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Its corporate name is hardly a household word, yet Owens-Illinois, Inc., located near a small town in northwestern Ohio, is the world's largest manufacturer of the glass bottles and jars used to provide food, beverages and medicines every day to millions of people around the globe. Unlike most corporate histories, The Glassmakers, Revisited, is a page turner....a book filled with illuminating facts and interesting anecdotes about the company that became a global giant due to the mechanical genius of Michael J. Owens, who, in 1903, invented a machine to blow bottles, automatically, and Edward D. Libbey, the astute glassmaker who bankrolled him.
"The religious and ethical contribution of the Judaism to civilization has been rightly acknowledged. The seminal role the Jews have played in the technological evolution of civilization has been largely overlooked." "This remarkable book uses the history of glassmaking as a foil with which new light is shed on the hidden history of that phenomenally creative people. During his association with the glassmakers of Venice, the author uncovered an intriguing historical symbiosis between the Jews and the art of glassmaking. The revelation impelled him to launch an intensive, eight-year campaign of research which led him across three continents and through 4000 years of human history. He discovered that the vitric arts, conceived in Akkadia among the progenitors of the Jews, was subsequently borne by the Jews into the Diaspora, an enthralling historical odyssey which has never been told in its entirety." "Many myths are shattered in the course of following the adventurous path of the art from its Akkadian roots through Canaan, Egypt, Rome, Persia, China and the West. Drawing upon a wealth of archeological, Biblical, archival and historical material, an intense beam of light is cast into the darker recesses of history in which conquered peoples suffer the indignity of having the record of their accomplishments obliterated by their conquerors, a process the author terms "Institutionalized Obfuscation."" "The peculiar parallelism between the movement of the Jews and the vitric arts bears historical connotations which stretch far beyond glassmaking; the very foundation upon which classic versions of history is based is demolished by the revelations which erupt from the pages of the book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In a world of the blessed the unblessed, the Glassmaker proclaims the gifts of those in the realm with their reading of the sparks. They are the only ones with the ability to work the glass and declare the goddess’s blessing. Generations before Ophelia was born, her birth was prophesied. The Enchantress proclaimed that a blessed girl child would restore honor to the Leander line. However, when she was presented to the Glassmaker to learn of her blessing, she was turned away. Many Winters passed and Ophelia remained unblessed. Until she and her brothers journeyed to Thistledown. Rylan, the Glassmaker of Thistledown is able to do what none other before him had achieved. He read Ophelia’s blessing in the sparks. The gift from the goddess so rare, Rylan fears for her safety. Knowing the potential danger, he agrees to travel with Ophelia and her brothers on a quest to help her learn to use her blessing to its fullest potential. The two are drawn together by an inexplicable bond that neither can ignore. As they trek across the realm from his home to hers, they are unable to deny their attraction. While danger lurks, they must reach the Keeper of the Blessings before it’s too late. Can Ophelia navigate her new blessing and help restore her family’s honor? Can the bond between her and Rylan survive the obstacles before them? Together, can they bring about a change to the realm which hasn’t been seen in centuries?
Daniela the glassmaker's daughter is grumpy and never smiles. Her father promises a beautiful glass palace to anyone who can make her laugh. People come from far and wide to try their luck in amusing Daniela. But mask makers, lion tamers and magicians cannot raise a smile from the princess. It is only when a young apprentice makes the first looking glass that Daniela learns to smile – at her own grumpy reflection! This beautiful fable set in sixteenth-century Venice features stunning illustrations from award-winning artist Jane Ray alongside a poetic text. Named one of Bank Street College of Education's Best Children's Books of the Year, 2018!
She was the only woman in Venice who knew the secret...and it made her a criminal. The Murano glassmakers of Venice are celebrated and revered. But now three of them are dead, killed for attempting to leave the city that both prizes their work and keeps them prisoners. For in the 17th century, the secret of their craft must, by law, never leave Venetian shores. Yet there is someone who keeps the secret while defying tradition. She is Sophia Fiolario, and she, too, is a glassmaker. Her crime is being a woman. Sophia knows her family would be crushed by scandal - or worse - if the truth of her knowledge and skill with the glass were revealed. But there has never been any threat...until now. A wealthy nobleman with strong connections to the powerful Doge has requested Sophia's hand in marriage, and her refusal could draw dangerous attention. Yet to accept, to no longer make the glass, would devastate her. If there is an escape, Sophia intends to find it. Between creating precious glass parts for one Professore Galileo Galilei's astonishing invention and attending lavish parties at the Doge's Palace, Sophia crosses paths with influential people, including one who could change her life forever. But in Venice, every secret has its price. Soon, Sophia must decide how much she is willing to pay for her family, the glass, and love.
Magic lies at heart of the medieval city of Cassaforte, and when the magic begins to unravel, corruption threatens the kingdom. As she battles against dark forces, Risa's untapped powers rise to the surface, leading her toward her true fate.
The transformation of the Venetian glass industry during the Renaissance was not only a technical phenomenon, but also a social one. In this volume, Patrick McCray examines the demand, production and distribution of glass and glassmaking technology during this period and evaluates several key topics, including the nature of Renaissance demand for certain luxury goods, the interaction between industry and government in the Renaissance, and technological change as a social process. McCray places in its broader economic and cultural context a craft and industry that has been traditionally viewed primarily through the surviving artefacts held in museum collections. McCray explores the social and economic context of glassmaking in Venice, from the guild and state level down to the workings of the individual glass house. He tracks the dissemination of Venetian-style glassmaking throughout Europe during the sixteenth and seventeenth centuries and its effects on Venice’s glass industry. Integrating evidence from a wide variety of sources - written documents such as shop records and recipe books, pictorial representations of glass and glassmaking, and the careful physical and chemical analysis of glass pieces that have survived to the present - he examines the relation between consumer demand and technological change. In the process, he traces the organizational changes that signified a transition from an older and more traditional manner of ’artisan’ manufacture to a modern, ’factory-style’ manner of production.
The apocalyptic, pastoral, and urban traditions have fundamentally shaped Western history and influenced American religion, culture, and politics. This book argues that these traditions have not only been decisive in giving form and substance to classic and modern American literature, but have been appropriated by contemporary science fiction. As a loosely connected set of cultural narratives, the Cross, the Plow, and the Skyline have through the medium of science fiction and fantasy provided a bold vista on the future grounded in an emergent ecological imagination. In the expanded second edition of the original 2001 publication, the author argues that a significant shift has taken place in contemporary Anglo-American science fiction and fantasy (SF/F) from twentieth-century SF/F critically analyzed in the first edition’s critical inquiry. Avantgarde works in twenty-first century speculative fiction--extensively examined in representative works in interludes separating the slightly revised original chapters--have become: darker in their visions of the possible future; more focused on slowness over breakneck speed; more amenable to gender, racial, and global diversity in authorship, plot, and subgenre creation; less attached to anchor concepts like the city, wilderness, and the domesticated landscape in plot development; more prone to dystopian and critical dystopian tropes; simultaneously more open toward, but critical of, Young Adult fiction; and more supportive of the breakdown of borders and antagonisms between science fiction and fantasy and SF/F and literary fiction. Ensconced in the cultural, social, and political zeitgeist of the New Millennium’s first two decades, these features of twenty-first century science fiction and fantasy may yet settle into and inform emergent and pluralistic varieties of ecological politics spreading across the globe and confronting the Earth’s social and environmental crises of our times and coming decades.