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Angel barely survives the Loma Prieta earthquake of October, 1989, only to be told that she was stolen from her real mother when she was a small child. While Angel s adopted mother Judith languishes in prison, Angel struggles to come to terms with her new reality, her birth mother flees her dark past, and a police detective tries to distinguish the truth from the lies."
A spooky stand-alone middle-grade novel from Dan Poblocki, perfect for fans of John Bellairs and Mary Downing Hahn. "They say if you see him, it's already too late."Claire doesn't believe in ghosts, even though her dad is a ghost hunter on TV. But then her dad disappears. And a strange boy in her class, Lucas, knows something about ghosts. One of them has a message for her: Her dad has been taken, and he's in grave danger.Together, Claire and Lucas set out for the town of Hush Falls, where her dad was last seen. Legend says that a tall man in a dark tattered coat lurks near the local reservoir, and anyone who gets too close to old Lemuel Hush is never heard from again.Claire and Lucas are determined to rescue her father. But how can they save him from the ghost of Hush when everyone knows that seeing the ghost means that you're destined to die...
* Chosen as a 2020 Kirkus Prize Finalist for Young Readers' Literature! * A Malaysian folk tale comes to life in this emotionally layered, chilling middle grade debut, perfect for fans of The Book of Boy and The Jumbies. I am a dark spirit, the ghost announced grandly. I am your inheritance, your grandmother’s legacy. I am yours to command. Suraya is delighted when her witch grandmother gifts her a pelesit. She names her ghostly companion Pink, and the two quickly become inseparable. But Suraya doesn’t know that pelesits have a dark side—and when Pink’s shadows threaten to consume them both, they must find enough light to survive . . . before they are both lost to the darkness. Fans of Holly Black’s Doll Bones and Tahereh Mafi’s Furthermore series will love this ghostly middle grade debut that explores jealousy, love, and the extraordinary power of friendship.
When lawyer Alice MacDonald Greer finds the dead body of her friend and client Ellie Windom at the foot of a staircase, a terrorized horse dancing nearby, she knows trouble's coming. Serving as executor for her friend's will means grappling with Ellie's explosive secrets: a long-lost daughter unknown to her feuding sons and a long-ago lover with enemies of his own. Alice quickly discovers her friend had a treasure trove of hidden art with questionable history, and the vultures begin to circle. Intruders, carjackers, and greedy heirs all want a seat at the feast. Join Alice as she tries to dodge danger and uncover the murderous truth in a race across Texas and New Mexico (with occasional stops for barbecue).
INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.
Eleven-year-old April Sloane has never set foot in a school before, and now that President Hoover and his wife are building a one-room schoolhouse in the hollow of the Blue Ridge Mountains where April lives, she is eager to attend it. But these are the Depression years, and Mama, who has been grieving ever since the accidental death of her seven-year-old son, wants April to stay home and do the chores around their dilapidated farm. With her grandmother's intercession, April is grudgingly allowed to go. The kind teacher encourages her apt pupil, who finds a new world opening up to her. But at home, April cannot repair the relationship with her mother, and worse, her mother overhears the dark secret April confesses to her teacher regarding the true cause of her brother's death, for which April feels responsible. The author has used her own experience growing up in a rural area of northern Virginia to create the vivid characters and authentic dialogue and background detail that characterize this finely honed debut novel. She has based the one-room schoolhouse on papers in the Hoover Presidential Library in West Branch, Iowa, which include letters between the White House and the young teacher who taught at the school.
When Emmaline Beaumont's father started building the ghost machine, she didn't expect it to bring her mother back from the dead. But by locking himself in the basement to toil away at his hopes, Monsieur Beaumont has become obsessed with the contraption and neglected the living, and Emmaline is tired of feeling forgotten. Nothing good has come from building the ghost machine, and Emmaline decides that the only way to bring her father back will be to make the ghost machine work...or destroy it forever.
A Kirkus Reviews Best Young Adult Book of 2020 A SLJ Best Book of 2020 A Shelf Awareness Best Book of 2020 A 2020 BCCB Blue Ribbon List title “Move over, Louisa May Alcott! Samantha Mabry has written her very own magical Little Women for our times.” —Julia Alvarez, author of How the García Girls Lost Their Accents In a stunning follow-up to her National Book Award-longlisted novel All the Wind in the World, Samantha Mabry weaves an aching, magical novel that is one part family drama, one part ghost story, and one part love story. The Torres sisters dream of escape. Escape from their needy and despotic widowed father, and from their San Antonio neighborhood, full of old San Antonio families and all the traditions and expectations that go along with them. In the summer after her senior year of high school, Ana, the oldest sister, falls to her death from her bedroom window. A year later, her three younger sisters, Jessica, Iridian, and Rosa, are still consumed by grief and haunted by their sister’s memory. Their dream of leaving Southtown now seems out of reach. But then strange things start happening around the house: mysterious laughter, mysterious shadows, mysterious writing on the walls. The sisters begin to wonder if Ana really is haunting them, trying to send them a message—and what exactly she’s trying to say. In a stunning follow-up to her National Book Award–longlisted novel All the Wind in the World, Samantha Mabry weaves an aching, magical novel that is one part family drama, one part ghost story, and one part love story.
"What's wrong, Mommy?" Even a five-year-old could tell something was wrong. There she was-the same little girl I had seen years ago. She was standing at the front window of Duncan's nursery, holding the rag doll from the old toy box in the attic, silently saying, "It's me, it's me..." A true ghost story that will give you chills and warm your heart In 1971, Kathleen McConnell and her family moved into a historic home known as the Fontaine Manse. Two days after moving in, she and her husband had an extraordinary experience that left them with no doubt that unseen residents occupied the house, too. This is the true story of how Kathleen McConnell came to know and care for the spirit children who lived in the attic of the mansion-Angel Girl, Buddy, and The Baby. From playing ball with Kathleen, to saving her son Duncan from drowning, the spirit children became part of the McConnell family in ways big and small. Finally, a heart-wrenching decision triggered an unexpected and dramatic resolution to the spirit children's plight. Don't Call Them Ghosts is the inspiring story of the transcendent and lasting power of a mother's love.
“The Girl with Ghost Eyes is a fun, fun read. Martial arts and Asian magic set in Old San Francisco make for a fresh take on urban fantasy, a wonderful story that kept me up late to finish.” —#1 New York Times bestselling author Patricia Briggs It’s the end of the nineteenth century in San Francisco’s Chinatown, and ghost hunters from the Maoshan traditions of Daoism keep malevolent spiritual forces at bay. Li-lin, the daughter of a renowned Daoshi exorcist, is a young widow burdened with yin eyes—the unique ability to see the spirit world. Her spiritual visions and the death of her husband bring shame to Li-lin and her father—and shame is not something this immigrant family can afford. When a sorcerer cripples her father, terrible plans are set in motion, and only Li-lin can stop them. To aid her are her martial arts and a peachwood sword, her burning paper talismans, and a wisecracking spirit in the form of a human eyeball tucked away in her pocket. Navigating the dangerous alleys and backrooms of a male-dominated Chinatown, Li-lin must confront evil spirits, gangsters, and soulstealers before the sorcerer’s ritual summons an ancient evil that could burn Chinatown to the ground. With a rich and inventive historical setting, nonstop martial arts action, authentic Chinese magic, and bizarre monsters from Asian folklore, The Girl with Ghost Eyes is also the poignant story of a young immigrant searching to find her place beside the long shadow of a demanding father and the stigma of widowhood. In a Chinatown caught between tradition and modernity, one woman may be the key to holding everything together. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.