Download Free The Girls Own Paper Book in PDF and EPUB Free Download. You can read online The Girls Own Paper and write the review.

The Girl’s Own Paper, founded in 1880, both shaped and reflected tensions between traditional domestic ideologies of the period and New Woman values in the context of the figure of the New Girl. These selections from the journal demonstrate the efforts of its publisher (the Religious Tract Society) to combat the negative moral influence of sensational popular literature while at the same time addressing the desires of its audience for exciting reading material and information about topics mothers could not or would not discuss. Selected fiction gives a rich sense of the conventions and the domestic ideology of the time; the nonfiction prose ranges from essays on conduct and household management to articles on new opportunities in education and work.
A delightful dip into the pages of the popular magazine for girls that originally aimed to help to train them in moral and domestic virtues.
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
The Girl's Own Paper (G.O.P.)was a British story paper catering to girls and young women, published from 1880 until 1956.
This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Some volumes also include extra numbers.
The Girl's Own Paper, Vol. VIII: No. 353, October 2, 1886. Charles Peters CHAPTER I.THE VALLEY OF HUMILIATION. erle, I may be a little old-fashioned in my notions; middle-aged people never adjust their ideas quite in harmony with you young folk, but in my day we never paused to count fifty at a full stop." Aunt Agatha's voice startled me with its reproachful irritability. Well, I had deserved that little sarcasm for I must confess that I had been reading very carelessly. My favourite motto was ringing in my ears, "Laborare est orare." Somehow the words had set themselves to resonant music in my brain; it seemed as though I were chanting them inwardly all the time I was climbing down the steep hill with Christiana and her boys. Laborare est orare. And this is what I was reading on that still, snowy Sunday afternoon: "But we will come again to this Valley of Humiliation. It is the best and most fruitful piece of ground in all these parts. It is a fat ground, and, as you see, consisteth much in meadows, and if a man was to come here in the summertime as we do now, if he knew not anything before thereof, and if he delighted himself in the sight of his eyes, he might see that which would be delightful to him. Behold how green this valley is, also how beautiful with lilies! I have known many labouring men that have got good estates in this Valley of Humiliation." We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.