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GIANT ACTION! GIANT ADVENTURE! THE GUNSMITH GIANT THE GHOST OF BILLY THE KID A Gunsmith Giant Edition TOWN OF THE LIVING DEAD The local gold rush is over. The threat of bandits is next to nada. And by the time Clint Adams rides through it, the pint-sized town of White Oaks is ready to settle back to normal, except for a bitter dispute between two local storekeepers. But then folks begin spotting Billy the Kid around town. Problem is, the Kid's been dead several years... Normally, Adams can smell a hoax from a mile away. But, once he's taken on as a hired gun by a storekeeper, the Gunsmith spots Billy the Kid—and would swear on a stack of bibles that the menace has come back to haunt him. Little does he know, though, that this phantom has a message for him—that, without the right friends in this town, the Gunsmith ain't got a ghost of a chance...
COWBOY STAR Roy Rogers, along with his horse Trigger, captivated audiences in his Return of Billy the Kid movies in the 1930's. In 1949, DC's All-Star Comics pitted Billy the Kid against Justice Society of America heroes. Billy faced up to Flash, Green Lantern, Hawkman, Atom, Black Canary, Doctor Mid-Nite, and Wonder Woman. In 1966, Marvel Comics featured Billy the Kid in a showdown with the Two-Gun Kid. Billy has faced vigilantes and vampires, crooked judges and crooked lawmen-on film, in books, and comics. He has stood up to ghosts, evil men and mean spirits. In the history, myths, folklore and legends of Western America, the Kid is presented as both outlaw and lawman. In a contradiction, more often than not Billy the Kid fights for justice and the American way. Famed historian Ray John de Aragón explores the mystery behind the legend and unravels fresh insights for us. De Aragón is the first to examine Billy the Kid's Hispanic connection. He also investigates Billy's untimely demise from the gun of Sheriff Pat Garrett. The self-perpetuating image of Billy the Kid lives on, never ceases, and never dies.
Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)
In early 2003, three sheriffs set out to prove that Pat Garrett killed Billy the Kid, thereby also proving that Brushy Bill of Hico, Texas was not the real Kid. Along their way, the sheriffs enlisted New Mexico Governor Bill Richardson's support and took two communities on a wild ride through court battles to dig up Billy and his mother. Governor Richardson found an attorney willing to work free and provide Billy with a voice. Follow "Billy" as he speaks for himself in court, requesting that he and his mother be dug up to examine the DNA in their dusty remains for evidence that they were related. And follow the small towns of Fort Sumner and Silver City, New Mexico as they fight to retain the integrity of their municipal cemeteries and keep the legend of Billy the Kid from crumbling away. Author Jay Miller followed the strange unfolding of events, digging to find the source of the money that financed an official murder investigation and the court action against two courageous small towns struggling to prevent the exhumations.
As Luke and his sister Jenny resume their summer vacation their mother plans a stop at the historic town of Lincoln, New Mexico. But when a thunderstorm begins to brew, Luke and Jenny realize things aren't what they seem. Suddenly they are swept back in time and find themselves face-to-face with the notorious Billy the Kid. The ghost of Paul, a young buffalo soldier who lived over a century ago, guides them on their journey as they experience the life and times of this mysterious young outlaw. Will Billy the Kid live up to his legend?
A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.
Many years after the death of Billy the Kid, Deputy John William Poe, who was just outside the door when Sheriff Pat Garrett killed Billy, wrote out the whole story, which was published in a small edition. While certain statements made in the book by Poe are controversial, his account is a valuable document for anyone interested in Billy the Kid.
“So richly detailed, you can almost smell the gunsmoke and the sweat of the saddles. ” —Hampton Sides, New York Times bestselling author of Ghost Soldiers No outlaw typifies America’s mythic Wild West more than Billy the Kid. To Hell on a Fast Horse by Mark Lee Gardner is the riveting true tale of Sheriff Pat Garrett’s thrilling, break-neck chase in pursuit of the notorious bandit. David Dary calls To Hell on a Fast Horse, “A masterpiece,” and Robert M. Utley calls it, “Superb narrative history.” This is spellbinding historical adventure at its very best, recalling James Swanson’s New York Times bestseller Manhunt—about the search for Lincoln’s assassin, John Wilkes Booth—as it fills in with fascinating detail the story director Sam Peckinpah brought to the screen in his classic film Pat Garrett and Billy the Kid.