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A stunning and powerful contemporary love story from one of the best storytellers this century. What if everything you believed about your life was a lie?
International bestselling author Paullina Simons delivers a riveting novel about a young woman whose search for her missing friend turns into a life-shattering odyssey. The truth will change her forever. Living in bustling New York City, Lily Quinn has plenty of distractions and is struggling to finish college as well as pay her rent. But that all pales in comparison when Amy, her best friend and roommate, disappears without a trace. Spencer O’Malley, a cynical NYPD detective assigned to Amy’s case, immediately captures Lily’s attention. Though he is wary and wrestling with his own demons, he, too, is irresistibly drawn to Lily. But fate has more in store for Lily than she ever expected. As she looks deeper into the mystery surrounding Amy’s disappearance, Lily finds answers she never imagined she’d find—answers that challenge everything she knows about her own life. Lily’s search puts her on a collision course with tragedy and love, and gives her a glimpse into the abyss that swallowed her friend . . . until she faces a final confrontation with her own life-changing destiny. “Part mystery, part romance, part family drama . . . in other words, the perfect book.”—Daily Mail
In William Baer’s Times Square and Other Stories, there are everyday characters walking extraordinary paths for love; there are smart, skillful characters struggling to reconcile their viewpoints and convictions with the status quo in fields such as art, education, the cinema and religious doctrine. There is baseball and the story of the skills, training and ethics of pitching in the big leagues. And there is war and an enemy invasion juxtaposed with a do-or-die chess game. The stories take us coast to coast from New York to LA, away to South America, and overseas to Eastern and Western Europe. This is a fun-filled, fact-filled collection that smoothly melds scholarship with the everyday for unique, fresh, and highly intelligent stories, which are also highly entertaining. PRAISE FOR TIMES SQUARE AND OTHER STORIES: How wonderful to come across such a serious collection of short stories! Not “serious” as in boring and tendentious; but serious as in grown-up, broadminded, large-hearted, sharply observed, and dryly, obliquely funny. Bill Baer’s fiction kicks ass. — Pinckney Benedict, author of Town Smoke As elegantly written as they are inventive, the short stories in Times Square and Other Stories engage the reader all the way from the title piece, an ambitious tale that draws upon art, love, and the complex beauty of the human narrative, through eight other works that touch upon the timeless questions of what it means to create and to act, to be and to pretend. Baer’s collection achieves that Horatian goal so sorely lacking in much of contemporary fiction—informing while delighting at the same time. The obligation to craft is taken very seriously in these pages, but the effort that undoubtedly went into their composition could easily be overlooked due to the skill with which they are rendered, and the degree to which they are enjoyed. — A.G. Harmon, author of A House All Stilled Times Square and Other Stories, William Baer’s twice-measured fictions, channel the reflecting reflections of James and Borges back into our self-conscious consciousness. Like the four-story signs plastering the “real” Times Square, these signs sing themselves, maps as detailed as the things they represent. These fictions resuscitate Poe’s unities of effects, breathing life back into the simulacrum of life. I loved this book; it can’t help but blurb itself! — Michael Martone, author of Four for a Quarter
Many Words Press-and imprint of Able Muse Press-is proud to introduce Murder in Times Square, a Deirdre Mystery, initiating a new series by the author of the popular Jack Colt mystery series: When a young woman in a red designer dress falls twenty-five stories from the roof of Times Square One, the well-known New York fashion model known as Deirdre resolves to unravel the mystery. Capable and determined, Deirdre is relentless in her drive to unravel the mystery and find justice for the victim, while protecting those she loves from looming threats. Baer, who has worked in the New York City's fashion district, showcases not only his depth of knowledge of the fashion industry, but also of New York City and its landmarks and history. He weaves an intricate, fast-paced, and spellbinding narrative that takes us through New York City, Atlantic City, the Jersey Shore, and the Caribbean. In Murder in Times Square, Baer once again proves he is a master of suspense and intrigue. PRAISE FOR WILLIAM BAER'S JACK COLT MURDER MYSTERY SERIES: "William Baer brilliantly mixes all the human emotions. . . . The layers, the depth, the characters, the intrigue, and the references to local settings all captivate and draw the reader in. I love books like this! A rarity! Five stars!" - Robert Leon Davis, Reader Views (Five-star review) "A brilliant debut novel . . . precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place." - Hollis Seamon, author of Somebody Up There Hates You "Not since Donna Tartt's The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer's New Jersey Noir. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. The writing is taut and gut-wrenching." - Terri Brown-Davidson, author of Marie, Marie, Hold On Tight "With a head for crime and his own set of scruples, Jack moves effortlessly through the seamy underbelly of the state he loves. . . . [T]his is a can't-put-it-down thrill ride." - Publishers Weekly (Starred review) Writing is crisp, sarcastic, and wryly funny. . . . Characters are authentic and realistic. Dialogue is brisk and to the point. - Robin Farrell Edmunds, Forward Reviews (Five-star review) ABOUT THE AUTHOR: William Baer worked briefly in New York City's fashion district after high school. He's now the award-winning author of twenty-five books, including the first three novels in the popular New Jersey Noir mystery series. He's a graduate of NYU, Rutgers, South Carolina, Johns Hopkins, and USC's School of Cinema, where he received the Jack Nicholson Screenwriting Award. He's also been the recipient of a Fulbright, a Guggenheim, and a Creative Writing Fellowship in fiction from the National Endowment for the Arts.
“Friedman has drawn a vivid picture of the Times Square area and its denizens. He writes about the porn palaces with live sex shows, and the men and women who perform in them, prostitutes and their pimps, the runaways who will likely be the next decade's prostitutes, the clergymen who fight the smut merchants and the cops who feel impotent in the face of the judiciary.”—Publishers Weekly This classic account of the ultra-sleazy, pre-Disneyfied era of Times Square is now the subject of a documentary film of the same name to be theatrically released this year. With this edition, Tales of Times Square returns to print with seven new chapters.
This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
In this rich cultural history, Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.
The real story behind the murder of a Manhattan schoolteacher that became a symbol of the dangers of casual sex: “A first-rate achievement” (Truman Capote). In 1973, Roseann Quinn, an Irish-Catholic teacher at a school for deaf children, was killed in New York City after bringing a man home to her apartment from an Upper West Side pub. The crime made headlines and the ensuing case quickly evolved into a cultural phenomenon, spawning both a #1 New York Times–bestselling novel and a film adaptation starring Diane Keaton and Richard Gere, and sparking debates about the sexual revolution and the perils of the “pickup scene” at what were popularly known as singles bars. In this groundbreaking true crime tale, Lacey Fosburgh, the New York Times reporter first assigned to the story, utilizes an inventive dramatization technique, in which she gives the victim a different name, to veer between the chilling, suspenseful personal interactions leading up to the brutal stabbing and the gritty details of its aftermath, including the NYPD investigation and the arrest of John Wayne Wilson. An Edgar Award finalist for Best Fact Crime, this classic of the genre is “more riveting, and more tragic, than the Judith Rossner novel—and 1977 movie Looking for Mr. Goodbar” (Men’s Journal).
As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s. First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life. Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere. Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?
Set in the 1960s, this novel exploring the mysteries of the multiverse—and of human identity—is “a rare page turner that avoids the obvious traps.” —The New York Times Book Review Garrett Adams, an uptight behavioral psychology professor who refuses to embrace the 1960s, is in a slump. The dispirited rats in his latest experiment aren't yielding results, and his beloved Yankees are losing. As he sits at a New York City bar watching the Yanks strike out, he knows he needs a change. Then, at a bookstore, he meets a mysterious young woman, Daphne, who draws him into the turbulent and exciting world of Vietnam War protests and the music of Bob Dylan and the Beatles, and he starts to emerge from the numbness and grief over his father’s death in World War II. But when Daphne evolves into four separate versions of herself, Garrett’s life becomes complicated as he devotes himself to answering the questions about character and destiny raised by her iterations—an obsession that threatens to upend his relationship with a beautiful art historian, destroy his teaching job, and dissolve a longtime friendship. The Daphnes seem to exist in separate realities that challenge the laws of physics and call into question everything Garrett thought he knew. Now he must decide what is vision, what is science, and what is delusion. “[A] mind-bending experimental thriller.” —CrimeReads “An immensely interesting concept . . . dig[s] deep into psychology, philosophy, physics, and, most importantly, politics as Daphne shakes Garrett out of his indifference toward the cultural turmoil of the late ’60s.” —Kirkus Reviews “Brett's imaginative, amusing debut will appeal to fans of Nell Zink.” —Publishers Weekly “This absorbing novel vividly mines the physics and psychology of reality, and the reader’s reward is a moving story of love and loss.” —Hilma Wolitzer, author of An Available Man