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The giant Alexander is as high as one telegraph post on top of another. He walks to London and spring-cleans Nelson's Column, and then goes to tea with the Lord Mayor. After many more adventures he invites hundreds of children to a special "giant treat", a vast breakfast of roast sausages, fried onions, and fried potatoes.
The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC September 18, 2020–January 3, 2021
When a 10-foot tall purported "petrified man" is unearthed from a backyard in upstate New York in 1869, the discovery immediately turns into a spectacle of epic proportions. News of the giant spreads like wildfire, and well over a thousand people come to view him in the first five days alone!Everyone has their own idea of his true origin: Is he an ancient member of the local Onandaga Indian tribe? Is he a biblical giant like Goliath? Soon the interests of world-renowned scientists and people from around the globe are piqued as arguments flare over who he is, where he came from, and if he is real--or just a hoax. In a riveting account of how the Cardiff Giant mystery snowballed into one of America’s biggest money-making spectacles--and scams--Jim Murphy masterfully explores the power of 19th-century media and the unexpected ripple effect that a single corrupt mastermind can produce when given a stage.
For a few decades now, They Might Be Giants' album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who care more about science fiction than Slayer, who are more often called clever than cool. Neither the band's hip origins in the Lower East Side scene nor Flood's platinum certification can cover up the record's singular importance at the geek fringes of culture. Flood's significance to this audience helps us understand a certain way of being: it shows that geek identity doesn't depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess-a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America's advancing leftist social tides. Whether or not it was the band's intention, Flood's jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.
The Giant's Rival is an authoritative survey of Soviet relations with Latin America. Blasier provides a concise account of Soviet diplomatic, economic, and political-military involvement in the region, focusing on the post-1970 period.This revised edition includes chapters analyzing developments since 1983. Blasier views the origins of the Sandinista revolution, and its relation to international Communism, and how the Nicaraguan government has grown dependent on Soviet oil, arms, and economic and political assistance. He also describes the growing relations between the New Jewel Movement in Grenada and Moscow before it was toppled by the U.S. invasion. Blasier explains how U.S. policies have affected Soviet outcomes and makes proposals for protecting and advancing U.S. interests.
The popular image of Alexander Graham Bell is that of an elderly American patriarch, memorable only for his paunch, his Santa Claus beard, and the invention of the telephone. In this magisterial reassessment based on thorough new research, acclaimed biographer Charlotte Gray reveals Bell’s wide-ranging passion for invention and delves into the private life that supported his genius. The child of a speech therapist and a deaf mother, and possessed of superbly acute hearing, Bell developed an early interest in sound. His understanding of how sound waves might relate to electrical waves enabled him to invent the “talking telegraph” be- fore his rivals, even as he undertook a tempestuous courtship of the woman who would become his wife and mainstay. In an intensely competitive age, Bell seemed to shun fame and fortune. Yet many of his innovations—electric heating, using light to transmit sound, electronic mail, composting toilets, the artificial lung—were far ahead of their time. His pioneering ideas about sound, flight, genetics, and even the engineering of complex structures such as stadium roofs still resonate today. This is an essential portrait of an American giant whose innovations revolutionized the modern world.
The mythic discovery of the Cardiff Giant", a stone man of gigantic proportions, in 1869 by well-diggers in upstate New York continues to thrill Americans. And, after years, his story proves that it can still pack the house.