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The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. The Girl's Own combines literary and cultural history in its discussion of both British and American texts and practices. Among the topics addressed are the nineteenth-century attempt to link morality and diet; the making of heroines in biographies for girls; Lewis Carroll's and John Millais's iconographies of girlhood in, respectively, their photographs and paintings; genre fiction for and by girls; and the effort to reincorporate teenage unwed mothers into the domestic life of Victorian America.
The Girl’s Own Paper, founded in 1880, both shaped and reflected tensions between traditional domestic ideologies of the period and New Woman values in the context of the figure of the New Girl. These selections from the journal demonstrate the efforts of its publisher (the Religious Tract Society) to combat the negative moral influence of sensational popular literature while at the same time addressing the desires of its audience for exciting reading material and information about topics mothers could not or would not discuss. Selected fiction gives a rich sense of the conventions and the domestic ideology of the time; the nonfiction prose ranges from essays on conduct and household management to articles on new opportunities in education and work.
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Part activity book, part fact book, and part journal, this book includes hundreds of challenges and spaces to record each performance. Plus there are achievement stickers kids can use as rewards for their accomplishments. YOU are amazing! How amazing? Let’s find out! Inside the pages of this book are oodles of challenges, feats, competitions, and tests of extreme awesomeness. How many pennies can you stack while blindfolded? How many animals can you name in 20 seconds? How many times can you say, “Silly Sally slurps soda slowly,” without making a mistake? Test your mind and body. Record your results. Challenge your friends. How do they measure up? Keep track of your achievments in the space provided, and compare your results against existing world records. Rewards yourself and your friends with the provided stickers and press-out rewards.
A colorful chronicle of the All-American Girls Professional Baseball League, as recalled by the very women and men who were a part of it. From Philip K. Wrigley, the chewing-gum mogul who had the idea for the league, to "Gabby" Ziegler, captain of the Grand Rapids Chicks, Girls of the Summer is about dreams and about making those dreams come true.
"Strong Black Girls lays bare the harm Black women and girls are expected to overcome in order to receive an education in America. It captures the routinely muffled voices and experiences of these students through storytelling, essays, letters, and poetry. The authors make clear that the strength of Black women and girls should not merely be defined as the ability to survive racism, abuse, and violence. Readers will also see resistance and resilience emerge through the central themes that shape these reflective, coming-of-age narratives. Each chapter is punctuated by discussion questions that extend the conversation around the everyday realities of navigating K-12 schools, such as sexuality, intergenerational influence, self-love, anger, leadership, aesthetic trauma (hair and body image), erasure, rejection, and unfiltered Black girlhood. Strong Black Girls is essential reading for everyone tasked with teaching, mentoring, programming, and policymaking for Black females in all public institutions. Book Features: ]A spotlight on the invisible barriers impacting Black girls' educational trajectories. ]A survey of the intersectional notions of strength and Black femininity within the context of K-12 schooling. ]Narrative therapy through unpacking system stories of oppression and triumph. ]Insights for building skills and tools to make substantial and lasting change in schools"--
Growing up, Pat Brown had two dreams: to play baseball and to attend college. She was told she couldn't play baseball because she was a girl and couldn't attend college because she had no money, but in spite of the obstacles, she achieved both of these dreams, playing for the All-American Girls Professional Baseball League in 1950 and 1951 and going on to attend college. She is among the few women professional baseball players to be included into the National Baseball Hall of Fame. "As the only former AAGPBL player to have written about the League," Brown says, "I feel like I have finally pitched my no hit game." This is a memoir of playing baseball on the sandlot, discovering and playing in the AAGPBL, and playing basketball in college. Brown shares her thoughts on the League's history, including what Philip K. Wrigley sought to do by creating the AAGPBL, what happened after Wrigley left to give more attention to the Chicago Cubs, and why the League ended. She also considers the future for women's professional baseball. Interviews with such former AAGPBL players as Helen Hannah Campbell, Patricia "Pat" Courtney, Madeline "Maddy" English, Lenora "Smokey" Mandella, Jacqueline "Jackie" Matson, Jane Moffet, Mary "Sis" Moore, and Janet "Pee Wee" Wiley are included.
A delightful dip into the pages of the popular magazine for girls that originally aimed to help to train them in moral and domestic virtues.
Geared toward the unique challenges faced by self-employed businesswomen—and updated for the social media-driven, post-financial crisis world—The Girl's Guide to Starting Your Own Business offers solutions and advice for handling a range of issues, including how to write a business plan, how to secure funding, and how to hire (and fire) employees. Caitlin Friedman and Kimberly Yorio share practical information drawn from their own extensive experience in the public relations, marketing, and consulting fields. Their concise and engaging advice is explained through entertaining tips, lists, and quizzes that speak directly to women who are dreaming of starting, or have already started, their own businesses.