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In the early 1970s, two young filmmaking brothers unloaded their camera and recording equipment on the collapsing front porch of a dilapidated manor in East Hampton. The seemingly abandoned, decaying shell of a once-glorious home belonged to Edith Bouvier Beale. She and her daughter Edie Beale were the aunt and first cousin of former First Lady, Jacqueline Kennedy Onassis.Lois Erdmann Wright was one of only a handful of outsiders allowed into Grey Gardens. During the decades before the documentary, Lois and her mother had formed a close, family-like bond with the Bouvier-Beale women, and Lois learned to overlook the destruction and disarray of the home.For many years, the Beales lived alone in the crumbling estate, physically and financially unable to keep the house up to the codes demanded by the local Board of Health.Lois understood the Beale family. The two Edies were outsiders, trying to eke out a reclusive existence among their haughty, East Hampton neighbors. Surrounded by dozens of cats, raccoons, and piles of trash, Lois found acceptance, security, and unconditional love in the company of Grey Gardens' unlikely inhabitants.She never questioned her dear friends' lives, and they never questioned Lois. Much like the Beale ladies, and the mysterious mansion disintegrating around them, Lois held onto her own secrets, including one impossible rumor that connected her to the Bouvier-Beales in a way she never expected, and would never forget.Nearly a half-century later, the worldwide appeal and fascination with Grey Gardens hasn't dampened. The story has been recreated as a Tony Award winning Broadway musical, as well as a feature length film, and a second documentary.Now, Lois Wright, the "Ghost of Grey Gardens," tells the truth embedded in the cult-classic fable. For the first time ever, Lois recounts her ninety years of life, including the perfectly-imperfect years she spend with the Beales. Featuring never before seen personal photos, documents, and letters, and revealing jaw-dropping facts, this book is a must read for any Grey Gardens fan.
This book features transcripts of the most engaging and entertaining letters handwritten by Edie Beale from 1977-1987 and 2000-2001, up until a few months before Edie's death in 2002. During her lifetime, she wrote [the author] approximately 100 letters and cards. Letters of little Edie Beale : Grey Gardens and beyond is a sequel to memoraBEALEia : a private scrapbook about Little Edie Beale of Grey Gardens. -- From the introduction.
"Lois Wright was a lifelong friend of both 'Big Edie' Bouvier Beale and 'Little Edie', and she went along for the ride when the Beales were immortalized in the 1976 cinema verite documentary Grey Gardens. Most fans of the film--if they know her at all-think of Lois as the silent party guest who gave Big Edie a little index card box. Although her role in the documentary was minimized because it complicated the Maysles' vision of the documentary, Lois played an important role in the Beales' lives, including the little-known fact that she actually lived in the house"--Cover, p. 4.
The Marble Faun of Grey Gardens is Jerry Torre's touching and at times haunting memoir about his teenage days as caretaker of Grey Gardens, the now-celebrated mansion chronicled in the iconic documentary Grey Gardens and two feature-length films. The book, co-written with film historian Tony Maietta, is a behind-the-scenes look at "Big Edie" and "Little Edie" and their bizarre and reclusive life of squalor amidst the tremendous wealth of East Hampton, the family bond that developed between Jerry and them, and the day everything was turned upside down forever with the arrival of documentary filmmakers Albert and David Maysles. What begins as a teenager coming upon what he assumed was an old, abandoned house takes on new dimensions when suddenly Edie appears on the porch draped in a shower curtain with an apron tied around her head. "You must be the Marble Faun," she tells the stunned Jerry. Rather than chasing him away as he at first feared, she invites Jerry to meet her mother upstairs. So begins a strange and unusually close friendship with the two women as Jerry takes on the task of volunteer gardener of their estate, often sleeping nights in their living room and staying out of the way of mother-daughter arguments. The Marble Faun of Grey Gardens is Jerry's look back on the filming of Grey Gardens but also how the notoriety the movie achieved changed his life along with the Beales's as their private world is shared with audiences everywhere.
Edith "Little Edie" Bouvier Beale (1917-2002) is best known for her appearance in the critically acclaimed 1975 film Grey Gardens, a documentary by Albert and David Maysles that explored the reclusive lives of Beale and her mother "Big Edie," the first cousin and aunt of Jacqueline Kennedy Onassis, respectfully. Over the past three decades, the film and its eccentric stars have become cult icons, inspiring fashion tributes by the likes of Phillip Lim and John Galliano, a hit Broadway musical adaptation that swept up three Tony Awards in 2007, and an upcoming HBO movie starring Drew Barrymore and Jessica Lange as the famed odd couple. Edith Bouvier Beale of Grey Gardens: A Life in Pictures, the latest installment in a series that includes photo-biographies of John F. Kennedy, Pope John Paul II, Grace Kelly, Marilyn Monroe, and others, presents the most in-depth look at the life of Little Edie since the Maysles' film vaulted her into the public consciousness. Conceived by members of the Beale family, the book traces a line from Edie's childhood through her heady days as a young socialite and her later years at Grey Gardens, the decrepit East Hampton estate where she and her mother lived in near-total isolation for decades. Featuring over 150 newly uncovered photographs and letters, Edith Bouvier Beale of Grey Gardens offers unprecedented access to the personal history of this twentieth-century woman of mystery.
Compelling period fiction for 9+ readers from the Waterstones Children's Prize shortlisted Helen Peters. Evie couldn't be angrier with her mother. She's only gone and got married again and has flown off on honeymoon, sending Evie to stay with a godmother she's never even met in an old, creaky house in the middle of nowhere. It is all monumentally unfair. But on the first night, Evie sees a strange, ghostly figure at the window. Spooked, she flees from the room, feeling oddly disembodied as she does so. Out in the corridor, it's 1814 and Evie finds herself dressed as a housemaid. She's certain she's gone back in time for a reason. A terrible injustice needs to be fixed. But there's a housekeeper barking orders, a bad-tempered master to avoid, and the chamber pots won't empty themselves. It's going to take all Evie's cunning to fix things in the past so that nothing will break apart in the future... Absorbing, brilliant storytelling from the author of The Secret Hen House Theatre, The Farm Beneath the Water, Anna at War and The Jasmine Green Series for younger readers.
From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.
Nancy and her friends find themselves at a haunted inn with a mystery to solve in this thirteenth book of the Nancy Drew Diaries, a fresh approach to the classic mystery series. When Nancy and Bess accompany George to a cousin’s wedding in historic Charleston, South Carolina, they end up staying at an old inn near the family’s home with the rest of the guests. But when they begin hearing strange noises and witnessing unexplained phenomena at night—they soon discover that it’s one of Charleston’s most haunted hotels! When the wedding rings disappear during one of these spooky evenings, Nancy knows she’s got to get to the bottom of this ghostly mystery…before there isn’t a happily ever after.
One of the strangest and subtlest films ever made, the Maysles Brothers' 1975 documentary Grey Gardens today boasts as devoted a following as One Flew Over the Cuckoo's Nest or Harold and Maude. Shot at Grey Gardens, the dilapidated East Hamptons mansion of "Big Edie" and "Little Edie" Beale, aunt and cousin to Jackie Onassis, this classic of cinema verite tracks the Beales' eccentric and sequestered lives - which consist mostly of doing nothing, but with a mesmerizing zest and volubility. Little Edie's magical aphorisms ("Raccoons and cats become a little bit boring," she sighs towards the end of the film, "I mean for too long a time") are gems of unwitting camp, and between her observations, her costumes, the incredibly bizarre mother daughter tensions, the cats, raccoons and the beautiful ruins of Grey Gardens itself, "doing nothing" amounts to everything; indeed, it amounts to a tragicomedy of enormous emotional punch. This eclectic volume offers a myriad of collaged illustrations, photographs, film stills, production notes and other archival materials alongside transcripts of the Beales' own stories and conversations edited from unreleased Grey Gardens sound recordings. Structured to mirror the Maysles' own approach to the world of the Beales, it closely resembles the enchanting clutter of the mansion, a self-contained world littered with mementos and telling ephemera. It also reproduces unpublished photographs by both Albert and David Maysles. With an introduction by Albert Maysles, drawings and illustrations by Albert's daughter, Rebekah Maysles and an appendix with the full transcript of Grey Gardens, as well as an audio CD of sound recordings capturing the Beales at their best, this book is the essential companion to the film and a beautiful testimony to its legacy. The 60-minute CD that comes with the book contains conversations with the Beales and their friends, songs and poetry recited by the two Edies and audio of the Beales during and after watching the film for the first time.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.