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With his typically dark, droll humor, Edward Gorey presents the transformation of Maudie Splaytoe, a girl prone to staring at dead birds, into Mirella Splatova, a chic and mysterious prima ballerina. This woeful tale chronicles an ascent to the peak of fame, followed by an unexpected and dreadful demise. Gorey's exquisitely crafted illustrations of magical ballets, elegant drawing rooms, and stark apartments set the stage for this melodrama starring a slightly peculiar heroine. Faithfully re-released in this superb new edition, The Gilded Bat is one of the hundred or so eerily fanciful illustrated tales created by Edward Gorey (1925-2000) to the delight of his adoring fans. Gorey was also a playwright, an award-winning set and costume designer, and the creator of the animated introductions to the PBS series Mystery!
In this sequel to A River of Royal Blood, Eva and Isa must find a way to work together if they want to save their queendom in the thrilling conclusion to this royal fantasy duology. Now on the run, Eva is desperate for answers about her transformation and her true heritage. Along with Aketo, a small contingent of guards, and the sister she could not kill, Eva flees Ternain in hopes of finding friends and allies to the north--not to mention Baccha--to help her decide what to do next. Princess Isa is a difficult, unremorseful captive, and Eva knows better than to trust her sister, but she wants to. Despite their history, Eva is convinced that to survive the growing unrest in the queendom, she and her sister must make peace. Since the Entwining ceremony, Eva's and Isa's lives have been bonded, and each can only die by the other's hand. This perhaps provides an opening for a truce and a more hopeful future for both the sisters and the queendom, if only Isa would see reason and give up the battle for the throne. With the two princesses on the run, the Queendom of Myre is on the brink of a revolution. And without Baccha to guide and train her magick, Eva must find a way not only to survive her own metamorphosis, but to unite all the people of Myre, including her sister, by finally taking the Ivory Throne.
Sharply funny and compulsively readable, The Gilded Razor is a “powerful addition to the literature of active addiction and recovery” (New York Times bestselling author Bill Clegg) from Sam Lansky. The Gilded Razor is the true story of a double life that New York Times bestselling author George Hodgman called “virtuosic.” By the age of seventeen, Sam Lansky was an all-star student with Ivy League aspirations in his final year at an elite New York City prep school. But a nasty addiction to prescription pills spiraled rapidly out of control, compounded by a string of reckless affairs with older men, leaving his bright future in jeopardy. After a terrifying overdose, he tried to straighten out. Yet as he journeyed from the glittering streets of Manhattan, to a wilderness boot camp in Utah, to a psych ward in New Orleans, he only found more opportunities to create chaos—until finally, he began to face himself. In the vein of Elizabeth Wurtzel and Augusten Burroughs, Lansky scrapes away at his own life as a young addict and exposes profoundly universal anxieties. Told with remarkable sensitivity, biting humor, and unrelenting self-awareness, The Gilded Razor is a coming-of-age story of searing honesty and lyricism and “one of the best portraits about the implacable power of addiction” (Susan Cheever, bestselling author of Drinking in America).
It's been more than a century since Connecticut had big league baseball, but in the 1870s, Middletown, Hartford, and New Haven fielded professional teams that competed at the highest level. By the end of the decade, when the state's final big league team, Mark Twain's beloved Hartford Dark Blues, left the National League, baseball's transition from amateur pastime to major league sport had been accomplished. And Connecticut had played a significant role in its development. The history of the Nutmeg State's three major league teams is described here in full, and the author thoughtfully examines their influence within the regional baseball scene.
I'LL LOCK HER IN A GILDED CAGE AND THROW AWAY THE KEY. The night we met, she thought she was tasting freedom.I devoured her once and left before I even knew her name. Four months later, Bratva business leads me to the house of my enemy with one objective:Burn it down and kill everyone inside. That's exactly what I plan to do...Until I find her cowering before me.The innocent girl from the club.My beautiful caged bird. I'm not here to save her--I'm here to ruin her.But something stops me in my tracks.Something I never expected. Did she say that's my baby in her womb? GILDED CAGE is the first book in the Kovalyov Bratva duet. Artem and Esme's story will conclude in Book 2, GILDED TEARS.
"Lush and lavish, Sing Me Forgotten hit all the right notes." —Erin A. Craig, New York Times bestselling author of House of Salt and Sorrow "A deliciously magical feminist twist on the beloved classic The Phantom of the Opera." —Kester Grant, Sunday Times bestselling author of The Court of Miracles Isda does not exist. At least not beyond the opulent walls of the opera house. Cast into a well at birth for being one of the magical few who can manipulate memories when people sing, she was saved by Cyril, the opera house’s owner. Since that day, he has given her sanctuary from the murderous world outside. All he asks in return is that she use her power to keep ticket sales high—and that she stay out of sight. For if anyone discovers she survived, Isda and Cyril would pay with their lives. But Isda breaks Cyril’s cardinal rule when she meets Emeric Rodin, a charming boy who throws her quiet, solitary life out of balance. His voice is unlike any she’s ever heard, but the real shock comes when she finds in his memories hints of a way to finally break free of her gilded prison. Haunted by this possibility, Isda spends more and more time with Emeric, searching for answers in his music and his past. But the price of freedom is steeper than Isda could ever know. For even as she struggles with her growing feelings for Emeric, she learns that in order to take charge of her own destiny, she must become the monster the world tried to drown in the first place. "Enchanting, lush, and decadent." —Adalyn Grace, author of All the Stars and Teeth Also by Jessica S. Olson: A Forgery of Roses
From the vast lore surrounding King Arthur, Camelot, and the Knights of the Round Table, comes an anthology of gender-bent, race-bent, LGBTQIA+ inclusive retellings. Featuring stories by: Alexander Chee • Preeti Chhibber • Roshani Chokshi • Sive Doyle • Maria Dahvana Headley • Ausma Zehanat Khan • Daniel M. Lavery • Ken Liu • Sarah MacLean • Silvia Moreno-Garcia • Jessica Plummer • Anthony Rapp • Waubgeshig Rice • Alex Segura • Nisi Shawl • S. Zainab Williams Here you’ll find the Lady of the Lake reimagined as an albino Ugandan sorceress and the Lady of Shalott as a wealthy, isolated woman in futuristic Mexico City; you'll see Excalibur rediscovered as a baseball bat that grants a washed-up minor leaguer a fresh shot at glory and as a lost ceremonial drum that returns to a young First Nations boy the power and the dignity of his people. There are stories set in Gilded Age Chicago, '80s New York, twenty-first century Singapore, and space; there are lesbian lady knights, Arthur and Merlin reborn in the modern era for a second chance at saving the world and falling in love—even a coffee shop AU. Brave, bold, and groundbreaking, the stories in Sword Stone Table will bring fresh life to beloved myths and give long-time fans a chance to finally see themselves in their favorite legends.
The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.
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