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Now a Netflix Mandarin original drama! From the New York Times bestselling author of The Night Tiger, a Reese’s Book Club pick Yangsze Choo’s stunning debut, The Ghost Bride, is a startlingly original novel infused with Chinese folklore, romantic intrigue, and unexpected supernatural twists. Li Lan, the daughter of a respectable Chinese family in colonial Malaysia, hopes for a favorable marriage, but her father has lost his fortune, and she has few suitors. Instead, the wealthy Lim family urges her to become a “ghost bride” for their son, who has recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at what price? Night after night, Li Lan is drawn into the shadowy parallel world of the Chinese afterlife, where she must uncover the Lim family’s darkest secrets—and the truth about her own family. Reminiscent of Lisa See’s Peony in Love and Amy Tan’s The Bonesetter’s Daughter, The Ghost Bride is a wondrous coming-of-age story and from a remarkable new voice in fiction.
"You love me, don't you, Jonnie?" The Industrial Revolution blackens the countryside. Women and children hack at coal underground and drag loaded tubs like animals. "You'd better love me." Rattle is a dirty, pipe-smoking, swearing collier-wench who dresses and swaggers like a boy. She's in love with Jonathan Turner, a young farmer and a prim, God-fearing Methodist. "I love you, Jonnie. I'll never let you go." Rattle is determined to have Jonathan. But he's already married. To a vengeful ghost. "I love you to death."
Michelle Dicinoski has found the love of her life, and now she just wants to get married and live happily ever after. The only problem is, she’s in love with an American woman, Heather, and neither Australia nor America recognises same-sex marriage. What to do when love and the law collide? For Michelle, the answer is clear: go to Canada and get hitched there. Ghost Wife is the deep, funny, heartwarming and brave story of that trip. Along the way, Michelle reflects on why anyone would want to get married anyway, on the power of acceptance, and on the startling stories she uncovers in her family’s past. She investigates the hidden worlds of people who live their lives outside social norms, sometimes illegally. Michelle doesn’t want to disappear, not from her family and not from society. But living in Australia, will she always be a ghost wife? ‘The story of two young women who love each other, Ghost Wife makes their love visible and uncovers the lives of hidden lovers on the two continents over which they travel. Moving, irresistible and new, this memoir will inspire readers to honour all that is hidden in the past – and within ourselves.’ —Gloria Steinem ‘Ghost Wife is a revelation in every sense of the word. It not only illuminates the struggle for equal marriage in the most intimate possible way, but also tenderly examines the meaning of love and commitment. Insightful, supple and gorgeously written, this book left me humbled and moved.’ —Benjamin Law ‘A powerful and deeply moving book.’ —Australian Book Review ‘Ghost Wife is a contemplative memoir, but it is also funny and warm-hearted. A paean to the ritual of marriage, Ghost Wife goes to the heart of what it is to be human: love and commitment, friendship and intimacy, shared values and shared struggle.’ —Australian ‘Resonant and engaging’ —Big Issue ‘Poignant and moving, the prose clear-eyed and affecting all at once.’ —Age Michelle Dicinoski’s poetry collection Electricity for Beginners was published in 2011. Her poems and essays have appeared in the Australian Literary Review, The Best Australian Poems, Meanjin, the Australian and Cultural Studies Review.
My name is Chen Fei, a forensic doctor! In order to pay respects to my grandparents and burn paper to sweep the tomb, I rushed back to my hometown. He had actually committed a taboo, attracting a beautiful ghost girl ...
"Polygamy?" says the mainstream Mormon Church. "We gave that up long ago." Not so, claims noted LDS poet and author Carol Lynn Pearson, who examines the issue as it has never been examined before. Any member of the LDS Church today who enters the practice of polygamy is immediately excommunicated. However, Pearson claims, polygamy itself has never been excommunicated, but has an honored and protected place at the table. It has only been postponed, a fact confirmed by thousands of "eternal sealings" giving a man an assurance that he will claim as wives in heaven the two, three, or even more women he has sequentially married during his lifetime. No such opportunity is available to women. Through her own personal stories, those of her ancestors, and the thousands of stories that came to her through an Internet survey, Pearson shows the power of the Ghost of Eternal Polygamy as it not only waits on the other side to greet the most righteous in heaven, but also haunts the living-hiding in the recesses of the Mormon psyche, inflicting profound pain and fear, assuring women that they are still objects, harming or destroying marriages, bringing chaos to family relationships, leading many to lose faith in the church and in God. Mormon historian and author Dr. Gregory Prince says of The Ghost of Eternal Polygamy: "Carol Lynn Pearson has hit a home run in her quest to illuminate both the damage that Mormonism's de facto practice of polygamy continues to inflict, and the route to a better, more humane place. Those who truly hope for eternal polygamy or who resent any call to institutional reform will be upset, but countless others will rejoice that she has shown 'a more excellent way.' "
Jack is not a normal boy. He can talk to ghosts. In his new home, an aging farmhouse, he meets the Ghost Mother, a grief-stricken spirit who becomes very attached to him...too attached. He learns that the Ghost Mother is preying in the cruelest imaginable way on four child ghosts who are trapped in the house, stealing their energy to sustain her own. Before Jack can figure out how to help them, the Ghost Mother takes possession of his real mother’s body. Jack wants to fight back, but he has severe asthma and risks fatal attacks with any physical exertion. It will take all his resources, and his mother’s as well, to fight off the Ghost Mother and save the ghost children from a horrible fate.
Joseph Moore is looking for a fresh start for himself and his son River after the recent death of his wife. With the ink already dry on the purchase of a rambling rural Victorian-era home in St. Augustine prior to her death, and family in close proximity, he decides that the property will be the perfect place for him and his son to heal. However, almost as soon as they arrive, Joseph realizes that they aren't proud new homeowners, but unwanted visitors. Carolina Braun knows that she's dead... she just doesn't want to accept it. Free-spirited in life, her family always held her back from living the way she wanted. Now, more than a hundred years after her death, Carolina is still holding on to the fact that she never got to really live and wants to make sure that everyone around her knows it -- especially the awful man that is trying to make an absolute spectacle of her home. When he discovers the cantankerous ghost's hidden stash of paintings in the attic, her unfinished business becomes clear. With Joseph's help, Carolina's artwork can be released into the world and her spirit can be set free as her home is restored to its former glory. Only now after meeting Joseph and his son, Carolina has a whole new reason to stay.
At thirty-one, Kirsten has just returned to San Francisco from a bohemian year in Rome, ready to pursue a serious career as a writer and eventually, she hopes, marriage and family. When she meets Steve Beckwith, a handsome and successful attorney, she begins to see that future materialize more quickly than she’d dared to expect. Twenty-two years later, Steve has turned into someone quite different. Unemployed and addicted to opioids, he uses money and their two children to emotionally blackmail Kirsten. What’s more, he’s been having an affair with their real estate agent, who is also her close friend. So she divorces him—but after their divorce is finalized, Steve is diagnosed with colon cancer and dies within a year, leaving Kirsten with $1.5 million in debts she knew nothing about. It’s then that she finally understands: The man she’d married was a needy, addictive person who came wrapped in a shiny package. As she fights toward recovery, Kirsten begins to receive communications from Steve in the afterlife—which lead her on an unexpected path to forgiveness. The Ghost Marriage is her story of discovery—that life isn’t limited to the tangible reality we experience on this earth, and that our worst adversaries can become our greatest teachers.
»The Canterville Ghost« is a short story by Oscar Wilde, originally published in 1891. OSCAR WILDE, born in 1854 in Dublin, died in 1900 in Paris, was an Irish prose writer, playwright, essayist, and poet. Wilde's significance as a symbol for persecuted homosexuals around the world is immeasurable. Wilde himself was sentenced to prison and hard labour, his works were boycotted, theatrical productions were shut down, and he was publicly vilified. The Picture of Dorian Gray [1890] is his most famous work.
25 chilling short stories by outstanding female writers. Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow. From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .