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What makes something sexy? Why are some things regarded as sacred and others profane? Why do mourners face such difficulty in parting with their beloved’s possessions? Why do we often feel distraught when we lose something, even when the object has little real value? We spend our lives in a meaningful dialogue with things around us. Sometimes the conversation is loud, as in a collector’s passion for coins or art. More often, the exchange is subtle and muted, even imperceptible. We are surrounded by things, and they affect our emotions and impact our thoughts. The arrival of a dozen flowers from a lover or a letter from a grandchild makes our day; an old photo album or an afghan knitted by a favorite aunt offers comfort when we are troubled. From exploring what makes something “beautiful” to why we place such value on antiques and artifacts from the past, Objects of Our Desire offers insights, both deep and delightful, into the ways we invest things with meaning and the powerful roles they play in our lives. Notice the inviting contours of that sofa, the glint of a knife’s edge, the sparkle of a diamond ring. Feel the softness of the pashmina around that woman’s milky shoulders. Look at the majesty of a large jet plane. Take in the somberness of a gravestone. Put on an old pair of shoes. Clutch a warm mug of freshly brewed coffee. Sit on a rocking chair. Feel the sumptuous leather seats of a new car. We are surrounded by things. We are involved with them, indebted to them. We speak to things and things speak to us. To say that we are interdependent is banal. Let us be courageous. Let us admit it: we are lovers. —From Objects of Our Desire
The discovery of mirror neurons in the 1990s led to an explosion of research and debate about the imitative capacities of the human brain. Some herald a paradigm shift on the order of DNA in biology, while others remain skeptical. In this revolutionary volume Jean- Michel Oughourlian shows how the hypotheses of René Girard can be combined with the insights of neuroscientists to shed new light on the “mimetic brain.” Offering up clinical studies and a complete reevaluation of classical psychiatry, Oughourlian explores the interaction among reason, emotions, and imitation and reveals that rivalry—the blind spot in contemporary neuroscientific understandings of imitation—is a misunderstood driving force behind mental illness. Oughourlian’s analyses shake the very foundations of psychiatry as we know it and open up new avenues for both theoretical research and clinical practice.
Introduction. The Science Question in Political Theory -- Earth to Arendt -- Vico's World of Nature -- Descartes and Democracy -- Hobbes's Worldly Geometry of Politics -- Epilogue. Science and Politics at the End of the World
Maximilian Cale, the Duke of Lyons, long ago buried his grief for his missing elder brother, Peter, who was presumed dead after being kidnapped. When a mysterious note arrives from Tristan Bonnaud asserting that the Duke's brother is alive, it leads Max straight to the winsome Lisette Bonnaud, illegitimate daughter of a viscount and Tristan's sister. Soon he and Lisette are traveling to Paris posing as husband and wife, in search of Tristan, who has disappeared. And the longer he spends with Lisette, the easier it is for Max to see that the line between dukedom and desire is easier to cross than he imagined.
Studying the work of Joyce, Woolf, Stein and Beckett, Sara Crangle explores the everyday human longings found in Modernist writing. This discussion is set within a framework of continental philosophy, particularly the thinking of Emmanuel Levinas.
Bundled together for the first time! FOUR first in series books by DAWN BROWER A Flawed Jewel: Pieretta boards a ship, unaware that Thor is waiting to kidnap her for revenge against her grandfather. Will love intervene, altering both their courses? Saved by My Blackguard: Together Paul and Evelyn rely on each other to survive the raging storm, villainous pirates, and a little bit of culture shock. Can they get past each other’s differences and learn to trust each other and find love. Forever My Earl: Hannah Knight dreams of a happy-ever-after in the arms of the man she loves, but war has kept them apart. Garrick, the Earl of Manchester returns home; however, love is the last thing on his mind. Can two lost souls find their way back to each other? When an Earl Turns Wicked: Jonas Parker, the Earl of Harrington has no intention of ever marrying. He enjoys living unencumbered by the responsibility of a family and has been on his own since he was a young man. Nothing will alter the course he’s set for himself. Lady Marian Lindsay wants to be a physician and she’ll do whatever it takes to accomplish her goal, even coerce one of her father’s young compatriots into taking her to a house party. Propriety must be met at all costs because Jonas refuses to be wed at the end of Marian’s expedition…
He collected beautiful things. Rare things. Ripped them out of their natural environment and preserved them in all of their dead splendor. The problem was I wasn't beautiful. I was all of the hideous and ugly realities of the world packaged into one broken human being. He came to kill me. That was his business. Death. He ripped me out of my natural environment, the prison I'd created, and locked me away with all of his beautiful dead things. I hated him. I still hate him. But if I was given the choice and the ability to leave this cage, come back to life, I'd stay dead. In all of my hideous splendor. Because my murderer can only possess dead things. And I can only be possessed by someone more broken and ugly than me.
This book explores lesbians in film from early representations to contemporary ones, spanning sixty years and over twenty films. Concentrating on lesbian desire and subtext, Kabir draws on films such as Queen Christina, The Killing of Sister George, Rebecca, Desperately Seeking Susan and The Color Purple. She details their narratives in conjunction with an examination of different spectating positions and new syntheses of filmic languages. Deploying lesbian history, black subjectivity, feminist film criticism and material from psychoanalysis, Daughters of Desire explores narrative, desire and identifications. From castration and agency to the fetishization of beauty, from mothering, narcissism, and Oedipus to rage and trauma, Kabir crosses frontiers in film studies and feminist theory.
Drawing on the work of Eric Gans and René Girard, novelist and literary scholar Dennis (U. of Ottawa) contends that British poet Byron (1788-1824) changed his ideas about what could and should be desired during the course of his writing career. He considers victory and defeat in the eastern tales, heroic victimhood in Prometheus and The Prisoner of Chillon, Byron's sincerity, and the market in Don Juan. Only names and titles are indexed.
And Then He Kissed Her Far from home and her noble relatives, Miss Caroline Huntington has been injured in a fall from her horse. Called to her side, Alex Trentham knows he must assist her, though he has not practiced as a physician for a long while. Just to see so lovely a woman in a state of undress is a hard test of his self-control. Caroline is all that is warm and feminine, beautiful and pure. Brave to a fault, she does not flinch under his hands, and soon she is on the mend. To hide his feelings becomes impossible and Alex cannot. Her radiant innocence is dangerous to a worldly man. . .and she seems achingly eager to experience all the pleasure he could show her. . . Praise for Anthea Lawson's Passionate "Intriguing. Surrounded by exotic beauty and danger. . .desire blossoms." --Romantic Times