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She longed for a family of her own... Growing up in an orphanage on East London’s Cobb Street, Daisy Driscoll never felt the warm heart of home. Forging her own way in the world, determined Daisy struggles to make ends meet as the country finds itself on the brink of the Second World War.
Defending Hurricane Katrina's most notorious couple. In the media storm that followed Hurricane Katrina in 2005, nursing home owners Sal and Mabel Mangano were vilified for allegedly causing the deaths of 35 residents of St. Rita's Nursing Home in low-lying St. Bernard Parish. This book, written by the lawyer who defended them, reveals the gripping, true story behind the couple's heartrending decision not to evacuate and their persecution at the hands of the government sworn to protect them.
1948: Daisy Driscoll is working as a qualified Sister in Brighton. The war may be over, but Daisy's heart is in turmoil. Abandoned in childhood and haunted by the experience of her first marriage, Daisy no longer trusts anyone. Convinced the roots of her identity lie in India, and desperate to find the truth, Daisy leaps at the chance to leave her lonely life behind when her friend Grayson Harte travels to the East on business. As she uncovers long-hidden secrets about the family she never knew, will she be able to put the past behind her and find happiness after all?
When her best friend vanishes without so much as a good-bye, eighteen-year-old Piper Sail takes on the role of amateur sleuth in an attempt to solve the mystery of Lydia’s disappearance. Given that Piper’s tendency has always been to butt heads with high-society’s expectations of her, it’s no surprise that she doesn’t give a second thought to searching for answers to Lydia’s abduction from their privileged neighborhood. As Piper discovers that those answers might stem from the corruption strangling 1924 Chicago—and quite possibly lead back to the doors of her affluent neighborhood—she must decide how deep she’s willing to dig, how much she should reveal, and if she’s willing to risk her life of privilege for the sake of the truth. Perfect for fans of Libba Bray and Anna Godbersen, Stephanie Morrill’s atmospheric jazz-age mystery will take readers from the glitzy homes of the elite to the dark underbelly of 1920s Chicago.
1941: As a nurse in the rubble-strewn East End of London, Daisy Driscoll is a first-hand witness to the trauma of the Second World War. The blare of guns and bombs assailing the dark empty streets of London are now the soundtrack to her life. Yet this isn¿t the only war Daisy is fighting ¿ there¿s a battlefield in her heart as she deals with her husband¿s cruel betrayal. As Daisy tries to forge a new life without him, she is determined not to become dependent on another man ¿ but first she must face her very deepest fears¿
Growing up in an orphanage on East London¿s Cobb Street, Daisy Driscoll never felt the warm heart of home. Forging her own way in the world, she struggles to make ends meet in a country on the brink of the Second World War. Her fortunes change when she meets Gerald Mortimer, a handsome cavalry subaltern in the Indian army. Finally, Daisy has found someone to love of her very own. But soon she discovers she¿s pregnant and Gerald is not all he claims. As he leads her along a path of danger and scandal, Daisy must find the strength within herself to get through her darkest hour.
To stop lovesick David Matthews from harrassing her, Darby Haynes asks Bruce Edwards, the star football player and every girl's dream date, to pretend that he is her boyfriend.
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories—stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join