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The age of exploration exposed the limits of available universal histories. Everyday interactions with cultures and societies across the globe brought to light a multiplicity of pasts which proved difficult to reconcile with an emerging sense of unity in the world. Among the first to address the questions posed by this challenge were a handful of Renaissance historians. On what basis could they narrate the history of hitherto unknown peoples? Why did the Bible and classical works say nothing about so many visible traces of ancient cultures? And how far was it possible to write histories of the world at a time of growing religious division in Europe and imperial rivalry around the world? A study of the cross-fertilization of historical writing in the sixteenth and early seventeenth centuries, The Globe on Paper reconstructs a set of imaginative accounts worked out from Mexico to the Moluccas and Peru, and from the shops of Venetian printers to the rival courts of Spain and England. The pages of this book teem with humanists, librarians, missionaries, imperial officials, as well as forgers and indigenous chroniclers. Drawing on information gathered—or said to have been gathered—from eyewitness reports, interviews with local inhabitants, ancient codices, and material evidence, their global narratives testify to an unprecedented broadening of horizons which briefly flourished before succumbing to the forces of imperial and religious reaction.
The age of exploration exposed the limits of available universal histories. Everyday interactions with cultures and societies across the globe brought to light a multiplicity of pasts which proved difficult to reconcile with an emerging sense of unity in the world. Among the first to address the questions posed by this challenge were a handful of Renaissance historians. On what basis could they narrate the history of hitherto unknown peoples? Why did the Bible and classical works say nothing about so many visible traces of ancient cultures? And how far was it possible to write histories of the world at a time of growing religious division in Europe and imperial rivalry around the world? A study of the cross-fertilization of historical writing in the sixteenth and early seventeenth centuries, The Globe on Paper reconstructs a set of imaginative accounts worked out from Mexico to the Moluccas and Peru, and from the shops of Venetian printers to the rival courts of Spain and England. The pages of this book teem with humanists, librarians, missionaries, imperial officials, as well as forgers and indigenous chroniclers. Drawing on information gathered—or said to have been gathered—from eyewitness reports, interviews with local inhabitants, ancient codices, and material evidence, their global narratives testify to an unprecedented broadening of horizons which briefly flourished before succumbing to the forces of imperial and religious reaction.
How did writing histories of the world change after the discovery of America? Focusing on a set of case studies, this book explores creative works by Renaissance authors who made use of new sources and materials to produce narratives about the globe, working across different cultures and languages.
In the present tense, tells of the times during which the Globe Theatre was built and gives its history; includes a pop-up theater, punch-out characters to use in it, and two booklets of scenes from Shakespeare's plays.
Provides information about the geography of each of the continents, including landforms, bodies of water, climate, plants, animals, population, and flags, and about the poles and the oceans.
Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
Paper. Pen. Pandemic. Viral cartoons around the globe. The coronavirus crisis and its consequences for economy, politics and society. A critical statement on current events in more than 400 cartoons The economy put in shackles: a critical review on the coronavirus pandemic in more than 400 cartoon The coronavirus outbreak has paralyzed the world: an unprecedented stress test for the health system, enormous challenges for politics and society, resulting in unforeseeable effects on the economy. Can we manage this global challenge? The world leaders and decision-makers in business and politics face difficult tasks every day, because solutions are required quickly. But are the governments' measures to contain the pandemic justified and appropriate? Cartoonists from all over the world have asked themselves these questions. Their drawings and paintings in this illustrated book comment on current events, straight to the point and with a good dose of humor. - How are world governments managing the coronavirus crisis? A critical examination in more than 400 cartoons - Joe Dator, Jason Raish, Gerhard Haderer or Bruce MacKinnon: International artists and illustrators take a stand on the COVID-19 situation - »The New Normal«: Did you bring your hand sanitizer and facemask? Our life in times of COVID-19 - A global view on how the pandemic is affecting the economy worldwide: from Italy, the US to Brazil, South Africa or China Will the coronavirus crisis trump other urgent issues? The lockdown created funny behaviors: hoarding of toilet paper and DIY haircuts as well as video conferencing in sweatpants. Unfortunately, social isolation, fear of the future and economic losses due to short-time working are also part of our new everyday life. The crisis shows which professions are relevant for the economic system. Social imbalances and inequalities are becoming abundantly clear. At the same time, issues that demanded urgent action before the outbreak of the virus seem to be forgotten, like the refugee crisis, global warming and the world economic crisis. This cartoon book critically comments on the current situation and makes us rethink our priorities!
"Topographers, geographers, and physiographers have written much about the Earth's surface, but that is not, as such, our present theme. Here we consider not the places themselves, but the names by which they are distinguished, what are commonly known in English as place-names." - from chapter 1, "The Place and the Name."
This wanderlust-inspired desk décor assembles in mere minutes without glue or scissors! Two die-cut cards containing full-color punch-out pieces are enclosed in a flat-pack envelope. Fully assembled, the pieces make a colorful 7-inch globe on a stand, inviting paper craft lovers and fans of vintage décor to travel the world on a moment's notice—no passport required!
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.