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Diagnosed with typhoid fever at age of nine, Edith Wharton was beginning a long convalescence when she was given a book of ghost tales to read. Not only setting back her recovery, this reading opened up her fevered imagination to "a world haunted by formless horrors." So chronic was this paranoia that she was unable to sleep in a room with any book containing a ghost story. She was even moved to burn such volumes. These fears persisted until her late twenties. She outgrew them but retained a heightened or "celtic" (her term) sense of the supernatural. Wharton considered herself not "a ghost-seer"—the term applied to those people who have claimed to have witnessed apparitions—but rather a "ghost-feeler," someone who senses what cannot be seen. This experience and ability enabled Edith Wharton to write chilling tales that objectify this sense of unease. Far removed from the comfort and urbane elegance associated with the author's famous novels, the stories in this volume deal with vampirism, isolation, and hallucination, and were praised by Henry James, L. P. Hartley, Graham Greene, and many others.
“James Goll is one of the most accurate prophets I know.” —Sid Roth, It’s Supernatural! The Scriptures give us a full-color picture of a God who is moved by emotions such as yearning, love, and compassion. Our human emotions reflect the emotional qualities of our Creator, who made us in His own image. Feelings have a vital place in any believer’s life, not just in those who have a more sensitive nature due to their personalities. The Feeler by James W. Goll delivers a remarkable biblical perspective on our emotions and how they help us to discern and act on God’s voice. We experience the love, joy, and presence of God with our feelings. Our emotions have an impact on our bodies, our level of holiness, our relationships, and our decisions. The Bible tells us we need to have our “senses trained to discern good and evil” (Hebrews 5:14 NASB). What are we training? Both our natural senses and our spiritual senses. Our physical senses, with the addition of “knowing,” correspond to our spiritual senses in these ways: Eyes (sight): visions and dreams Ears (hearing): voices and sounds Heart (touch): emotions and feelings Tongue (taste): good and evil Nose (smell): good and bad Mind (knowing): divine thoughts and impressions This book will show you how to listen for and recognize the often subtle ways God’s Spirit speaks to believers, as well as how to discern good and evil spirits. With consecrated gifts and senses, you can reach out to the body of Christ and to the world at large in both spiritual and practical ways, making you much better equipped to fulfill your role as an ambassador of the gospel.
This fine collection of fifteen stories straddles the thin border between ordinary anxiety and existential nightmare. These tales of dread and darkness ignore the traditional demons haunting country houses or popping up from unopened graves, but instead feature characters inhabiting the familiar scenes of quotidian life. That these are tales of ordinary people makes them all the more disquieting, their horrors more sharply edged, precisely because they are set in modern, everyday reality. What the protagonists have in common, regardless of age, status, or profession, is that at some point in their lives, by imperceptible degrees or with alarming rapidity, reality turns strange, the unthinkable becomes conceivable, and the specters of uncertainty, fear, and stark, sheer terror become their constant companions.
Various authors focus on life and works of Edith Wharton, on her women in fashion, in history, out of time, addiction and intimacy, travel, and modernity, art, the age of film. The book contains an illustrated chronology and a bibliographical essay.
Over 25 short story masterpieces from writers such as Louis de Bernières and Ian Rankin - modern literary tales to chill the blood. This spine-chilling new anthology of 20th and 21st century tales by big name writers is in the best traditions of literary ghost stories. It is just a little over a hundred years ago that the most famous literary ghost story, The Turn of the Screw by Henry James, was published and in the intervening years a great many other distinguished writers have tried their hand at this popular genre - some basing their fictional tales on real supernatural experiences of their own.
Throughout her career Wharton wrote ghost stories, and is a central figure within the genre in the twentieth century. When she collected many of her ghost stories together in Ghosts (1937) she put them under the 'special protection' of Walter de la Mare. Like him, she manages to evoke uncannily convincing atmospheres and characters, and in such stories as 'Afterward' the way in which the tale is told is so satisfying that one can only admire her craftsmanship. Wharton's collection Ghosts is described by E.F. Bleiler as a 'landmark volume in supernatural fiction', and to this we have been able to add a number of other tales of the supernatural, many of which will be unknown to her readers.
Ranging from the 18th century to the present and from Beacon Hill to windswept Cape Ann, Holly Nadler's collection of true ghost stories from Boston and its environs offers a varied sampling of supernatural phenomena. Many of these tales offer a satisfying dose of ghoulish and frightening details; others are colored with a certain poignancy or even humor.
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
An in-depth biographical study, rare essays by and about Wain, and 60 of his best-loved illustrations make this a must-have for fans of the cult cat artistWith a wealth of Wain's most famous drawings, as well as rare writings by and about the artist, this is an ideal book for both Wain fans and cat-lovers in general. Louis Wain drew cats: cats playing poker, boxing, playing cricket, and doing almost any human activity. His pictures are widely available today as decorative motifs and popular prints, but in his day, the man dubbed the "Hogarth of cat life" was a celebrity who sold thousands of drawings and paintings to an insatiable public. From humble beginnings, Wain became a hugely successful popular artist, creating the Louis Wain Annual series and the first ever animated cat character, later acknowledged as the inspiration for Mickey Mouse. But after he lost his fortune, he lost his mind. He ended up in a provincial asylum, sketching psychedelic cats that were more fiend-like than feline. When his fate was discovered in 1925, the Royal Family and the Prime Minister joined a national campaign to rescue Wain. The artist never entirely recovered his health, but he was eventually moved to a better home, where he continued to draw and paint almost until his death in 1939.
When Man's emerging star-empire met that of the savage Cromanths, the alien hordes began a war of extinction against humankind. So overwhelming was their power that Earth's outposts and finally the Earth itself were utterly destroyed. But one starship managed to escape, carrying colonists toward some distant habitable planet .if such a place existed .and if the Cromanths didn't find them first. The mission was successful and the colony established. Mankind began to adapt to its new world, developed new abilities, and forgot much of its past on Earth. But then a Cromanth ship landed on the new planet -- and the last remnants of humanity were in jeopardy once more. Could humankind somehow survive this savage new onslaught by the Cromanthian Empire? A major SF novel by a modern master of the genre.