealed beneath the surface of seemingly bleak circumstances. And at the center of this tumult is Destiny, a young goat who returns to Jidada to bear witness to revolution—and to recount the unofficial history and the potential legacy of the females who have quietly pulled the strings here. The animal kingdom—its connection to our primal responses and its resonance in the mythology, folktales, and fairy tales that define cultures the world over—unmasks the surreality of contemporary global politics to help us understand our world more clearly, even as Bulawayo plucks us right out of it. Although Zimbabwe is the immediate inspiration for this thrilling story, Glory was written in a time of global clamor, with resistance movements across the world challenging different forms of oppression. Thus it often feels like Bulawayo captures several places in one blockbuster allegory, crystallizing a turning point in history with the texture and nuance that only the greatest fiction can.
Africa's heartrending picture begs the question: Is Africa cursed? In this book, the author conveys a winning message - that there can be hope for Africa. He unwraps Africa's place in the Bible, wards off superstition and advocates Christians' active engagement in transforming Africa.
Al-Jahiz, a Afro-Iraqi scholar of the 9th century, demonstrate that the original man (Black African) is to be honored for the many outstanding and unique attributes they posses over other races. A firsthand account of the achievements of the native African.
Chaka is a genuine masterpiece that represents one of the earliest major contributions of black Africa to the corpus of modern world literature. Mofolos fictionalized life-story account of Chaka (Shaka), translated from Sesotho by D. P. Kunene, begins with the future Zulu kings birth followed by the unwarranted taunts and abuse he receives during childhood and adolescence. The author manipulates events leading to Chakas status of great Zulu warrior, conqueror, and king to emphasize classic tragedys psychological themes of ambition and power, cruelty, and ultimate ruin. Mofolos clever nods to the supernatural add symbolic value. Kunenes fine translation renders the dramatic and tragic tensions in Mofolos tale palpable as the richness of the authors own culture is revealed. A substantial introduction by the translator provides valuable context for modern readers.
Presents a selection of full-color photographs from across Africa, covering topics including sense of place, the joy of being, inner journeys, patterns of beauty, rhythm from within, and capacity to endure.